Heavy Vinyl Disasters

More Evidence of Ron McMaster’s Incompetence

More Gaucho

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Sonic Grade: D

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers. When such records are clearly inferior to their mass-produced counterparts (Heavy Vinyl pressings are mass-produced too by the way), we put them in our Hall of Shame.

Reasonably good bass, we’ll give it that, but no top end and no Tubey Magic. More of Ron McMaster’s handiwork and the result is a record that simply has no reason to exist. The AVERAGE original pressing sitting in your local record store bin right now for probably all of five bucks will MURDER this piece of crap.  (more…)

Talking Heads – Remain In Light on Ridiculously Bad Rhino Vinyl

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More Remain In Light

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Sonic Grade: F

Hall of Shame pressing.

The Rhino Heavy Vinyl reissue of this album was Dead On Arrival the minute it hit my turntable. No top, way too much bottom, dramatically less ambience than the average copy — this one is a disaster on every level.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins. 

Mendelssohn & Prokofiev Concertos (LSC 2314) on Classic Records Heavy Vinyl

More of the music of Felix Mendelssohn (1809-1847)

More of the music of Sergei Prokofiev (1891-1953)

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked. 

Classic Records ruined this album, as expected. Their version is dramatically more aggressive, edgy and smeared than the better vintage pressings. In fact it’s just plain awful, like most of the classical recordings they remastered.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

Matthew Sweet – 100% Fun – Classic Records Debunked

More Matthew Sweet – 100% Fun

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

Our Zoo label LP MURDERED the Classic heavy vinyl reissue. It’s not even close.  The Classic is a opaque, turgid, muffled piece of sh*t compared to the Zoo vinyl pressing we had on hand to play, and even the CD will kill this embarrassing audiophile reissue. 

This is not the easiest record to reproduce, but if you have a big dynamic system, it will really ROCK.  I happen to think it’s the best thing Matthew Sweet ever did, and you deserve to hear it sound right, which means stick with the thin, good sounding vinyl and not this heavy RTI trash from Classic.

 

 

Frank Sinatra – The Voice (Isn’t What It Should Be) on Heavy Vinyl

More Frank Sinatra

More The Voice

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

There is a boatload of TUBEY MAGIC to be heard on the early pressings, due no doubt to the fact that they are mastered with tube equipment, but not much on this Classic repress. The difference is striking.

 

Metallica – Ride The Lightning (45 RPM) – MoFi Debunked

More Metallica

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Sonic Grade: F

This is the Warner Brothers 45 RPM 180g Double LP Half-Speed Mastered at Mobile Fidelity from the original analog master tapes.

Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing Debunked

Compressed, sucked-out mids, no deep bass and muddy mid-bass, the mastering of this album is an absolute disaster on every level. If you want to know how clueless the average audiophile is, a quick Google search will bring up plenty of positive comments from listeners and reviewers alike. 

Lee Ritenour – Rit – on Disastrous Discovery Heavy Vinyl

More our Hot Stamper Jazz albums

More Lee Ritenour – Rit

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Sonic Grade: F

Hall of Shame Pressing and another Heavy Vinyl Rock or Jazz LP debunked.

We played our very good sounding Nautilus pressing against the 180g Discovery reissue that Doug Sax remastered and it SMOKED it. What a muddy piece of trash that Discovery pressing is. 

AMG Review

Lee Ritenour has long been the perfect studio musician, one who can melt into the background without making any impact. While he possesses impressive technique, Ritenour has mostly played instrumental pop throughout his career, sometimes with a Brazilian flavor. His few jazz efforts have found him essentially imitating Wes Montgomery, but despite that he has been consistently popular since the mid-’70s. After touring with Sergio Mendes’ Brasil ’77 in 1973, Ritenour became a very busy studio guitarist in Los Angeles, taking time off for occasional tours with his groups and in the mid-’90s with Bob James in Fourplay. He also recorded many albums as a leader.

 

Gerry Rafferty – City To City – A Simply Vinyl Disaster

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More City To City

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Sonic Grade: F

Hall of Shame pressing and another Simply Vinyl pressing debunked.

We had two copies of the Heavy Simply Vinyl pressing to audition as part of our last big shootout a few years back. We used to actually like it, but it now sounds worse than we remember, especially in the low end, which is a blurry mess. Better than any domestic copy I suppose, but that’s not really saying much.    (more…)

Beethoven / Violin Concerto in D – Classic Records Reviewed

More of the music of Ludwig van Beethoven

More recordings featuring Jascha Heifetz

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

It is an airless fraud, a cheap fake reproduction that’s incapable of fooling anyone with two good ears, a properly set up stereo and a decent collection of Golden Age violin concertos. 

The Classic pressing of this album does not present the listener with the sound of a real, wood instrument bowed by horsehair in physical space.

Notes from a Recent Hot Stamper Pressing (more…)

The Moody Blues – To Our Children’s Children’s Children on Mobile Fidelity Anadisc

More Moody Blues

More To Our Children’s Children’s Children

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Sonic Grade: F

Hall of Shame pressing and another MoFi LP debunked.

The muddiest, tubbiest, most worthless records in the world.

Well… 

Worthless to those of us who play records and want to hear them sound good. But, worth money to those who collect that sort of audiophile trash.

Folks, seriously, you really would have to work at it to find worse sounding pressings of the Moody Blues albums than the ones MoFi did in the ’90s.

Three Qualities to Look for (more…)