WONDERFUL MUSIC AND SOUND ON SIDE ONE, plus quiet vinyl! This copy gives you precisely the right balance of clarity and sweetness we were looking for in the sound of the violin. Beyond that, the orchestra also sounds amazing here — so RICH and FULL-BODIED. We found the sound of this side one Hard To Fault and I bet you will too. In fact, I guarantee it — or your money back! This record puts most of the TAS Super Discs to shame, and it’s on a budget reissue label. Hey Harry, how about them apples!?
Side two is decent but a bit too dark. The best music is on side one, so it’s not a huge loss. It’ll also show you just how exceptional this side one is!(more…)
This Minty British “Sitting Angel” pressing has Super Hot Stamper sound on side two, reproducing accurately the sound of a solo violin in what sounds to us like a fairly lively and resonant rehearsal hall. Perhaps accurately is not the right word, since obviously none of us have ever set foot in whatever room the music was recorded in. “Realistic” might be a better choice in that regard, since the sound is believable for what we would expect that room might have contributed to the sound we hear on the pressing in hand.
Interestingly, the sound on side two is a tad better than side one — the violin is more present and warm, the room less resonant (in a good way). (more…)
This White Hot Stamper original Blue Angel pressing has some of the most exquisite sound for a violin/orchestral recording we have ever heard here at Better Records. I do not think there is any Heifetz album on RCA Shaded Dog (or otherwise) to compete with it. We would rank this Angel recording/pressing with the best of Rabin and Milstein on Capitol, as well as the wonderful Ricci and Campoli discs on London/Decca. In other words, this is one of the best sounding violin-led orchestral recordings we have yet to play, and we’ve played them by the hundreds and hundreds. (Practice makes perfect they say.)
So clear, so three-dimensional, so relaxed, rich and sweet — can it get any better? I’d have to say not much!
It’s the Chausson piece that earned our highest grade of Three Pluses, a work that is certainly less well-known than the legendary Saint-Saens Third. Both are superb examples of the kind of sophisticated, melody-driven music the French Romantic school was producing in the latter part of the 19th century. You may become as big a fan of the Chausson as we happily admit to being now, having heard this wonderful pressing.(more…)
This rare, hard to find original Blue Angel stereo pressing has exquisite sound. As we noted in our listing for Milstein’s Saint-Saens Third, it is the rare Heifetz album on Shaded Dog (or any other label) that could hope to compete with it.
We would rank this Angel recording/pressing with the best of Rabin and Milstein on Capitol, as well as the wonderful Ricci and Campoli discs on London/Decca.(more…)
This White Hot Stamper copy of Bizet’s Carmen, rearranged by Soviet composer Rodion Shchedrin for strings and 47 percussion instruments, has two AMAZING sides back to back, which makes it only the second copy of this quality to ever hit the site, and the first to do so in two years.
Demo Quality Sound barely begins to do it justice. If you have the system to play it, this copy is a KNOCKOUT.(more…)