With Double Plus (A++) sonic grades or close to them on both sides, this Back in Black ROCKS like nothing you’ve heard
Side one plays exceptionally well for a Robert Ludwig original, which is absolutely the only way to go on the album
Top 100, and if you turn it up good and loud, one of the biggest, boldest, hardest rockin’ records ever made
5 stars: “… tawdry celebration of sex is what made AC/DC different from all other metal bands — there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black.”
You probably never thought you’d ever use an AC/DC LP as a Demo Disc, but this copy will have you reconsidering that notion — it’s ALIVE with Rock and Roll Power Chords like nothing you have ever heard.
For Riff Rock you just can’t do much better than Back In Black. AMG gives it 5 stars and rightfully so. Musically it’s got everything you’d want from this genre of heavy rock — a tight, punchy rhythm section; raging guitar riffs; and deliciously decadent lyrics screamed to perfection.
What took us by surprise was how amazing this music sounds on the right copy. You’ve probably heard these songs a million times, but we bet you haven’t heard them sound like this. This is the kind of record that you’ll want to keep turning up. The louder you play it, the better it gets — but only if you’ve got a pressing that rocks like this one.
The transparency and clarity are shocking — we heard texture on the guitars and room around the drums that simply weren’t to be found on most copies, plus tons of lovely analog reverb and natural studio ambience.
And of course the bottom end is big, beefy, and rock-solid, just the way we like it. I ask you, what album from 1980 sounds better than Back in Black?(more…)
The Analogue Productions 180g reissue shown here is mastered by Steve Hoffman and Kevin Grey, two guys I respect, but the results of their latest collaboration leave much to be desired. The overall sound is lean. This is especially noticeable on the too thin-sounding guitars and vocals. Believe me, it’s no fun to play a Yes album with thin guitars and vocals.
Also, there’s a noticeable lack of ambience throughout the record. What comes to mind when I hear a record that sounds like this is the dreaded R word: Reissue. I find it hard to believe they had the actual two-track original master tape to work with. The sound is just too anemic to have come from the real tape. If they did have the real tape, then they really botched the job. (more…)
This superb copy of Sports boasts Shootout Winning Triple Plus Triple Plus (A+++) sound on side two married with an outstanding Double Plus (A++) side one – mostly quiet vinyl too
The bass is tight, the drum hits are BIG, the guitars are meaty with lots of texture and the energy level is off the charts!
We were knocked out at how good this album sounds on a great pressing like this one – one of the more impressive ’80s pop recordings we’ve played in some time
4 1/2 stars: “There’s a reason why well over half of the album… were huge American hit singles — they have instantly memorable hooks, driven home with economical precision by a tight bar band, who are given just enough polish to make them sound like superstars.”
On both sides, a light crackle is audible on the intro to Track 1 (The Heart of Rock & Roll on side 1, and Walking on a Thin Line on side two).
Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl notwithstanding. If you can tolerate the problems on this pressing you are in for some amazing Huey Lewis & The News music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.
Here’s another great example of an album we had pretty much forgotten about over the years, one that completely re-earned our respect after hearing it come to life on the good copies. The songs are great, the band is on fire and the sound is wonderful throughout.
Most copies are somewhat flat, dry and grainy, but a pressing like this is an entirely different story. The sound is much more analog — rich, smooth and full — and you get more energy as well as a strong, punchy bottom end. The bass is tight, the drum hits are BIG and the guitars are meaty with lots of texture.(more…)
A hard-rockin’ copy – this British Track pressing boasts powerful Double Plus (A++) DEMO DISC sound on both sides
The recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
Drums so solid, punchy and present they put to shame 99% of the rock records on the planet
Cited as the best live rock recording of all time by The Daily Telegraph, The Independent, the BBC Q magazine, and Rolling Stone. In 2003, it was ranked number 170 on Rolling Stone’s list of the 500 greatest albums of all time.
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of seam wear, edge wear or crushed corners. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records! Keith Moon lives on!
The bass is AMAZING on this record. Present vocals and clear guitars in both channels are key to the best copies such as this one. Most pressings do not get the guitars to jump out of the speakers the way the best can. Few copies get the highest highs and the lowest lows but this one had it going on from top to bottom.
The seven minute long Magic Bus that finishes out the side is The Who at their best. Rock fans will have a hard time finding a better sounding Who pressing than this one, on either side.(more…)
With two amazingly good sides, each rating a sonic grade of Triple Plus (A+++) or close to it, this original pressing has the magic of analog in its grooves
We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
4 1/2 stars: “Say what you want about Empire Burlesque — at the very least, it’s the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn’t quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems… this is as good as Dylan gets in his latter days.”
A Shootout Winner – Triple Plus (A+++) on the second side, Double Plus (A++) on the first – this is the way to hear Neil Diamond!
Armin Steiner engineered the album, and it’s Neil’s best recorded release (that we’ve critically auditioned in large numbers)
Stones and I Am… I Said are killer on the A+++ side one, but both sides have outstanding sonics
4 Stars: “Stones is a stronger album than most of Neil Diamond’s late-’60s records. An engaging collection of mainstream pop.”
I can’t say for sure that this is the best sounding Neil Diamond album, we haven’t been through all of them yet, but it’s certainly the best sounding album of his that we’ve critically auditioned in large numbers. Good luck finding another copy of Stones out in the bins that deliver top quality sonics the likes of these — we went through a TON of copies and only a small number held our interest.(more…)
One of the best sounding copies of this quintessential Heart album to ever hit the site – Shootout Winning Triple Plus (A+++) sound on BOTH sides
Punchy and present, open and transparent, with real weight and power to the low end, nothing else in our shootout could compare to this bad boy
There is so much more LIFE to this recording than I ever thought possible, and only the best pressings let that energy come through
A Better Records Top 100 album, 4 1/2 stars on Allmusic: “Aggressive yet melodic rockers like ‘Sing Child,’ ‘White Lightning & Wine,’ and the rock radio staples ‘Magic Man’ and ‘Crazy on You’ led to the tag ‘the female Led Zeppelin.'”
Not many records have this kind of big, rockin’ sound, that’s for sure! Punchy and present, open and transparent, with real weight and power to the low end. If you’re an audiophile who loves classic rock, you just haven’t lived until you’ve heard side one of this album on a Hot Stamper pressing.
We’re pretty fond of these ladies here at Better Records. Their second album, Little Queen, has been a favorite test disc around here for years. When Heart is at their best, the music is wonderful. If you’re lucky enough to own the right pressing, this band can ROCK with the best of them.
What A Hot Copy Gets You
For one thing, the music just JUMPS out of the speakers. There is so much more LIFE to this recording than I ever thought possible, and only the best pressings let that energy come through. In a nutshell, those are the ones that earn the name Hot Stamper.(more…)
With two Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard anything like the massive amounts of Zeppelin Rock and Roll energy that are on this copy
Here is a pressing with the power, the dynamic contrasts, the low end whomp, as well as the in-the-room midrange presence (pun only slightly intended) you’ve been waiting for
Featuring a stripped down, harder rock sound, Presence really benefits from the killer bottom end found on this early LP
“Presence has more majestic epics than its predecessor, opening with the surging, ten-minute Achilles Last Stand and closing with the meandering, nearly ten-minute Tea for One.”
We just finished a massive shootout for this album and were reminded just how HARD this album rocks. Achilles Last Stand, For Your Life and Nobody’s Fault But Mine are KILLER on a Hot Stamper pressing like this one.(more…)