One of our good customers had this to say about some Hot Stampers he played at a stereo show recently. You can read all about it here.
We carried on the conversation:
Thank you and for sure I’d be more than happy to spread the word more and help out! Send me cards for sure. I’m def a Better Records disciple.
You should consider teaming up with a room at the show next time, I think worth your while. Time to break the grip of the Mofi Mafia at these shows.
All the best, Mike
We went to some shows years ago and nothing came of it.
It may turn out that none of these people will ever want to pay good money for hot stampers. I wrote about it here:
“No one doubted your records after this listening session.”
Experience over many years has borne out this view, disappointing as it may be.
The audiophiles who go to shows for some reason don’t seem to be able to wrap their heads around the Hot Stamper concept.
Hard to imagine that none of them can afford our records. The money someone might pay for three wacky MoFis or three Analogue Productions disasters would probably get you one very good sounding Hot Stamper pressing. In my book, one good record that you might actually listen to and enjoy often is a lot better than any number of modern records that you will seldom play and more than likely simply file away on the shelf to collect dust.
I’m guessing. I don’t really know what people do with all these mediocre-at-best sounding reissues. I wrote about what I suspect happens to them here.
I Beg the Question
But this is purely an exercise in “begging the question.” I’m assuming things I do not know to be true, in order to make the very point I should have the burden of proving.
I need to provide evidence to back up my claim that these records don’t get played and enjoyed, but I have no evidence whatsoever that that is indeed the case.
It’s a naked expression of prejudice on my part, of assuming that what’s obviously true for me must be true for others. I don’t enjoy playing these Heavy Vinyl records, and I think that other audiophiles must be as disappointed by them as I am.
But Heavy Vinyl records are selling very well these days. Somebody must be buying them.
And they buy them even though, as our writer points out, they cannot begin to compete with a good vintage pressing.
(This happens to be something I have a lot of evidence for and can prove with ease. Practically every record on our site is a rebuttal to audiophile pressings from every era, made by every company in the remastering business. To find out how wrong these modern records are, all you need do is buy one of our Hot Stampers and play them head to head.)
Oh well. All we can do is keep trying to get the word out. And we thank you for your help showing audiophiles what they are missing. Because explaining doesn’t work. Only hearing works.