A superb copy of Springsteen’s surprisingly well recorded 1980 release with outstanding Double Plus (A++) sound or BETTER on three sides and Shootout Winning Triple Plus (A+++) sound on the fourth
These sides are energetic, clear and full-bodied, with The Boss’ vocals – always the focus for any Springsteen album – front and center where they belong
This is our pick for the Best Sounding Springsteen album – we know of none better
You will hear dramatically more space, richness, presence, and performance energy on this copy than others you’ve played or you get your money back – it’s a simple as that
5 stars: “Springsteen rises to his own challenges as a songwriter, penning a set of tunes that are heartfelt and literate but unpretentious while rocking hard, and the E Street Band were never used to better advantage, capturing the taut, swaggering force of their live shows in the studio with superb accuracy… [he] rarely made an album as compelling as this, or one that rewards repeat listening as well.”
With STUNNING Shootout Winning Triple Plus (A+++) grades on both sides, the sound quality of the tracks on this compilation is impressive
Both sides are rich, full-bodied, Tubey Magical, and natural with a solid bottom end – no sign of radio EQ to be found
Features most of the band’s best songs, including Do You Believe In Magic, You Didn’t Have To Be So Nice, Six O’clock and Nashville Cats (a personal fave)
The Allmusic critic is not too crazy about this album, but the User Rating is 4 1/2 stars, which we think is about right
Great sound for some the biggest hits of The Lovin’ Spoonful, a band I wouldn’t have expected to hear sound good on vinyl if I lived to be a hundred, and yet, here it is. This is one of the rare cases where, in our experience, the hits compilation sounds BETTER than the original records. Why? Who knows? We don’t pretend to have all the answers. What we do have (that no one else has, if that’s not too obvious) are the records that back up the claims we make for them.
How they came to be that way is anyone’s guess. All we know for sure is that, judging by the best copies of this album, somebody got hold of some awfully good tapes and somebody mastered them with uncanny skill to what sounds to these ears like near perfection.
Actually, the mastering engineer for this compilation and the Best of from the same year is a person well known to us record collecting audiophiles — the person that ends up with this record can look in the dead wax for his info and the rest of you are welcome to guess — so it’s really no surprise that this compilation sounds as good as the Best of that we rave about.
A STUNNING copy of Neil Young’s 1978 release, with Shootout Winning Triple Plus (A+++) sound or very close to it from first note to last
Drop the needle on Comes A Time or Look Out For My Love and hear how rich, warm and Tubey Magical the sound is
The best copies of Comes a Time are the sonic equal of the best recordings in Neil’s catalog – and that’s saying a lot
4 1/2 stars: “Comes a Time finally was the Neil Young album for the millions of fans who had loved Harvest, an acoustic-based record with country overtones and romantic, autobiographical lyrics, and many of those fans returned to the fold, enough to make Comes a Time Young’s first Top Ten album since Harvest.”
Here’s a copy of Comes A Time that actually delivers the kind of Tubey Analog Magic you get from the good pressings of his earlier albums.
This superb Demo Disc has been overlooked by the audiophile press for forty years. The best-sounding Neil Young records — just look in our Hot Stamper listings to find them — have Demo Disc sound to beat the band. I defy anyone to play me a better-sounding record than Zuma or Gold Rush. Analog doesn’t get any more magical.
On the best copies, all the Demo Disc qualities are here: breathy vocals with solid body; huge amounts of ambience; super-transparency; dynamics; note-like punchy bass — the list goes on and on.
Tubey Magical Acoustic Guitarreproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).
The All Music Guide is right on the money with their four and a half star assessment. We also wholeheartedly agree that this is the True Successor to Harvest, and would add that it’s the only Neil Young album to merit that distinction. To be blunt about it, Harvest Moon is no Comes a Time.(more…)
An outstanding 360 Stereo pressing (the only ones we offer) of Simon & Garfunkel’s classic, with Shootout Winning Triple Plus (A+++) sound or very close to it throughout – exceptionally quiet vinyl too
There’s a reason you rarely see this title on our site – we have a devil of a time finding clean 360s without marks or significant surface noise, especially for the title track
The sound is big, lively, and clear, with the kind of Tubey Magical richness that only the best 360 pressings can offer
Surely this is BY FAR the toughest album of theirs to find with top quality sound and decent surfaces
This Magnum Opus ended the duo’s collaboration with a ginormous over the top production, which taxed the recording technology of the day and is sure to tax any system that attempts to reproduce it
5 stars: “Perhaps the most delicately textured album to close out the 1960s from any major rock act… the songs matched the standard of craftsmanship that had been established on the duo’s two prior albums”
Both sides here KILLED every other copy we played.
The strings on the title track actually have some texture, and Cecilia comes to life in a way we guarantee you have never heard before. There’s also much less of the spit and grit that you find on many copies.
The sound is quite a bit more musical and enjoyable than you might expect, especially if you own a reissue on the red label or an audiophile reissue of any kind. All our copies are on the 360 label, and none of them are on Heavy Vinyl or Half-Speed Mastered. If it’s not a 360, it’s not a Hot Stamper in our book. (more…)
A KILLER original Warner Brothers pressing with Shootout Winning Triple Plus (A+++) sound from start to finish
A Top 100 album, and a truly superb recording of the Dead at the peak of their creativity (along with American Beauty)
We love the amazingly big, rich, weighty bottom end found on the better pressings such as this one
5 stars: “The lilting Uncle John’s Band, their first radio hit, opens the record and perfectly summarizes its subtle, spare beauty; complete with a new focus on more concise songs and tighter arrangements, the approach works brilliantly.”
This original Warner Brothers pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back.(more…)
Shootout Winning Triple Plus (A+++) sound or very close to it throughout for arguably Joni’s greatest album
Full-bodied and balanced with the kind of smooth musicality that’s not always easy to find for Blue
A Better Records Top 100 title that belongs in any audiophile music collection worthy of the name
5 stars: “Sad, spare, and beautiful, Blue is the quintessential confessional singer/songwriter album. Forthright and poetic, Joni Mitchell’s songs are raw nerves, tales of love and loss (two words with relative meaning here) etched with stunning complexity…”
This vintage Reprise pressing has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (For proof just check out the mediocre Blue Steve Hoffman mastered for Rhino on Heavy Vinyl. (more…)
This KILLER original Reprise pressing boasts Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
This is the vinyl embodiment of the Classic Analog Rock sound we love – smooth, rich, full-bodied, warm, punchy, dynamic and clear
5 Stars in Allmusic, Top 100, and a Demo Disc that is guaranteed to knock your socks off
“It’s a magnificent, style-setting album which saw the Canadian’s elevation to rock hero. For those who like their emotion raw.”
Folks, a Hot Stamper collection of the Greatest Rock Records of All Time would not be complete without a knockout copy this album. That’s why it’s been a Better Records All-Time Top Ten Title right from the start. (more…)
Triple Triple! A stunning copy with Triple Plus (A+++) sound from start to finish- this is As Good As It Gets, folks!
Check out the clear transients on Joni’s guitar — you can really hear her moving her hands around the fretboard and pulling on the strings
It’s tough to find this album in clean shape with this kind of warm, natural sound (something the new reissue is no doubt profoundly lacking)
4 1/2 stars: “Clouds is a stark stunner, a great leap forward for Joni Mitchell. Vocals here are more forthright and assured than on her debut and exhibit a remarkable level of subtle expressiveness. Guitar alone is used in accompaniment, and the variety of playing approaches and sounds gotten here is most impressive.”
Everything you could ask for from this album is here on this copy: stunning clarity and transparency, breathy vocals, richness, sweetness, warmth, and tons of ambience.
Check out the clear transients on the acoustic guitar — you can really hear her moving her hands around the fretboard and pulling on the strings. The immediacy is mindblowing — Joni and her guitar are right there in the room with you, without being forced into your lap.
The best sounding copies of Clouds are the ones that put Joni and her guitar right there in your living room. The copies with veiled vocals really don’t allow the music to come to life, and the copies where her voice is too forward come across as unnatural and hi-fi-ish. It takes an exceptional copy to strike the right balance and put both the voice and guitar right between your speakers, not under a blanket or in your lap.
The intimacy of the recording is simply breathtaking, but most pressings can’t begin to do it justice. This is especially true of the reissues, which tend to be thin, edgy and sorely lacking in Tubey Magic. You have not begun to hear these songs with this kind of realism and power unless, like us, you’ve cleaned and played plenty of copies and lucked into a truly killer Hot Stamper. (more…)
This superb compilation boast a Shootout Winning Triple Plus (A+++) side one mated with an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
The sound is especially rich, warm and natural, with exceptional immediacy to Judy’s vocals and Tubey Magic for days
Tons of breath of life, superb production and mastering, and some of the best sounding echo ever recorded
Note that Artisan cut this record a whole helluva lot better than DCC – the so-called audiophile label – ever did
4 1/2 stars: “Lovingly programmed (it leads off with her excellent country-pop hit ‘Someday Soon,’ an Ian Tyson classic), this is Collins at her finest… This anthology brings the ‘best-of’ collection to a new art form.”
I remember being a bit taken aback by how much better my original Artisan pressing sounded compared to the supposedly superior DCC, pressed at high quality Heavy Vinyl at RTI to the most exacting standards possible.
What finally turned me completely against DCC were the awful Paul Simon solo albums they remastered. Two were released, two I had as unreleased test pressings, and all of them were barely second rate compared to a good original pressing.
So much for believing in DCC. Since that time we have learned that placing your faith in any record label or cutting operation is a mistake. You have to play the records to know how they sound. Nothing else works, and nothing else can work.(more…)
Fifth Album finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from first note to last on the Big Red E label
These sides are exceptionally good, especially compared to most of what we played – only the best early pressings managed to get Collins’ voice to sound natural and real
“… 5th Album, cut in late 1964, may very well be her definitive folk statement… A trio of Bob Dylan songs act as the album’s centerpiece, clearly showing Collins’ growth into more progressive songs. In addition to these, Gordon Lightfoot’s “Early Morning Rain” is given its classic reading, with Collins’ voice echoing the song’s melancholy and eerie but mellifluent precision and emotion. “