Blues, Electric Blues and R&B

Janis Joplin – I Got Dem Ol’ Kozmic Blues Again Mama!

More Janis Joplin

More Blues Rock Albums

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  • This outstanding 360 Stereo pressing boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • This copy has the ideal combination of openness and transparency, coupled with the richness and solidity of vintage analog
  • When Janis starts singing, watch out – her voice positively JUMPS out of the speakers, something we didn’t hear her do on many of the other copies in our shootout
  • Features Try, one of Janis’s All Time Classics — and with these grades you can be sure it sounds positively amazing here

This Columbia 360 Stereo pressing is THE CURE for Dem Ol’ Kozmic Blues!

Drop the needle on the great song Try and just listen to how crisp, punchy, and BIG the drums sound.

The bottom end has real weight and the top end is silky and extended. The overall sound is rich, full, and smooth.

ENERGY is the key element missing from the average copy, but not on this bad boy (or girl if you prefer). The electric guitars are super Tubey Magical and the bass is solid and punchy.

On many copies — too many copies — the vocals are pinched and edgy. Here they’re breathy and full — a much better way for Janis to sound. There’s a slight amount of grit to the vocals at times and the brass as well, but the life force on these sides is so strong that we much preferred it to the smoother, duller, deader copies we heard that didn’t have that issue.

On copy after copy we heard pinched squawky horns and harsh vocals, not a good sound for this album. Janis’ voice needs lots of space up top to get good and loud, and both of these sides have it in spades.

Few other copies had this combination of openness and transparency on the one hand, and full, rich tonality on the other. (more…)

Willie Dixon – I Am The Blues

More Willie Dixon

More Soul, Blues and R&B

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  • This early Columbia pressing boasts outstanding Double Plus (A++) sound or close to it on both sides – fairly quiet vinyl too
  • Notably richer and livelier than most, with plenty of Tubey Magic and good weight down low
  • A longtime favorite of ours, with unusually good sound for a blues recording, even one from as late as 1970
  • Features updated versions of many Dixon Classics: Spoonful, Hoochie Coochie Man, I Can’t Quit You Baby and more
  • “The material is superb, consisting of some of Willie Dixon’s best-known songs of the 1960s, and the production is smoothly professional…”

*NOTE: On side two, a mark makes 5 light ticks at the end of Track 3, (I’m Your) Hoochie Coochie Man.

The material here is TOP NOTCH — Dixon was one of the blues’ greatest songwriters, responsible for Spoonful, Hoochie Coochie Man, Little Red Rooster, Back Door Man and other songs you’ve probably heard your favorite classic rock band covering. A copy such as this gives you more detail and texture, more extension up top and real weight to the bottom end — absolutely crucial for this music. (more…)

John Lee Hooker – House of the Blues

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish – fairly quiet vinyl too
  • This early ’50s material has shockingly natural sound, no doubt the result of having been recorded, like most of John Lee Hooker’s albums, live in the studio
  • A masterful collection of songs recorded between 1951 and 1954, this album showcases the “King of the Boogie” in top form
  • 4 stars: “Some important titles here: an ominous ‘Leave My Wife Alone,’ and the stark ‘Sugar Mama’ and ‘Ramblin’ by Myself,’ and with Eddie Kirkland on second guitar, ‘Louise’ and ‘High Priced Woman.'”

*NOTE: On side two, a mark makes 4 moderate pops at the beginning of in Track 1, Sugar Mama.

My notes for the sound of the third track read “very real.” You get the feeling that whatever John Lee Hooker played and sang on that day in 1959 ended up on this record sounding just the way he performed it, live to one-track. (more…)

Jimmy Witherspoon – Blues For Easy Livers

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  • Blues for Easy Livers finally returns to the site with outstanding Double Plus (A++) stereo sound from start to finish
  • BIG and spacious with wonderful presence – the transparency of this vintage pressing is superb, and yet one more reminder of the sound modern records consistently fail to achieve
  • This is one of the better sounding Male Vocal LPs to hit our turntable in recent months and I bet the same will hold true for you if you take this copy home
  • “Witherspoon’s one of the masters of closing-time bluesy jazz, and he doesn’t let anyone down on that account on this relaxed (but not sleepy) session.”

You’ll find surprisingly natural sound on this great Jazz / Blues / Male Vocal album.

We’ve been picking these up when we find ’em clean — no mean feat, I assure you — and this copy had the sound we’ve been looking for. (more…)

Ella Fitzgerald – These Are The Blues – Another Top Ella Title

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  • An outstanding early Stereo copy with solid Double Plus (A++) sound from start to finish
  • Only the best vintage pressings like this one offer the kind of Tubey Magic that was on the tapes in 1963
  • Allmusic Users 4 1/2 stars: “Ella Fitzgerald was never thought of as a blues singer but she does a surprisingly effective job on the ten blues songs here, including “See See Rider,” “Trouble in Mind,” “St. Louis Blues,” and Bessie Smith’s “Jailhouse Blues.” She somehow sings more or less in the style of the classic blues vocalists of the 1920s and largely pulls it off. …organist Wild Bill Davis (with assistance from guitarist Herb Ellis, bassist Ray Brown, and drummer Gus Johnson) dominate the ensembles. It’s an interesting set.”blues

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Albert King – Born Under a Bad Sign on Mediocre Sundazed Vinyl

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Sonic Grade: C

Commenting about the first Hot Stamper pressing of this album ever to come our way, we noted:

This original Stax LP has AMAZING sound. You could not make this record sound any better. We really liked the  Sundazed copy of this record until we heard this bad boy. It MURDERS their pressing! It has far more life, energy and presence than the Heavy Vinyl pressing. We always suspected that a good original would be better but we had no way of knowing since all the copies we saw were beat to death.

Johnny Winter – Johnny Winter

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  • An outstanding 360 Columbia pressing of Johnny Winter’s sophomore release, with Double Plus (A++) sound from start to finish
  • This vintage pressing has the MIDRANGE MAGIC that’s surely missing from whatever 180g reissue has been made from the 50+ year old tapes (or, to be clear, a modern digital master copied from those tapes)
  • There is a surprisingly healthy dose of bottom end in this recording – it’s the right sound for this kind of heavy blues-rock
  • 4 1/2 stars: “Winter’s debut album for Columbia was also arguably his bluesiest and best… [his] playing and vocals have yet to become mannered or clichéd on this session, and if you’ve ever wondered what the fuss is all about, here’s the best place to check out his true legacy.”

Vintage covers for this album are hard to find in exceptionally clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can  be sure we have a nice cover for you.   

This Columbia 360 Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

The Fabulous Thunderbirds- Tuff Enuff

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  • The band’s 1986 release makes its Hot Stamper debut here with nearly Triple Plus (A++ to A+++) sound throughout – just shy of our Shootout Winner – exceptionally quiet vinyl too
  • Rich, full and balanced with Blues-Rock energy to spare, this is a killer copy of a fun album
  • “Their breakthrough success. The title track and soul covers point the band in a new, more mainstream direction.”

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The Vaughan Brothers – Family Style

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  • Jimmie and Stevie Ray’s 1990 release finally makes its Hot Stamper debut with superb nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner – exceptionally quiet vinyl too
  • Space, clarity, transparency, and in-the-room immediacy are some of the qualities to be found on this pressing – it’s guaranteed to soundly beat any copy you’ve ever heard
  • “Jimmie makes his vocal debut on ‘White Boots’ and ‘Good Texan,’ and the brothers blur the lines between their expected guitar styles — Stevie sometimes going for a less sustainy twang, Jimmie moving into Albert King territory.”

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Stevie Ray Vaughan – The Sky Is Crying

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  • You’ll find insanely good Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second – exceptionally quiet vinyl too
  • One of the most blistering performances of electric blues we have ever had the pleasure of rocking out to
  • Hands down the best sounding SRV recording — Little Wing is an absolute MONSTER on this White Hot side one and a Demo track to beat them all
  • 4 stars: “Doing away with vocals, Vaughan augments Hendrix’s concise two-and-a-half minute original, turning the track into a nearly seven-minute-long electric tour de force. The cover would earn Vaughan his sixth Grammy, for Best Rock Instrumental Performance, in 1992.”

This is one of the most blistering recordings of electric blues-rock we’ve ever played. Few other records recorded in the ’80s have this kind of BIG, BOLD sound. Maybe none. The sheer impact and wallop of this music is a real treat, but only if you have the right pressing (and the right kind of stereo to play it on, of course).

Stevie’s take on Jimi’s Little Wing is the surest proof that SRV was one of the greatest Electric Blues Guitarists of All Time. I know of no other guitar showcase to compete with it. Sonically it’s a knockout, with one of the tallest, widest and deepest soundstages I have ever heard on record. It brings to mind Gilmore’s multiple solos on Money from the hottest Dark Side of the Moon pressings, high praise indeed. Little Wing deservedly won SRV the Grammy in ’92 for Best Rock Instrumental. Click on the Little Wing tab above to learn more.

And, if you want to here Stevie channel Wes Montgomery instead of Jimi Hendrix, take a listen to Chitlins Con Carne. (more…)