Hot Stamper Histories

Fiedler / Boston Tea Party – Reviewed in 2010

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This original Shaded Dog pressing has EXCELLENT SOUND AND QUIET VINYL ON SIDE TWO, where you’ll find a wonderful rendition of Hernando’s Hideaway! The sound is excellent — lively, full-bodied and super three-dimensional. Check out how great the castanets sound!

Side one is nothing special and a bit noisy in the right channel, so we’re really only charging you for the strong side two. Hernando’s Hideaway is really worth the price of admission alone, you’ll see! As I’m sure you know by now, Fiedler on this sort of material is very hard to beat. (more…)

Big Brother & The Holding Company

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This album has got that trippy ’60s San Francisco sound, no doubt about it. Those of you who are familiar with Jefferson Airplane’s Surrealistic Pillow or the early Grateful Dead albums know what I’m talking about. Like you might expect from this mixture of blues and psychedelic rock, the sound can be a bit raw. That’s surely the way the band wanted you to hear it, and this copy gives you, more than anything else, the right sound for this music. (more…)

Lalo / Symphonie Espagnole / Szeryng / Hendl – Reviewed in 2011

More of the music of Lalo

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is an AMAZING sounding early Plum Victrola pressing, one of the BEST SOUNDING Victrolas we have ever heard — when (and only when) you have a copy that sounds as good as this one does. This is by far the best side two we played, out of the three copies we had on hand, earning our top sonic grade of A+++. This pressing on side two ranks right up there with the best of the hundreds of Shaded Dogs we’ve played. I haven’t had a Shaded Dog of this title to audition in a long time, but I sure don’t remember it sounding like this. 

Musically and sonically this is an audiophile DREAM come true. The orchestration is rich with many colors, calling to mind such audiophile-friendly pieces as Capriccio Italien and Capriccio Espagnol. (more…)

Emmylou Harris – Quarter Moon In A Ten Cent Town – MoFi Debunked


Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.

I comment below about the ridiculous sound of the MoFi pressing. When you have a recording that is already plenty bright, adding more top end and taking out more lower midrange is the last thing in the world you should be doing. Since that is standard operating procedure for MoFi (and other Half-Speed mastering outfits), that’s exactly the approach they ended up taking.

The sound that Emmylou and her producers were going for here is clean, detailed and low distortion, which is exactly what the best pressings, the “hottest stampers”, deliver.

Those of you who have had the opportunity to play the Mobile Fidelity pressing of this record should know what a disaster it is.

Is brighter better? Apparently Mobile Fidelity thinks so. And they did the same thing to Gordon Lightfoot’s album. His voice sounds so phony on the MoFi that you’d swear it’s a bad CD. But it’s not a bad CD. It’s an expensive audiophile record! (more…)

Bonnie Raitt – Home Plate – Our Shootout Winner from 2008


A distinguished member of the Better Records Rock and Pop Hall of Fame.

This original WB Palm Tree label LP has THE BEST SIDE ONE we have ever heard here at Better Records. “A Triple Plus” sound means you’re probably hearing the album better than they did when they played back the master tape in the control room. (Studio monitors being what they are.) Since this is one of my three favorite Bonnie Raitt albums — the others being Sweet Forgiveness and Nine Lives — and quite possibly the best sounding album she ever made, it goes without saying that this is THE Must Own Bonnie Raitt Hot Stamper Pressing of All Time.

What about the Capitol albums she recorded with Don Was? (more…)

Paul Desmond – Skylark – Our Shootout Winner from 2012

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A distinguished member of the Better Records Jazz Hall of Fame.

An A+++ side one backed with an A+ to A++ side two, both on quiet vinyl! We just finished our first big shootout for this fun album that features Gabor Szabo on guitar and this was one of the best copies we heard, especially on the first side where nothing else could compare.

Side one has got that CTI magic that you only get on their very best pressings. The sound is lively, full-bodied and tonally correct from top to bottom. It’s also very open and transparent, giving you lots of space between the various instruments. The top end is Right On The Money — listen to how natural and correct the ride cymbal sounds on the opening number. Most copies we played had a tendency to sound recessed and reserved, but this one has the kind of presence and energy that this music needs to sound ALIVE. A+++ all the way! (more…)

Morton Gould and His Orchestra – Love Walked In – Our Shootout Winner from 2011

More of Tubey Magica

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This Super Hot Stamper (or better!) Living Stereo Shaded Dog pressing has SUPERB TUBEY MAGICAL Golden Age sound the likes of which you will not believe. (If you’ve bought some of our best Hot Stamper Living Stereo recordings then you will have no trouble believing it I’m sure.) 

Side two displays some of the richest, most three-dimensional orchestral sound we have heard in quite some time. The fifth track is especially notable for a pizzicato arrangement that makes it a DEMO DISC track to beat them all. Plucked strings simply do not sound any better!

The legendary RCA engineer Lewis Layton deserves all the kudos here. The string tone is perfection on side two, Living Stereo Magic at its best! (more…)

Spooky Tooth – Witness – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This very nice looking Island Sunray British Import LP has GREAT SOUND on side one — we rate it A++ or thereabouts. (There may be a copy out there that’s worthy of our Triple Plus grade and there may not; this is the first clean early British copy we’ve played and it sounded so good to us we didn’t think there was much room for improvement, on side one anyway. Hence the grade.)

Although it’s not Glyn Johns that engineered this album, it was recorded at Island and Olympic studios, both of which are top quality locations famous for producing some of the best sounding rock records in the history of the world. (more…)

Art Pepper – Smack Up – Our Shootout Winner from 2009

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Smack Up


A distinguished member of the Better Records Jazz Hall of Fame.

WOW — the first Smack Up Hot Stamper to hit the site in over two years! We love this album and wish we could find more great copies, but it sure ain’t easy. Here’s a Contemporary Yellow Label pressing that’s very good on side one and INCREDIBLE on side two. The first track on side one doesn’t sound quite as good as the rest of the material, but by the second track this thing is SMOKIN’.

You’re going to flip out over this side two, mark my words. The sound is lively and dynamic with a powerful bottom end. The saxophone sounds just right — breathy, full-bodied and realistic. This side has all the tubey magic of the best black label originals, without their bad vinyl and bloated bass. I get black label original Contemporary pressings in all the time, but few of them are mastered right and most never make it to the site. Some are pure muck. Some have bloated bass that is hard to believe.  (more…)

Rachmaninoff / Piano Concerto #2 / Cliburn / Reiner – Reviewed in 2011

More of the music of Sergei Rachmaninoff (1873-1943)

Piano Concerto #2 / Cliburn / Reiner


A distinguished member of the Better Records Orchestral Music Hall of Fame.

We dropped the needle on side one of this lovely and quite rare Shaded Dog pressing and heard very good Living Stereo orchestral sound. We ended up giving it a sonic grade of A+ to A++.

When we flipped it over and heard the sound on side two, our jaws hit the ground (simultaneously? Can’t say for sure). WOW! It’s clearly one of the BEST piano concerto recordings we have ever had the pleasure of placing on our turntable. It puts to shame 98% of the piano recordings we’ve played over the years. Who knew LSC 2601 could sound so good? 

No one besides us it seems. No audiophile reviewer seems to be impressed by it, as far as we can tell after a quick search. Is it the only copy in the world that sounds this good? Who’s to say? Side one won’t win any awards, but side two sure will. It sets a standard not many other recordings of piano and orchestra are going to be able to meet. (more…)