Some sections on our site are hard to find. Here’s one with lots of cool records in it:
A distinguished member of the Better Records Jazz Hall of Fame.
This Super Hot Stamper copy of Touch is one of the best sounding records Mobile Fidelity ever made, and the ONLY record of theirs I know of that can’t be beat by a standard real-time mastered pressing.
We’re talking DEMO DISC QUALITY SOUND here. The spaciousness of the studio and the three-dimensional placement of the myriad percussion instruments and bells within its walls make this something of an audiophile spectacular of a different kind — dreamy and intensely emotional.
More John Klemmer
Mobile Fidelity, maker of some of the worst sounding records in the history of audio, is the KING on this title.
Klemmer says pure emotion is what inspired the album’s creation. Whatever he tapped into to find the source of that inspiration he really hit pay dirt with Touch. It’s the heaviest smooth jazz ever recorde. Musically and sonically, this is the pinnacle of Klemmer’s smooth jazz body of work. I know of none better. (If you want to hear him play more straight-ahead jazz try Straight from the Heart on Nautilus.)
High Frequency Testing
MOFI was famous for demonstrating on an actual scope that the standard domestic ABC pressing had nothing above about 8 or 10 thousand cycles up top, which is why they all sound insufferably dull and dead. Some MoFi copies have no real top end either, which is the reason to we do these shootouts — to find the copies that are actually mastered and pressed right, not just the ones that should have been. (more…)