A classic case of Live and Learn
Our shootout quite a while ago for Cream’s classic second album provided proof positive that We Was Wrong when we said:
No reissue we’ve ever played sounded especially good and none likely ever will.
Ah, but some do! We would love to tell you exactly what to look for so that you can go find one yourself, but that’s bad for business as I’m sure you will agree.
We also have to admit to being wrong about this:
If you’re expecting Sunshine of Your Love to rock on record like you remember it rockin’ on the radio back in the day, forget it. When you heard that song your brain added the bass and dynamics that are missing from the record. Either that or you did it through the loudness control on your old receiver. There’s maybe five db of dynamic range on that song and there can never be more than that.
We discovered that there are copies with dynamic vocals on that track.
The vocals are practically the only thing that do get loud, and they only get loud on some of the copies we played.
Likewise, on some copies the drums have much more body and punch than than they do on most.
So, when it comes to bass and dynamics, yes, some copies have some, maybe even more than you remember.
Heavy compression created the sound you heard on the radio, added to the compression that is already baked into the mix and whatever amount was added in mastering.
We Admit It
Yes, as is clear from the above, we was wrong. It’s not the first time and it sure won’t be the last. We happily admit to our mistakes because we know that all this audio stuff and especially the search for Hot Stampers is a matter of trial and error. We do the trials; that’s how we avoid the kinds of errors most audiophiles and audiophile record dealers make when it comes to finding the best sounding records. Of course, being human we can’t help but make our share of mistakes. The difference is that we learn from them. We report the facts to the best of our ability every time out. Every record gets a chance to show us what it’s made of, regardless of where it was made, who made it or why they made it. (Like anybody cares.)
If we used to like it and now we don’t, that’s what you will read in our commentary. Our obligation is to only one person: you, the listener. (Even better: you, the customer. Buy something already!)
On every shootout we do now, if the notes are more than six months old we toss them out. They mean nothing. Things have changed, radically, and that’s the way it should be. With each passing year you should be hearing more of everything in your favorite LPs. That’s the thrill of this hobby — those silly old records just keep getting better! (I wish someone could figure out how to make digital get better. They’ve had twenty five years and it still leaves me cold. You too I’m guessing.)