More of the music of Peter Ilyich Tchaikovsky (1840-1893)
Reviews and Commentaries for the 1812 Overture
Our catalog from the 90s recommended this Heavy Vinyl Decca pressing from Speakers Corner.
We haven’t played a copy of this record in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.
Excellent, one of the best of the Deccas. Better sound by far than the Classic with Reiner, although of course the original of that record is quite good [actually it is not].
You may get better results if you reverse your polarity when playing this record. It’s been a while since I did it so better to check it yourself and see how you like it each way.
Years ago we wrote the review you see above. Doubtful that we would still find the record as good sounding as we did back then, in the 90s, so take it for what it’s worth. (What I couldn’t hear on my system back in those days may be of interest to some of you.)
If you can pick one up for cheap, it’s probably a good record for the price.
What to Listen For
As a general rule, this Heavy Vinyl pressing will fall short in some or all of the following areas when played head to head against the vintage pressings we offer:
- It will tend to lack ambience, size and space.
- It will tend to have more compression.
- It will tend to lack energy.
- It will tend to have more smear.
- It will tend to lack transparency.
Further Reading
The sonic signature of the modern Heavy Vinyl Classical reissue in four words: diffuse, washed out, veiled, and vague.
Here are some of our reviews and commentaries concerning the many Heavy Vinyl pressings we’ve played over the years, well over 200 at this stage of the game.
And finally,
A Confession
Even as recently as the early 2000s we were still somewhat impressed with many of the better Heavy Vinyl pressings. If we had never made the progress we’ve worked so hard to make over the course of the last twenty or more years, perhaps we would find more merit in the Heavy Vinyl reissues so many audiophiles seem impressed by.
We’ll never know of course; that’s a bell that can be unrung. We did the work, we can’t undo it, and the system that resulted from it is merciless in revealing the truth — that these newer pressings are second-rate at best and much more often than not third-rate and even worse.
Some audiophile records sound have such poor sound, they had me so pissed off I was motivated to create a special ring of hell for them.
Setting higher standards — no, being able to set higher standards — in our minds is a clear mark of progress. Judging by the hundreds of letters we’ve received, especially the ones comparing our records to their Heavy Vinyl and Half-Speed mastered counterparts, we know that our customers see things the same way.
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