Achieving just the right balance of Tubey Magical, rich but not too rich “Moody Blues Sound” is no mean feat. You had better be using the real master tape for starters. Then you need a pressing with actual extension at the top, a quality rarely found on most imports. Finally, good bass definition is essential; it keeps the bottom end from blurring the midrange. No domestic copy in our experience has ever had these three qualities, and only the best of the imports manages to combine all three on the same LP.
On the best of the best the clarity and resolution comes without a sacrifice in the Tubey Magical richness, warmth and lushness for which the Moody Blues recordings are justifiably famous. In our experience the best LPs are correct from top to bottom, present and alive in the midrange, yet still retain the richness and sweetness we expect from British (and Dutch) Moody Blues records. They manage, against all odds, to remove the sonic barriers put up by most pressings of the Moodies’ unique music. Who knew, after so many years and so many bad records, that such a thing was even possible?
The beginning of this track is fairly quiet and noise will be audible behind the music. Side two will suffer likewise.
Also, for some reason this track tends not to sound as good as those that follow. We had never really noticed that effect before but during a shootout many years ago it became obvious that the real Moody Magic starts with track two.