Genre – Rock – Psych Rock

Cream / Disraeli Gears – Live and Learn

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A classic case of Live and Learn

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Our shootout quite a while ago for Cream’s classic second album provided proof positive that We Was Wrong when we said:

No reissue we’ve ever played sounded especially good and none likely ever will.

Ah, but some do! We would love to tell you exactly what to look for so that you can go find one for yourself, but that’s bad for business as I’m sure you can see. Let’s just say there will be at least one later reissue of the album with very good grades coming soon to a site near you.

We also have to admit to being wrong about this:

If you’re expecting Sunshine of Your Love to rock on record like you remember it rockin’ on the radio back in the day, forget it. When you heard that song your brain added the bass and dynamics that are missing from the record. Either that or you did it through the loudness control on your old receiver. There’s maybe five db of dynamic range on that song and there can never be more than that.

There are copies with dynamic vocals on that track. The vocals are practically the only thing that do get loud, but on some copies they do; we heard it. Likewise, on some copies the drums have much more body and punch than than they do on most.

So, when it comes to bass and dynamics, yes, some copies have some, maybe even more than you remember. (more…)

Tears For Fears – The Seeds Of Love

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  • A superb vintage UK copy of the band’s masterpiece, boasting Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • We guarantee the sound is dramatically bigger, richer, fuller, and livelier than any pressing you have ever heard, and on this record that is saying a LOT
  • A tough record to find in audiophile playing condition – copies without audible marks were not easy to come by
  • The band’s Magnum Opus, a Colossal Production to rival the greatest Prog, Psych and Art Rock recordings of all time (Whew!)
  • 4 stars: “Thanks to the duo’s uncompromising stubbornness, expansive creative vision, and Dave Bascombe’s final production, The Seeds of Love has dated better than either of its predecessors and is inarguably Tears for Fears’ masterpiece.”

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Jimi Hendrix – Electric Ladyland

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  • An outstanding copy of Electric Ladyland with solid Double Plus (A++) sound or close to it on all FOUR sides
  • Big, clear, tubey, sweet ANALOG sound – we played it good and loud and it was ROCKIN’!
  • Probably the best-recorded of Hendrix’s studio albums – huge studio space and Tubey Magical richness are key to the best sound
  • 5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”

*NOTE: On side four, a mark makes 10 moderate to loud pops at the beginning of Track 1, Still Raining, Still Dreaming.

Some of Jimi’s best songs can be found here, including Crosstown Traffic, Voodoo Child (Slight Return) and his incendiary cover of Dylan’s All Along The Watchtower. All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.

Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight. (more…)

Robin Trower / Bridge of Sighs

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  • An outstanding copy of Trower’s amazingly well recorded Psych masterpiece with solid Double Plus (A++) sound on both sides
  • This early UK pressing is huge, rich and punchy, with guitar solos that soar like few others you’ve heard
  • Brilliant engineering by Geoff Emerick at George Martin’s AIR studios – maybe the best sounding album Emerick ever made
  • Top 100 and 4 1/2 stars on AMG: “…his most stunning, representative, and consistent collection of tunes. Bridge of Sighs holds up to repeated listenings as a timeless work, as well as the crown jewel in Trower’s extensive catalog.”

We’d been wandering around in the dark for more than a decade with Bridge of Sighs — that is, until about 2015 when we finally stumbled upon a certain UK Chrysalis pressing in audiophile playing condition.

Now we know just how good this album can sound. How good? Astonishingly good. The three-dimensional space is positively breathtaking on the best UK copies.

There is a substantial amount of Tubey Magic and liquidity on the tape, recalling the kind of hi-rez vintage analog sound that makes the luminous A Space in Time (1971) such a mind-expanding experience. Both albums have the kind of High Production Value sound that we go crazy for here at Better Records. You can find many of our favorites in our Rock and Pop Top 100, and if we can find more of this title, it will surely be on the list as well. (more…)

Spirit – The Family That Plays Together

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  • The band’s sophomore release finally makes its Hot Stamper debut here with KILLER Shootout Winning Triple Plus (A+++) sound on both sides
  • A very difficult album to find with good sound and audiophile quality surfaces
  • Both sides have presence, size and space we guarantee you have never heard on this album in all your born days
  • I Got A Line On You was the big hit and it really rocks on this copy
  • 4 1/2 stars: “On this, the second Spirit album, the group put all of the elements together that made them the legendary (and underrated) band that they were. Jazz, rock & roll, and even classical elements combined to create one of the cleanest, most tasteful syntheses of its day.”

This is a record I grew up with and like to think I know well. I’m a huge fan of the band. For audiophiles the first album and Clear are better recordings. This one has its problems, but so does Twelve Dreams and that album belongs in any rock collection worthy of the name.

The sound on the better copies isn’t unlike a good Jefferson Airplane record. It’s crazy psychedelic ’60s music with a LOT going on, and I’m guessing it was pretty hard to get the raw power of this band onto tape. (more…)

The Doors – Strange Days

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  • An outstanding copy of the band’s sophomore release, with solid Double Plus (A++) sound from first note to last
  • This vintage pressing is well balanced, yet big and lively, with such wonderful clarity in the mids and highs as well as deep punchy bass and a big open and spacious soundfield
  • Demo Quality sound for so many classics: When The Music’s Over, Moonlight Drive, Love Me Two Times and more
  • “… if The Beatles had Sgt. Pepper’s Lonely Hearts Club and The Beach Boys had Pet Sounds, then The Doors’ answer was Strange Days… It’s the perfect introduction to a perfectly strange album.”

CONDITION NOTES:

  • On side one, a mark makes 5 moderately loud pops, followed by 15 moderately light and 5 light stitches. Another mark makes 4 light ticks, followed by 3 very light ticks during track 3, Love Me Two Times.

If you’re looking to demonstrate just how good 1967 All Tube Analog sound can be, this copy will can do just that.

It’s spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how anyone seriously contemplated trying to improve it. (more…)

Steve Miller Band – Sailor – Our Shootout Winner from 2010

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SUPER HOT STAMPERS DISCOVERED AT LAST for this crazy SMB album engineered by the man himself, Glyn Johns! We just finished a big shootout for this trippy, bluesy LP and were pleased to find that the best copies really do give you that analog magic we’ve come to expect from Mr. Johns’ recordings.  

We have paired up two Capitol Rainbow Label pressings here to give you excellent sound for both sides. This will allow you to do your own shootout at home to see just how special the good sides really are. If you don’t want to bother with the inferior sides and leave the tedious work of playing bad sounding records to us, we’ll understand!

This album is a far cry from Miller’s poppier later work a la Fly Like An Eagle and Book Of Dreams. The music is psychedelic, bluesy and downright strange if you ask me. As we listened to these songs over and over I couldn’t believe how unique this album is. It’s a real pastiche of tripped-out ’60s styles, but it doesn’t sound all that similar to any of their contemporaries since it goes in so many directions. The open, spacious and tubey magical sound that Glyn Johns got here lets you make sense of all the crazy elements. You don’t need to know the lyrics to Space Cowboy to get the idea that these guys were probably pretty serious “midnight tokers.” (more…)

Buffalo Springfield – Last Time Around

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  • With two seriously good Double Plus (A++) sides and fairly quiet vinyl, this was clearly one of the most enjoyable copies we played in our last shootout
  • Relaxed, rich and tubey, yet clear, this is the kind of sound you always wanted from The Buffalo Springfield but had no way to hear, until now
  • Some of the best songs the band ever wrote are right here: I Am A Child, Kind Woman and too many more to list
  • If Buffalo Springfield Again deserves a Five Star rating then Last Time Around does too – it’s equally brilliant, and a real Desert Island Disc for yours truly

These two sides are relaxed, rich and tubey, giving you exactly what you would expect from a Top Quality pressing — without the noise, veiling and distortion that you’re used to hearing on the copies you picked up locally, or the one you mistreated back in the day (didn’t we all?).

When you get hold of the right copy and know how to clean it right, you find that some of these pressings are a damn sight better than the most audiophiles think they are.

The kind of MIDRANGE MAGIC on this pressing let us hear into the music in a way we (and you too I’m guessing) never imagined was possible.

Most copies have no bass, no real top, and are compressed so badly they sound more like cardboard than vinyl. But not this copy — it breaks the mold, revealing to the world (well, our world anyway, the world at Better Records) that those badly recorded Buffalo Springfield records from the ’60s weren’t so badly recorded after all. (more…)

Frank Zappa – The Grand Wazoo – What to Listen For

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The Tubey Magical keyboards at the start of The Grand Wazoo are amazing sounding on the best copies. How Zappa ever decided to go digital when he managed to record so well in analog (from time to time, let’s be honest) is beyond me.

Problems?

Smear on the horn transients are always an issue on this album (and Zappa’s previous big band album, Waka/Jawaka). After that we would say a lack of top end is the other most common shortcoming we hear. To find a copy that’s not dull and smeary is no mean feat.

The vocals on For Calvin (And His Next Two Hitch-Hikers) are usually slightly spitty. The best copies keep the spit under control.

Blue Labels and Reissues

The Blue Label originals are dramatically better than the later Warner Brother reissues. I would avoid any reissues of Zappa’s albums; we’ve never heard a good one. And that includes the Classic Heavy Vinyl reissue of Hot Rats. (more…)

Spirit / Twelve Dreams of Dr. Sardonicus – The Core Collection

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 A record that belongs in any serious Rock Music Collection.

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  • A stunning copy of Spirit’s 1970 Trippy Masterpiece – Triple Plus (A+++) or very close to it on both sides – exceptionally quiet vinyl too!
  • Huge, lively and dynamic – this legendary Psych album creates a wall to wall, three dimensional psychedelic world of its own
  • Nature’s Way, Animal Zoo and Mr. Skin all sound amazing on this copy – there’s really not a bad track to be found
  • “Spirit’s crowning moment and one of the era’s great underrated albums … enriched by meaty horn arrangements, imaginative vocal harmonies, and a structured approach to psychedelic studio trickery such as stereo panning and tapes run backward.”

The soundfield is huge and transparent, there’s real richness and body to the instruments, and there’s no edge at all to the vocals. Believe me, it’s the rare copy that has all of these qualities, the only one in our shootout as a matter of fact.

This and Spirit’s first album are absolute Rock Classics in my book, records that belong in any popular music lover’s collection.

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