Genre – Rock – Art Rock

The Alan Parsons Project – I Robot

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  • An outstanding early UK pressing of I Robot with solid Double Plus (A++) sound or BETTER throughout
  • The overall sound is clean, clear and transparent – many copies tend to be overly smooth, but this one has the kind of clarity that allows the natural textures of the instruments to come through
  • 4 1/2 stars: “. . . that sense of melody when married to the artistic restlessness and geeky sensibility makes for a unique, compelling album and the one record that truly captures mind and spirit of the Alan Parsons Project.”

If you’re a fan of this album who has been playing a typical copy, or — even worse — one of the MoFi versions, you are sure to be impressed with the kind of sound this superb copy delivers. You get a strong, solid bottom end setting the foundation, which is exactly what you need to make a funky tune like I Wouldn’t Want To Be Like You come to life. (more…)

Tears For Fears – The Seeds Of Love

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  • A superb vintage UK copy of the band’s masterpiece, boasting Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • We guarantee the sound is dramatically bigger, richer, fuller, and livelier than any pressing you have ever heard, and on this record that is saying a LOT
  • A tough record to find in audiophile playing condition – copies without audible marks were not easy to come by
  • The band’s Magnum Opus, a Colossal Production to rival the greatest Prog, Psych and Art Rock recordings of all time (Whew!)
  • 4 stars: “Thanks to the duo’s uncompromising stubbornness, expansive creative vision, and Dave Bascombe’s final production, The Seeds of Love has dated better than either of its predecessors and is inarguably Tears for Fears’ masterpiece.”

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Supertramp – Supertramp

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  • Supertramp’s self-titled debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • It’s even more Tubey Magical than an album like ’Crime Of The Century,’ which is more about slam and presence than a record like this, which has amazingly sweet, natural sounding acoustic guitars
  • Condition was the problem with these original British pressings – none of the best sounding copies did not have issues, hence the exceptionally low price for our Shootout Winner here
  • “Harmonious in themes but varied in tones, alternating short and lengthy pieces with a sophisticated sound and classy arrangement, it features all the distinctive elements of prog rock. And as with any prog album, it only makes full sense when listened to in its entirety.”

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Talking Heads – Fear of Music

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  • This Talking Heads LP boasts solid Double Plus (A++) sound or BETTER from start to finish
  • I’d be hard-pressed to name another group from the era who put out more groundbreaking yet accessible records than the Talking Heads
  • Producer Brian Eno wasn’t shy about adding multiple layers of effects and processing; the texture of Eno’s synthesizers gives the music depth and character
  • 4 1/2 stars: “…the music is becoming denser and more driving… with lyrics that match the music’s power… its better songs are as good as any Talking Heads ever did”

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Genesis – Foxtrot

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  • An outstanding copy of this early Peter-Gabriel-led Genesis album from 1972 with solid Double Plus (A++) sound from start to finish
  • One of the tougher Genesis albums to find with good sound – this British Charisma LP is much more impressive than most of what we’ve played over the years, and is guaranteed to trounce any domestic or Heavy Vinyl pressing you may have heard
  • 5 stars: “Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound — which doesn’t necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. This is the rare art-rock album that excels at both the art and the rock, and it’s a pinnacle of the genre because of it.”

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Genesis – Seconds Out

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  • You’ll find superb Nearly Triple Plus (A++ to A+++) grades on three sides and outstanding Double Plus (A++) grades on the fourth, giving you very impressive live Genesis sound
  • This is an excellent set of songs and a surprisingly good recording
  • After suffering through so much bad Genesis sound over the years — their pressings are all over the map — it was a real treat to hear the better copies of this one let these classic songs really come to life
  • “Indeed, part of the beauty of this album is the sheer flexibility of the band during this period — in addition to superb vocals by Collins throughout, the drumming by Chester Thompson is at least a match for Collins’ best playing.”

This live album from 1977 has some of the best Genesis sound we’ve heard. Their studio recordings are often a bit flat and dull, so it’s really a treat to hear those songs with this kind of big, open, dynamic sound! Phil Collins handles the lead vocals here, but he does a great job even on the Peter Gabriel material.

This vintage British Charisma pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

David Bowie – The Man Who Sold The World

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  • This outstanding pressing boasts solid Double Plus (A++) sound from first note to last
  • Big space, breathy vocals, grungy guitars and plenty of Ken Scott’s luscious Tubey Magic makes this album a true audiophile treat
  • As it says on the back of the jacket, “Many thanks to our engineer Ken (Scott, one of our favorites).”
  • 4 1/2 stars: “Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen.”

*NOTE: On side one, a mark makes 8 light ticks at the beginning of Track 1, The Width Of A Circle. On side two, a mark makes 16 light ticks at the beginning of Track 1, Running Gun Blues.

The sound is rich and full, just the way the Brits (and us audiophiles) like it. The tube compression that both Bowie and Scott favor works its magic at every turn, adding fatness and richness and lovely harmonics to the guitars and the drums.

Mick Ronson’s guitars are wonderfully rich and grungy. The vocals can get a bit hot on the first track on side one (as is often the case), but by track two the sound has settled in and is rich and smooth, just the way we like it. Very present and lively vocals are a strong point. Listen to the big bass, richness and Tubey Magic of the third track on side two — that is some Ken Scott studio wizardry at play.

Note that the second track on the second side seems to be where Alice Cooper found his “sound.” More power to him I say. You could get away with ripping off Bowie in 1970; nobody bought this album in the states, which is why it’s so damn rare and expensive. (more…)

Frank Zappa – The Grand Wazoo – What to Listen For

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The Tubey Magical keyboards at the start of The Grand Wazoo are amazing sounding on the best copies. How Zappa ever decided to go digital when he managed to record so well in analog (from time to time, let’s be honest) is beyond me.

Problems?

Smear on the horn transients are always an issue on this album (and Zappa’s previous big band album, Waka/Jawaka). After that we would say a lack of top end is the other most common shortcoming we hear. To find a copy that’s not dull and smeary is no mean feat.

The vocals on For Calvin (And His Next Two Hitch-Hikers) are usually slightly spitty. The best copies keep the spit under control.

Blue Labels and Reissues

The Blue Label originals are dramatically better than the later Warner Brother reissues. I would avoid any reissues of Zappa’s albums; we’ve never heard a good one. And that includes the Classic Heavy Vinyl reissue of Hot Rats. (more…)

Supertramp – Crime of the Century

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  • With a Triple Plus (A+++) Shootout Winning side two and a superb Double Plus (A++) side one, this copy of Supertramp’s Masterpiece will be very hard to beat
  • Ken Scott engineered this one to have Cinerama-sized height, width and depth to rival the best rock albums you’ve ever heard
  • Clearly their Magnum Opus, a great leap forward and a permanent member of our Rock & Pop Top 100 Album List
  • “The tuneful, tightly played songs, pristine clarity of sound, and myriad imaginative sound effects, helped create an album that Sounds magazine likened to ‘Genesis, The Beach Boys…a smattering of [Pink] Floyd.'”

CONDITION NOTES: A mark at the start of track two makes about twenty light to very light intermittent ticks, with a few a bit louder.

This is engineer Ken Scott’s (and the band’s) MASTERPIECE, but the average copy sure can’t get your blood pumping the way this one will. We’ve long recognized that Crime of the Century is a true Demo Disc in the world of rock recordings, a member of our Rock & Pop Top 100 list right from the get go.

When you hear the guitars come jumping out of your speakers on School or Bloody Well Right you can be sure that you’re playing a very special pressing of a very special recording indeed. (Yes, you need both. That’s why we’re here.) (more…)

David Bowie – Station To Station

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  • With two seriously good Double Plus (A++) sides, this is one of the more outstanding copies to come out of our most recent shootout – exceptionally quiet vinyl too
  • This is a dense, difficult recording to find the right sound for, which means you really need Hot Stampers on Station to Station to enjoy it
  • Superb presence and energy – with Nearly White Hot sound on side two, this is a great copy for the classic, radio-friendly TVC 15, Stay and Wild Is the Wind
  • 4 1/2 stars: “Station to Station is an avant-garde art-rock album … its epic structure and clinical sound were an impressive, individualistic achievement, as well as a style that would prove enormously influential on post-punk.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.

Full, punchy and present, with a wide open soundstage and powerful dynamics, this is the right sound for this album, and if you know the album at all, you know that good sound on Station to Station is far from easy to find. (more…)