Stunning sound throughout for this superb live album with both sides earning shootout winning Triple Plus (A+++) grades
Hathaway and his band are on fire here playing for an enthusiastic small club audience – this is the best album the man ever made and a true Must Own
Clean originals of this Classic Soul album are practically impossible to find in audiophile condition, and this one has its fair share of problems, but with music and sound this good, it’s a lot easier to overlook them
4 1/2 stars: “Donny Hathaway’s 1972 Live album is one of the most glorious of his career… Live solidified Hathaway’s importance at the forefront of soul music.”
This is an absolutely superb recording. The best copies capture the feeling of a live club like few recordings you’ve ever heard. The enthusiasm of the crowd, the honest, emotive performances, the superb musicianship — it’s all there on a Shootout Winning Hot Stamper copy like this!(more…)
On even the best copies there’s a bit too much Tubey Magic in the bass I regret to say. Tubbiness and bloat were par for the course. This may explain why so many copies have rolled off bass; the engineer cut the bass because he heard how tubby it was and figured no bass is better than bad bass.
Which is just not true. Cutting the bass leans out and “modernizes” the sound, making the voices sound thin and dry. This pretty much ruins everything on this album just the way it ruins everything in practically every modern recording I hear. Having your bass under control on the playback side isn’t easy — in fact it’s probably the hardest thing to achieve in audio — but it can be done, and with good bass control the slightly wooly bass is just part of the sound you learn to accept.
It doesn’t actually interfere much with your enjoyment of the music, mostly because all the other instruments and voices sounds so magical.(more…)
Off the charts “Triple Triple” sound for this Must Own Dr. John album – both sides earned our top grade of A+++
SURPRISINGLY GOOD SOUND – who knew how well recorded this album was? (Certainly not the audiophile press)
We don’t know of any other Dr. John album with sound remotely as good, and the modern albums of his we’ve played were just awful
4 1/2 Stars: “Dr. John finally struck paydirt here and was certainly In the Right Place. With the hit single “Right Place Wrong Time” bounding up the charts, this fine collection saw many unaware listeners being initiated into New Orleans-style rock.”
Punchy drums, solid bass, smooth vocals, extended highs — this album was produced, recorded and mastered by superbly talented individuals who deserve a lot of credit for the work they have done here.
If you like Little Feat this album should be right up your alley. And if you like this album and don’t know little feat, the link on the left will take you to their music. They’re one of the all time great bands of the ’70s (and still going as far as I know).(more…)
The first Hot Stamper copy of the Allman’s incredible debut to EVER hit the site! This album has some of the ABB’s very best music and on a copy like this, sonics, but MAN is it tough to find a good one. We’ve been picking these up for years and the fact that it took us until 2016 to get any copy at all on the site should tell you something.(more…)
The fullest, richest, smoothest, most energetic and clearest copy we played in our shootout by far – this is how good the album can sound! This one has the clarity and energy that let this music come to life. The sound was jumping out of our speakers.
As I’m sure you know, there is a Mobile Fidelity Half-Speed Mastered version of this album currently in print, and an older one from the days when their records were pressed in Japan (#052). (more…)
Insanely good Shootout Winning Triple Plus (A+++) sound from start to finish – one of the best copies to ever hit the site!
Our rare, original Plum and Orange UK original here put every other pressing to shame – some of the best High Production Value rock music of the ’70s, thanks to the band and a Mr Eddie Offord
If you’ve ever heard one of our Yes Album Hot Stampers, you’ll know what to expect here – HUGE and POWERFUL sound
“If Yes‘ debut was a prelude to their glory years as a band, Time and a Word sees them making a bold first step into the realm of prospective greatness.”
This British original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
A++ sound and quiet vinyl on both sides of this 1968 soul classic, an album that received a top Five Star rating from the All Music Guide! We’ve been playing a ton of Aretha Franklin records around here in recent days, but it’s hard to find pressing that separate themselves from the pack to give you audiophile-friendly sound for her recordings, which (naturally) seem to be optimized more for the radio than for your hi-rez audio rig. Every now and then, however, we’ll luck into a copy that delivers some real soul magic in its grooves, and this was one of those copies. Chain Of Fools and Aretha’s great version of Natural Woman sound JUST RIGHT.
Most of the Aretha records we’ve played tend to be a bit too bright, which brings out a lot of grit, grain and edge. I don’t want to be presumptuous, but I can’t imagine that’s the sound the Queen Of Soul was going for. A copy like this gives you smoother, sweeter sound with a more natural tonal balance. It makes the music work so much better — the sound is easier on the ears and not nearly as fatiguing, plus it lets you turn up the volume good and loud without giving yourself a headache!(more…)
This is a handy record for VTA setup, a subject we discuss at length below.
On the better copies Aretha’s vocals are as dynamic as any you will ever hear, and unlike all the records she did with Tom Dowd, her voice never breaks up on this record. If you have big speakers that can play at loud levels, with the right volume level you can really get Aretha to belt it out like nothing you have ever heard.
Like most modern churches, the kind that have upholstered pews and lots of carpeting, the natural reverberation of the sound isn’t as pronounced as it would be were the recording taking place in a 16th century cathedral.(more…)
Two incredible sides — an A+++ side one backed with an A++ to A+++ side two — for one of the best sounding albums Aretha recorded! We’ve done a ton of Aretha shootouts over the years and I’d put this one up with Amazing Grace as her top titles for sound. Everything we wanted from this music, this copy was DOIN’ IT, plain and simple. It’s lively, open, present and natural. The soundfield is big and spacious and the bottom end is killer. Aretha fans, you won’t want to miss out on this one!(more…)