Genre – Rock – Folk Rock (British)

Traffic – Self-Titled

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  • An incredible sounding Island pink label pressing and the first to hit the site in many years — Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • Both of these sides are rich, full-bodied and Tubey Magical yet still incredibly open and spacious; there’s tons of bottom end weight too!
  • “As Mason’s simpler, more direct performances alternate with the more complex Winwood tunes, the album is well-balanced… their second consecutive Top Ten ranking in the U.K.; the album also reached the Top 20 in the U.S.” – All Music, 5 Stars

This vintage Island pink label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Dire Straits – Communique

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Records We Only Sell on Import Vinyl

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  • This stunning sounding copy of the band’s sophomore release earned shootout winning Triple Plus (A+++) grades or close to them on both sides
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Communique
  • If you’re a fan of the band’s debut release, you’ll find much to like on this underappreciated follow up
  • “…an album full of the delicate subtleties that make Mark Knopfler shimmer — that deep tobacco-soaked voice, the quick, fluid guitar, and the wit behind many of his lyrics… a rich, abundant source of beauty.”

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Traffic – The Best of Traffic

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More Traffic

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or those who wish to find their own Hot Stamper pressings of the album, we say more power to you. Our helpful advice can be found at the bottom of the listing,

  • Best of Traffic finally returns to the site with Nearly Triple Plus (A++ to A+++) sound on this Pink Label Island pressing – just shy of our Shootout Winner
  • Here are the full-bodied mids, punchy lows and clear, open, extended highs that let this 1969 release come alive
  • This amazing compilation boasts superb sound, often better than the very same tracks on many of the original British releases
  • Top 100 and 4 stars: “The entire second side of the LP, comprising ‘Medicated Goo,’ ‘Forty Thousand Headmen,’ ‘Feelin’ Alright,’ ‘Shanghai Noodle Factory,’ and ‘Dear Mr. Fantasy,’ was the kind of progressive rock that would define Traffic and give it its place in the rock pantheon.”

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Traffic – The Best of Traffic

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  • You’ll find outstanding Double Plus (A++) sound on both sides of this British Pink Label Island pressing
  • Here are the full-bodied mids, punchy lows and clear, open, extended highs that let this 1969 release come alive
  • This amazing compilation boasts superb sound, often better than the very same tracks on many of the original British releases
  • Top 100 and 4 stars: “The entire second side of the LP, comprising ‘Medicated Goo,’ ‘Forty Thousand Headmen,’ ‘Feelin’ Alright,’ ‘Shanghai Noodle Factory,’ and ‘Dear Mr. Fantasy,’ was the kind of progressive rock that would define Traffic and give it its place in the rock pantheon.”

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Richard & Linda Thompsonn – Shoot Out The Lights

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More Demo Discs for Bass

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  • You’ll find superb Nearly Triple Plus (A++ to A+++) sound on both sides of this copy of the Thompsons’ final album – just shy of our Shootout Winner
  • Without a doubt this is the best record Richard and Linda Thompson ever made – for sound and music
  • DYNAMIC, huge, lively, powerful and musical – a real Demo Disk – both sides here are guaranteed to rock your world
  • A Top 100 album, and clearly Thompson’s Masterpiece of Grungy Guitar Rock
  • 5 stars: “Shoot Out The Lights found them rallying their strengths to the bitter end; it’s often been cited as Richard Thompson’s greatest work, and it’s difficult for anyone who has heard his body of work to argue the point.”

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Two of Robin Black’s Engineering Masterpieces

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Albums Engineered by Robin Black

Recordings with Exceptionally Tubey Magical Guitars

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Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; Tubey Magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.

We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.

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Jethro Tull – Stand Up

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  • An outstanding UK import LP with solid Double Plus (A++) sound from start to finish — exceptionally quiet vinyl too
  • This is a True Tull Classic – my favorite by the band – and a VERY tough record to come by with this kind of sound and surfaces this quiet, as quiet as any copy we have ever played
  • Both of these sides give you richness, Tubey Magic, clarity and resolution few copies can touch – these are the Hot Stampers, folks
  • “Stand Up! has great textural interest, due, in part, to a more sophisticated recording technique, in part to the organ, mandolin, balalaika, etc., which Anderson plays to enrich each song. The band is able to work with different musical styles, but without a trace of the facile, glib manipulation which strains for attention.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Island pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. We must give thanks to the brilliant engineer Andy Johns. (more…)

Rod Stewart – Every Picture Tells A Story

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  • This outstanding pressing boasts solid Double Plus (A++) sound or close to it from first note to last – a sonic powerhouse and Demo Disc par excellence, with vinyl that’s about as quiet as we can find
  • If you’re a fan of BIG DRUMS in a BIG ROOM, with jump-out-of-the-speakers sound, this is the album for you
  • A Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
  • 5 stars: “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”

This is a superb recording, and on a pressing like this, it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of records).

Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Led Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least.

The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the show-stopping “(I Know) I’m Losing You”, is clearly out of his mind.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

Rod Stewart – Gasoline Alley

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  • Outstanding Double Plus (A++) sound or BETTER from start to finish – these vintage Vertigo UK pressings are ridiculously hard to find in this kind of shape with top quality sound
  • These early sides are rich, smooth and Tubey Magical yet still relatively clean, clear and spacious
  • 5 stars: “Of course, being a rocker at heart, Stewart doesn’t let these songs become limp acoustic numbers — these rock harder than any fuzz-guitar workout. The drums crash and bang, the acoustic guitars are pounded with a vengeance — it’s a wild, careening sound that is positively joyous with its abandon.”

*NOTE: On side one, a mark makes 8 light ticks at the end of Track 4, My Way Of Giving. On side two, a mark makes 6 light ticks at the beginning of Track 4, Jo’s Lament.

Hard to find them quieter than this!

This early Vertigo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Marianne Faithfull – Go Away From My World

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  • This is an amazing sounding copy of Faithfull’s debut album in the states
  • If you know just how good a top copy of Aftermath can sound, you know what to expect on this side one
  • Huge space, Tubey Magic, breathy vocals and “baroque arrangements” – a real audiophile treat
  • Top talents such as Andrew Loog Oldham, Gus Dudgeon and Jon Mark lend a hand

This is a Big Production Demo Disc, complete with harpsichords, string players and gorgeous guitars. If you know the sound of 1965 Tubey Magical Pop Reverb, you know what’s in store for you on some of these tracks.

Perhaps Parsley, Sage, Rosemary, and Thyme is the better comparison — that record sounds amazing and so does this one. (more…)