- Here the duo’s voices are rich, clear and present – they’re breathier and yet more natural, a combination that works wonders on this copy and is the main reason it won our shootout
- Man, this is one tough nut to crack– gritty vocals, thin vocals, recessed vocals, smeary vocals — this music is all about the vocals and the vocals leave a lot to be desired on most of the copies we’ve played over the years
- 4 1/2 stars: “… much of the album is lush and catchy, featuring ballads and midtempo numbers that are nearly as engaging as the duo’s breakthrough single, ‘Sara Smile.'”
- With two seriously good Double Plus (A++) sides, this copy is guaranteed to blow the doors off any other Fool on the Hill you’ve heard
- Sergio’s unique rearrangement of two songs in particular here make this a Must Own album: Scarborough Fair and title trackl
- Top engineers for A&M, Henry Lewy and Larry Levine, capture the natural, breathy intimacy in the voices of these wonderful female leads – Lani Hall, Karen Philipp and Gracinha Leporace
- 4 1/2 Stars: “Even though he had become thoroughly embedded in the consciousness of mainstream America, Mendes still managed to have it three ways, exposing first-class tunes from little-known Brazilian talent, garnering commercial hits, and also making some fine records.”
Two songs in particular make this a Must Own album: Scarborough Fair and The Fool On The Hill. Both of them are given wonderfully original treatments. These songs hold their own against the originals, and that’s saying something.
Sergio took on many of the heavyweights of his day, and most of the time he succeeded in producing a uniquely satisfying version of well-known material. Superb original tracks by The Beatles, Simon and Garfunkel, Buffalo Springfield, Joni Mitchell and others were given the Sergio Mendes latin pop treatment and came out much the better for it.
This vintage A&M pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
- An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides – exceptionally quiet vinyl too
- Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly for Duran Duran
- Exceptionally quiet vinyl throughout, Mint Minus to Mint Minus to Minus – we had to go through about ten copies to find one this quiet
- “Duran Duran put three of the album’s singles in the Top Ten, taking it to number one in the U.K… it’s bright, energetic, and effectual. Duran Duran’s new direction eventually gave Seven and the Ragged Tiger double platinum status.”
- With two seriously good Double Plus (A++) sides, this pressing will show you just how good Bread’s music can sound on All Analog vinyl
- A Better Records Desert Island Disc if there ever was one — believe me, there are scores of them
- This is one of the rare Greatest Hits compilations (and this band had a LOT of hits) that is sonically competitive with the original albums
- You’ll find most of the best Bread ballads here, including Make It With You, Everything I Own, Baby I’m A Want You, and If
- All Music on their first album – “… effectively the birth of Californian soft rock…” (We think this applies equally well to all of their early material)
A Better Records Desert Island Disc if ever there was one. Believe me, there are plenty of them.
Listening to these acoustic guitars brings back memories of my first encounter with a British original of Cat Stevens Tea for the Tillerman. Rich, sweet, full-bodied, effortlessly dynamic — that sound knocked me out thirty years ago, and here it is again. I guess I’ve just always been a sucker for this kind of well-crafted pop. (I was buying Bread album in the early Seventies while still in high school.) If you are too, then this killer copy of The Best of Bread will no doubt become a treasured disc in your home as well.
When you hear sound this good, it makes you appreciate the music even more than the sound. Over the years I’ve even come to enjoy the rockers on side two. I used to consider side two the weak part of the album. To hear the vocal harmonies that these guys produced is to be reminded of singers of the caliber of the Everly Brothers or The Beatles. It’s Pure Pop for Now People, to borrow a good line from Nick Lowe.
Of course, by Now People, I’m referring to people who appreciate the music that came out more than thirty years ago. Whenever I hear a pop record with sound like this, I have to ask myself, “What went wrong with popular recordings over the last two or three decades? Why do none of them ever sound like this?”
Not to worry. Audiophiles with good turntables have literally an endless supply of good recordings to discover and enjoy. No matter how many records you have, you can’t have scratched the surface of the recorded legacy of the last 60+ years. That’s the positive thought for the day. It’s not the end of the world. It’s just another step on your journey through the world of music.
One further note. Records like this only get better over time. There are no shortcomings in this recording to be revealed by better equipment, in painfully stark contrast to the vast majority of audiophile pressings and remasterings that reveal their phony, lifeless and often just plain weird sound as your stereo and critical listening skills improve. In other words, if you make a change to your stereo and this record starts to sound better, you did the right thing. (more…)
- Two insanely good Shootout Winning Triple Plus (A+++) sides for one of James Taylor’s best softer rock albums
- Soulful JT at his best, an underappreciated album by our man and one that belongs in your collection
- Mexico, How Sweet It Is (To Be Loved By You) and I Was A Fool To Care are standouts – there are no weak tracks here
- Rolling Stone notes, “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”
*NOTE: On side one, a mark makes 12 light ticks at the beginning of Track 1, Mexico.
This is soft rock at its best, made up primarily of love songs, and helped immensely by the harmonically-gifted backing vocals of Graham Nash and David Crosby.
Rolling Stone notes that “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”
To be honest, the recording of Gorilla itself cannot compete with the likes of Sweet Baby James or JT, both of which are Top 100 Titles. It can be a good sounding record, not a great one, certainly not in the same league as those two. (more…)
- A stunning early Arista pressing, this copy earned Shootout Winning Triple Plus (A+++) grades throughout – exceptionally quiet vinyl too
- This album has the kind of smooth, rich, tonally correct analog sound we thought they had forgotten how to record by 1985 – but here it is, thank goodness
- Consistently strong material: You Give Good Love, Saving All My Love for You, How Will I Know, All at Once, and Greatest Love of All (the last of seven (!) singles released from the album)
- “…introduced the world to ‘The Voice,’ an octave-spanning, gravity-defying melismatic marvel.”
Having done this for so long — 2020 marks our 33rd year in the record business — we understand and appreciate that rich, full, solid, Tubey Magical sound — even as late as 1985! — is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).
The music is not so much about the details in the recording; rather it lives or dies by its ability to recreate a solid, palpable, Whitney Houston singing live in your listening room. The best copies had an uncanny way of doing just that. (more…)
- Outstanding sound for this original Colgems stereo pressing, with both sides earning Double Plus (A++) sonic grades or close to them
- Surprisingly quiet for an original Stereo Colgems pressing – not many survived in this kind of audiophile playing condition
- We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- 4 stars: “The record wasn’t only a commercial juggernaut, it also stands as one of the great debuts of all time, and while the record and the group have faced criticism from rock purists through the ages, it stands the test of time perfectly well, sounding as alive and as much fun 40 years later.”
- An incredible sounding copy with Shootout Winning Triple Plus (A+++) grades from start to finish
- Both of these sides are super big, rich and Tubey Magical yet still very clean, clear and spacious – the Classic A&M Pop Sound we love
- We’ve Only Just Begun and Close to You are just two of the many good tracks here
- 4 stars: “Close to You is a surprisingly strong album, and not just for those hits. Richard Carpenter’s originals “Maybe It’s You” and “Crescent Noon” are superb showcases for Karen Carpenter’s developing talent, the latter a superbly atmospheric, hauntingly beautiful art song of the kind that Judy Collins was doing well at the time, and gorgeously arranged.”
- This 1967 Stereo pressing boasts superb Nearly Triple Plus (A++ to A+++) sound from beginning to end – just shy of our Shootout Winner
- These two sides are exceptionally (for this album) smooth, rich, sweet, and clear
- Forget the early albums, we’ve never heard any of them sound good – their fourth release is practically the only one with audiophile potential
- 4 1/2 stars: “To think that both this album and Headquarters came out the same year! Most bands would be lucky to have two albums this good come out their entire career. Pisces, Aquarius, Capricorn & Jones Ltd. is a must-have for any fan of smart, fun, and exciting ’60s pop. It doesn’t get much better than this.”
- Clear, rich, present vocals, tons of Tubey Magic, and a solid bottom end; this quintessential 60’s pop album really comes to life here
- 4 stars: “Sometimes art and events, personal or otherwise, converge on a point transcending the significance of either… For the Mamas & the Papas, it happened twice, with their first album, If You Can Believe Your Eyes and Ears, and, on a more complex level, with this album.”
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some ringwear, seam wear and edge wear. Some will have cut corners. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice enough cover for you.
This album is ridiculously difficult to find good sound for, but this pressing finally hit the mark! While we have to wade through dozens of copies to find one this impressive, we’re happy to do it because we love records and we love the music of The Mamas and the Papas.
Unfortunately, most copies of this album sound like distorted cassettes. They’re clearly made from tapes that are at least one and probably more like two or three generations down from the master two-track mix.
The CD that Hoffman cut for MCA back in the day can be quite good, and the Creeque Alley double CD set sounds fine to these ears as well. But they’re CDs. They won’t satisfy the serious analog devotee. (more…)