- This Sinatra release from 1963 has out of this world Triple Plus (A+++) sound from start to finish
- Forget the reissues – the stereo original we are offering here is the only way to go for rich, tubey, dynamic, musical sound
- Frank rerecorded some of his biggest hits in stereo for this album – the record is one Sinatra Classic after another
- Amazon 5 Stars: “Riddle’s arrangements are, as always, top-notch, and Sinatra is in fine, engaging form.”
Sonic Grade: B to F, depending on the copy
This Hot Stamper CBS Mastersound LP has the BEST SOUND we have ever heard for the half-speed of this title. It KILLED the other two CBS Audiophile Stardusts we played. If you think there’s a snowball’s chance in hell that any two records — domestic, import, audiophile, 180 gram, or otherwise — sound the same, then you simply need to do a shootout or two with records like these to be disabused of that notion.
One copy was awful; I’d have to say it’s one of the worst sounding audiophile pressings I’ve ever played. Somebody is going to buy it thinking it somehow guarantees them a higher quality pressing, and to that person I say, think again. That’s not the way it works.
This copy, on the other hand, sounds so good you’d think it was one of our hand-picked multi-hundred dollar Hot Stamper pressings. (One of them sold for $750, FYI.) It may not be the ultimate copy, but it sure sounded amazing to us. On the half-speed scale we give it Two Pluses. That’s the highest grade we’ve ever given ANY half-speed; from guys who can’t stand half-speeds as a rule, that’s high praise indeed.
Check out Audiophile Scorecard to read all about the latest winners and losers.
Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.
Love Is The Thing has long been one of the best sounding Nat “King” Cole recordings we had auditioned over the years. With a large variety of copies to play, including some interesting “finds” among them, we now know it actually is The Best. We have never heard the man sound better than he does on the hottest copies of this very album.
Of course we’re always on the lookout for Nat King Cole albums with good sound. In our experience that is not nearly as easy as one might expect. Far too many of his recordings are drenched in bad reverb and can’t be taken seriously. At least one we know of has his voice out of phase with the orchestra on most of the copies we played, putting a quick end to that shootout. (more…)
- Insanely good sound throughout with both sides earning shootout winning Triple Plus (A+++) grades
- These sides are doing it all right — richer, fuller, better bass, more Tubey Magic, and the list goes on!
- “The high points are very high — “Busted,” his hit reworking of a composition by country songwriter Harlan Howard, is jazzy and tough, and one of his best early-’60s singles…” – All Music
What the best sides of this Rhythm and Blues album from 1963 have to offer is not hard to hear: (more…)
- You’ll find outstanding Double Plus (A++) grades or BETTER on both sides of this wonderful collaboration from 1962
- Two masters come together here to create a compilation of timeless arrangements still appreciated by both music lovers and audiophiles to this day
- It’s tough to find top quality sound for Nat King Cole – here’s your chance to hear just how good he sounded on this All Tube Recording from the early ’60s
- “Cole is in prime form on such songs as “September Song,” “Pick Yourself Up,” and “Serenata.” Shearing’s accompaniment is tasteful and lightly swinging, and the string arrangements help to accentuate the romantic moods.”
The better pressings of this unique collaboration between Nat King Cole and George Shearing put Cole’s voice right up front with lovely breath and natural texture. On the better copies such as this one, the Nat’s vocals are full-bodied, the piano has real weight, and the soundfield is open and transparent. If you want a great sounding male vocal LP in your collection, this one will do the trick nicely. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
Sonic Grade: B (probably)
I first heard this album on the wonderful Classic Records pressing from the ’90s. I remember really enjoying the music and liking the sound of Bernie Grundman’s remaster very much. We reviewed and recommended the album (along with Under the Stars) in our old paper catalogs.
have no idea what I would think of their version these days — well, to be honest I do have some idea of what I would think of it — but their version is at least good enough to make the case that Russell Garcia’s orchestral arrangements and Louis Armstrong’s sublime skills interpreting The Great American Songbook are a match made in heaven.
You may have seen Russell Garcia’s name on one of the landmark recordings of the ’50s: Ella Fitzgerald and Louis Armstrong’s recording of Porgy and Bess for Verve in the previous year, 1959. Watch for copies coming to the site one of these days. We’ve discovered some exceptional original and reissue pressings (as well as some that really do a disservice to the music and the engineers who recorded it. What else is new in the world of records?).
Now all that remains is for us to track down enough clean copies with which to do the shootout. At the rate were going it may be a year or two, but having heard how good the music and sound can be on the best copies, we are on it!
1960 – What a Year
This ’60s LP (1960 to be exact) has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.
Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).
The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real person singing live in your listening room. The best copies have an uncanny way of doing just that.
AMG 4 1/2 Star Rave Review
prime samplings from the autumn of Armstrong’s recording career. Even in the pressure cooker of a marathon session, even when confronted with standards not often associated with him, Armstrong finds the essence of each tune, bending and projecting them with his patented joie de vivre and gravel-voiced warmth every time. There are also lots of examples of his trumpet — pithy, soulful, belonging to no one else…
- You’ll find outstanding Double Plus (A++) sound on this vintage stereo pressing – it’s the first truly Hot Stamper to EVER hit the site
- This 1961 release showcases two of the most soulful singers to ever share a microphone, both at the height of their powers
- Includes the still-popular “Baby It’s Cold Outside” (no one has ever recorded it quite like these two), People Will Say We’re In Love, Side By Side, and many more
- 4 stars: “There is certainly a powerful, often sexy rapport between the two — Charles in his sweet balladeering mode, Carter with her uniquely keening, drifting high register — and they definitely create sparks in the justly famous rendition of “Baby, It’s Cold Outside.””
It’s EXTREMELY rare to find a stereo copy of Ray Charles & Betty Carter in anything but beat condition, but here’s one that not only sounds great, but plays exceptionally quietly for an album from this era.
We’ve raved about the DCC pressing in the past. If you own that one, this very record will show you what you’ve been missing. (more…)
Sonic Grade: C
Another Classic Records LP reviewed. Not sure if we would still agree with what we wrote back in 2003 when this record came out, but here it is anyway.
“This is actually a very good sounding record, unlike the first Orbison that Classic did. It’s also a better album.”
2. The Great Pretender
3. Love Hurts
4. She Wears My Ring
5. Wedding Day
6. Summer Song
10. Let’s Make a Memory
11. Nite Life
12. Running Scared
- Darin At The Copa arrives on the site with stunning Triple Plus (A+++) sound from top to bottom
- Recorded live at the Copacabana in New York City, this album captures Darin’s unique charisma, as well his phenominal music
- With clear, present vocals, huge amounts of space, and boatloads of Tubey magic – the kind they had plenty of in 1960 – this copy blew away the competition in our recent shootout
- “…an appearance that confirmed for the adult pop crowd that the former singer of ephemera like “Splish Splash” had made the complete transition from rock & roll to more “serious” music. Serious this record certainly isn’t, though.” — Allmusic
This Shootout Winning pressing of Bobby Darin’s live album from 1960 has ENERGY and TUBEY MAGIC like you will not believe. The reissues on Bainbridge that we used in our shootout just KILL the original pressings, which are truly awful based on the ones I have heard. I started out with a copy such as this way back in the early ’90s, and when I finally tracked down a clean original on Atco, not a hard record to find really, I was shocked at just how bad it sounded.
This is, of course, one of the best reasons to own a good CD player. It’s simply a fact that some recordings, vintage and otherwise, were never mastered properly for the analog medium.
Bobby Darin was a tremendously talented performer and this record catches him showing off his stuff to good advantage. I don’t know of a better Darin album on vinyl. (more…)
For those of you who’ve never chanced upon it, here is the ‘live’ version of the album in five parts.
Nilsson was way ahead of his time. Rod Stewart recently made an album of classic popular music that went to number one and revived his career. Harry Nilsson understands this music SO MUCH BETTER and sings it SO MUCH BETTER than Rod Stewart that one can only come to that conclusion. Either that or the rest of the world doesn’t appreciate Nilsson as much as I do. Probably both I guess. Too bad. This album is better than all the “also rans” albums put together. (more…)