A KILLER copy with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second; exceptionally quiet vinyl too!
Both sides here are incredibly rich and smooth with wonderfully breathy vocals and a solid bottom end
“Mel Tormé with the Marty Paich Dek-tette is a vocal masterpiece, an extremely satisfying record achieved only by a fusion of an excellent voice, an excellent band, and excellent material.” – All Music, 5 Stars
This vintage Bethlehem pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
This surprisingly good sounding pressing of Mel Torme’s 1963 album earned outstanding Double Plus (A++) grades on both sides
Like many of the best Mel Torme recordings from back in the day, the sound here is rich, warm and smooth, with Vintage Analog Tubey Magic to die for
Turn it up and The Velvet Fog will be standing right between your speakers, putting his heart and soul into these American standards
“This thematic recording, with songs all relating to New York City, has vocalist Mel Tormé singing in fine fashion… done with the heartfelt passion of a man who has lived in the Big Apple and has many tales to tell.”
Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Atlantic pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.
This vintage stereo pressing has the kind of Midrange Magic that modern records barely begin to reproduce. Folks, that sound is gone and it ain’t coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with Mel, this is the record for you. It’s what vintage Analog recordings are known for — this sound.(more…)
Capitol Records Original Multi-Color Label LP in excellent condition. The reason this Nat King Cole record is so good is simple — he’s joined here by top jazz players from the big bands of the day. They make these sessions swing.
The material is always much better than the typical Nat King Cole record: not as many sappy love songs.
A wonderful copy that lets this music swing the way it’s supposed to! Triple Plus (A+++) sound throughout
Classic Capitol big, full-bodied, Tubey Magical sound — Deano’s vocals are present and natural in the best tradition of rat-mate Frank Sinatra in the early ’60s
With Nelson Riddle arranging, you can be sure the album has plenty of swing all right — and the brass sounds amazing here
4 1/2 Stars in the All Music Guide: “…an easy swinging collection…”
If you’re a fan of the Capitol Sinatra sound you’ll love this record. It’s an exceptionally difficult title to find in anything but trashed condition. I’ve been a fan of this record for many years but this is the first copy we’ve been able to find that’s clean enough to go up on the site with White Hot Stamper grades. (more…)
The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there give you the kind of realistic, lifelike sound you get from this pressing, particularly on side one.
We want to give a special shoutout here to conductor/arranger Gordon Jenkins, who also handled the same duties on Nilsson’s Must Own classic A Little Touch Of Schmillson in The Night.
Jenkins worked with Nat King Cole on four albums for Capitol: Love Is the Thing (1957), The Very Thought of You (1958), Every Time I Feel the Spirit (1959) and Where Did Everyone Go? (1963).(more…)
You’ll find stunning Triple Plus (A+++) sound or close to it on both sides of this Shootout Winning 1964 pressing – exceptionally QUIET vinyl for a vintage Ray Charles record (!)
This stereo pressing is the only way to hear these classic songs sound rich, powerful and free from coloration
A concept album filled with an eclectic collection of themed music, this release showcases Charles’ innovative approach to recording
“…One is almost tempted to think that Charles was toying with audience expectations by mixing unabashedly sentimental slow tunes with the far more bluesy, satisfying, and upbeat numbers, such as his surprisingly brassy, punchy treatment of “Cry Me a River.”
This ’60s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.(more…)
We’re always on the lookout for Louis Armstrong records with good sound. In our experience finding them is not nearly as easy as one might think. Far too many of his recordings are poorly recorded, with sound that simply can’t be taken seriously — fine for old consoles but not so good on modern audiophile equipment.
We assume most audiophiles got turned on to his music from the records that Classic Records remastered back in the mid-’90s, For those of you who were customers of ours back then, you know that I count myself among that group.(more…)
There is some edge on Sinatra’s voice on every side of every copy; it’s so common it’s got to be on the tape. Those copies with less edge and grit on the vocals which are not overly smooth or dull tend to do very well in our shootouts.
Also, richness is very important. We look for a combination of rich, Tubey Magical sound that still maintains a fair amount of space, clarity, transparency and freedom from smear.
The original label pressings (always in stereo; the monos are really a joke) are richer and thicker as a rule.
The pressings with the orange two-tone labels tend to be thinner and clearer. A high percentage of them are much too modern sounding, bright and gritty, and when they are we throw them right in the trade-in pile.(more…)
You’ll find outstanding Double Plus (A++) sound on this Emus pressing of Count Basie and Tony Bennett’s 1959 classic collaboration
The originals we have played are uniformly horrible sounding compared to these wonderful reissues – the tonality here is Right On The Money
4 1/2 stars: “… the pairing between Bennett and Basie remains impressive. The band raves through tunes like “With Plenty Of Money And You,” and Bennett matches them, drawing strength from the bravura arrangements, while band and singer achieve a knowing tenderness on “Growing Pains.” This is an album well worth owning…”
This vintage pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.(more…)
This Minty looking Columbia Six Eye Demo LP has SUPERB SOUND and some of the quietest Six Eye vinyl I’ve ever heard. If you’re a fan of either Dave Brubeck or Jimmy Rushing you can’t do better than this album. The sound is as close to perfection as I can imagine.