These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.
This is clearly America’s best album, and on the better pressings like this one, the sound is worthy of Demo Disc status. You’ll find the kind of immediacy, richness and harmonic texture that not many records (and even fewer CDs) are capable of reproducing.
The version we are offering here has the song A Horse With No Name. Some copies without that song can sound very good as well, but with grades this good, this copy is going to be very hard to beat.
Interestingly, A Horse With No Name never sounds quite as good as the rest of the album. It was recorded in 1971, after the album had already been released, and subsequently added to newer pressings starting in 1972. Unlike the rest of the album, it was not engineered by Ken Scott at Trident, but by a different engineer at Morgan Studios. The engineer of that song took a different approach to the one that Scott had, and we leave it to you to decide how well that approach worked.