Genre – Rock – Punk Rock / New Wave

Patti Smith Group – Easter

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  • An excellent sounding copy with Double Plus (A++) sound from start to finish
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of Smith’s breakthrough from 1978, this is the way to go
  • 4 1/2 stars: “Easter, produced by Bruce Springsteen associate Jimmy Iovine, was Smith’s most commercial-sounding effort yet and, due to the inclusion of Springsteen’s “Because the Night” (with Smith’s revised lyrics), a Top Ten hit, it became her biggest seller, staying in the charts more than five months and getting into the Top 20 LPs. But Smith hadn’t so much sold out as she had learned to use her poetic gifts within an album rock context.”

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The Clash – Combat Rock

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  • An insanely good sounding copy with Triple Plus (A+++) sound from start to finish – exceptionally quiet vinyl too
  • Both the two big jammers are on this killer side one: Should I Stay or Should I Go and Rock the Casbah – you’ve never heard them sound like this!
  • Glyn Johns produced and mixed Combat Rock, so its sonic credentials are certainly in order
  • If you’re a fan of meaty bass, grungy guitars and punchy drums, this is the copy for you
  • …its finest moments — “Should I Stay or Should I Go,” “Rock the Casbah,” “Straight to Hell” — illustrate why the Clash were able to reach a larger audience than ever before with the record.”

NOTE: There is a mark on track two that looks serious but in actuality can only be heard a few times very lightly during the second half of the track. For the most part it is completely obscured by the music.

If you can tolerate this one mark you are in for some amazing Clash music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.

Full and natural, energetic and high-res, no other copy came close. A stunning copy, absolutely as good as it gets for this punk classic.

Most of the other copies we played failed in one of two ways: if they weren’t too bright, they were dead as a doornail. But this copy knocked them all out with correct tonal balance and tons of energy. (more…)

Pretenders – Pretenders II

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  • Off the charts “Triple Triple” (A+++) sound for The Pretenders’ second album – both sides earned our top grade of A+++
  • With loads of solid, punchy bass and the richest, smoothest vocal reproduction, this pressing simply could not be beat
  • This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
  • “What’s more the unique American voice of Hynde matched with the tribal beat of Martin Chambers and spangly guitar of Honeyman-Scott was as close to perfect as a band could get in the late 70s.”

If any of this commentary looks familiar there’s a simple explanation for that fact; it’s lifted practically wholesale from our listings for the first Pretenders album.

The two albums are twins, with the same engineer, the same producer, even the same band members, something that was regrettably and tragically to change soon enough. (more…)

The Cars – Heartbeat City

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  • KILLER sound throughout with both sides earning Shootout Winning Triple Plus (A+++) grades or close to them – exceptionally quiet vinyl too
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, or ever will hear
  • If you have big dynamic speakers and like to rock, you can’t go wrong with a killer Hot Stamper of Heartbeat City
  • 5 Stars “… a gleaming pop masterpiece. The producer’s golden touch, the strength of the songs Ric Ocasek wrote, and the stunning vocal performance both he and Benjamin Orr deliver make the album one of the best of the ’80s and something that still sounds perfect many years later.”

 

Roy Thomas Baker is out, Robert John “Mutt” Lange is in, but the sound of The Cars really isn’t all that different from the likes of Shake It Up. On this title the critical listener should be on the lookout for edgy sound and hard vocals; we heard a lot of both in our shootout and took off serious points for each. The better copies tend to have more extended highs, smoother vocals, and a richer, tubier sound, without the all-important punchy rock elements suffering. This may be a New Wave Pop Album full of synths and keyboards, but it still has to rock. (more…)

Talking Heads – Remain In Light – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

HOT STAMPERS DISCOVERED AT LAST! We’ve been trying to find a great sounding copy of this album forever, and this is the week we finally succeeded. It takes an exceptional pressing to get all the elements correct — the funky bottom end; the processed, multi-tracked vocals; the Brian Eno production weirdness and so on.

This is a brilliant album but a typically problematic record. Most copies get some things right but fail miserably in other areas. There are smeary copies that can’t deliver the punchy bottom you need, grainy copies that make the vocals painful to listen to, and plenty of copies that are just too dark or flat sounding for anyone to enjoy. Note that the first track on both sides will sound the worst. The sound gets better, though, as you get further into the album. (more…)

Talking Heads – Speaking in Tongues – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame

White Hot Stampers discovered, hot enough to burn down the house! We just finished a HUGE shootout for the last great Talking Heads album and were as pleased as punch to finally hear a few copies of this album that deliver the same kind of magic that we’ve been getting on the better pressings of Little Creatures. Most copies of Speaking In Tongues are too flat, dry and veiled to get worked up about, but this one shows you that excellent sound for this album is indeed possible, albeit very difficult to find.

We’re serious Talking Heads fans here at Better Records, as you may have gathered by now. Not only is their music completely innovative and original, but their recordings are as well. That’s not to say that their records are Demo Discs along the lines of Tea For The Tillerman, Fragile or Abbey Road, but when you find a killer copy of any of their albums you can’t help but notice how much work they put into making them.

We played a ton of copies before we even heard a hint of the magic we were hoping for. Most of them sounded like CDs. When you turned up the volume, sure they got louder, but they didn’t really get any better. That’s a sure sign of a mediocre pressing, and it just kept happening over and over again in the shootout. Just as we were about to throw up our hands and give up, a copy hit the table with enough analog qualities to rope us back in. We added a little extra volume and started to hear the qualities that we needed from this music: rich, full mids; punchy bass; breathy vocals; and above all, ENERGY. On a Hot Stamper copy with the traits listed above, the music becomes involving and vital. If Burning Down The House doesn’t get you moving to the beat, what’s the point? (more…)

Devo – Duty Now For The Future

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  • Stunning Shootout Winning Triple Plus (A+++) sound from start to finish, making this the best copy to hit the site in years!
  • The energy and presence here are off the charts, the bottom end is super solid and punchy, and there’s tons of space around all of the instruments
  • “Devo and their ilk were serious and heartfelt about their goofy sound. They were weird, but weird on their terms. Duty Now for the Future is the perfect example of that. It earns its strangeness with sharp, compelling, and infectiously energetic songs. It crafts a world to travel and never misses a step. And, perhaps most impressively, it sounds just as fresh over 30 [now 40!] years after its original release.” – Pop Matters

GET DEVOLVED! This copy gives you amazing sound for both sides of this fun — and very well-recorded — album. The average copy of this record barely hints at the sound that Ken Scott was clearly able to get on the tape. This one tells a different story, with serious weight down low, a ton of energy, loads of texture to the synths, and wonderful clarity. The lucky man (or woman) who takes this home is sure to get a thrill from it.

The soundfield on these killer sides has a three-dimensional quality that allows all the instruments to be identified and followed with ease. They just don’t get any punchier or livelier, and with music like this, all those elements combine to make this music a FUN listen. (more…)

Talking Heads – More Songs About Buildings and Food – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock Hall of Fame.

THE BEST SIDE ONE WE’VE EVER HEARD — BAR NONE! I will stop short of awarding it more than three pluses, because the recording certainly has its share of limitations, but never before have we heard these songs sound so BIG, BOLD and ALIVE! Side two is darn good as well, rating a very strong A++. If you thought you’d never hear a truly great pressing of this album, here’s the copy that will prove you wrong!

This side one does it all. We’re crazy about this album — we’ve done this shootout many times and found some really exceptional copies, but I don’t remember ever hearing a side one quite like this. The top end is extended and sweet, the bottom end is big and punchy, and the overall sound is as rich and full-bodied as you could expect from this zany art-rock. Side two misses just a bit of the energy of side one, but it’s still much better than the average copy.

The vocals have the kind of presence that put David Byrne right there in your living room, and not under a blanket or behind the speakers as on a majority of pressings we’ve played.

You’ve got to play a whole lot of copies to find one with this kind of energy, clarity, and high resolution. The kick drum is really punchy, the synths and organ sound incredible, and the vocals sound just right.

The bass on this copy is the best we’ve heard for More Songs — tight, punchy, and as deep as it’s ever gonna get. We sure wouldn’t mind if some of the tracks were mixed with a bit more punch to the bottom end, but far be it from us to tell Brian Eno and Rhett Davies how to do their jobs! At least on this copy, the bass has the kind of power that brings a song like Take Me To A River to heights you probably wouldn’t have imagined before. (more…)

Talking Heads – Remain In Light on Ridiculously Bad Rhino Vinyl

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Sonic Grade: F

The Rhino Heavy Vinyl reissue of this album was Dead On Arrival the minute it hit my turntable. No top, way too much bottom, dramatically less ambience than the average copy — this one is a disaster on every level.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins. 

The Pretenders – Get Close – Our Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Get Close has long been a personal favorite of mine. Side one starts off with a bang with My Baby, one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangements and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved. 

We have a link to the left entitled Women Who Rock. It would look better with Chrissie Hynde’s picture instead of some Lillith Fair type in a granny dress, but that’s neither here nor there. The fact is that no other woman on earth can rock the way Chrissie Hynde can, and this album, along with Learning to Crawl, is all the proof anyone would ever need. (more…)