A distinguished member of the Better Records Rock and Pop Hall of Fame.
White Hot Stamper sound on both sides of this original copy, much better sound than we ever expected to hear. Side one here was the richest, clearest, biggest and most energetic of any side one we played. Side two is nearly as good, but such a big jump over all the rest that it easily earns its Three Pluses. Side one is doing it all. Nothing came close.
Side two is more often than not notably worse sounding than side one. There is a certain stamper that’s quite common and not as good sounding on that side. A shootout winning copy such as this will never have that stamper (as far as we can tell; who knows what we may hear in the future?).
It’s not easy to find good sound on this record — or any Springsteen album, for that matter — but the better copies prove that this is a perfectly fine recording for what it is. Full and solid, this copy has the kind of energy and power to really communicate the passion and excitement of the music.
What are the criteria by which a record like this should be judged? Pretty much the ones we discuss in most of our Hot Stamper listings: energy, presence, frequency extension, transparency, whomp factor, Tubey Magic, texture (also known as freedom from smear), rhythmic drive, tonal correctness, fullness, richness, and on and on down through the list.
Yes, we listen for all these things. This copy was doing more of them right than any other. (more…)