A++ sound and quiet vinyl on both sides of this 1968 soul classic, an album that received a top Five Star rating from the All Music Guide! We’ve been playing a ton of Aretha Franklin records around here in recent days, but it’s hard to find pressing that separate themselves from the pack to give you audiophile-friendly sound for her recordings, which (naturally) seem to be optimized more for the radio than for your hi-rez audio rig. Every now and then, however, we’ll luck into a copy that delivers some real soul magic in its grooves, and this was one of those copies. Chain Of Fools and Aretha’s great version of Natural Woman sound JUST RIGHT.
Most of the Aretha records we’ve played tend to be a bit too bright, which brings out a lot of grit, grain and edge. I don’t want to be presumptuous, but I can’t imagine that’s the sound the Queen Of Soul was going for. A copy like this gives you smoother, sweeter sound with a more natural tonal balance. It makes the music work so much better — the sound is easier on the ears and not nearly as fatiguing, plus it lets you turn up the volume good and loud without giving yourself a headache!(more…)
Folks, this record came as a SHOCK — the first and ONLY mono pressing we have ever played that not only was competitive with the best stereo copies, but actually bettered them in some ways. Some IMPORTANT ways I might add. We’ve only played a handful of mono pressings of Clap Hands over the years, and for good reason — they’re exceedingly mediocre. On almost every one we’ve ever played Ella was distant, dull and lifeless. Feh! Who wants to play a record the sounds like that?
(Side two is pretty much what you would expect from a good mono, A to A+, better than average but hardly competitive with the best, or with this side one for that matter.)
What’s So Special About This Mono Side One Anyway?(more…)
This is a handy record for VTA setup, a subject we discuss at length below.
On the better copies Aretha’s vocals are as dynamic as any you will ever hear, and unlike all the records she did with Tom Dowd, her voice never breaks up on this record. If you have big speakers that can play at loud levels, with the right volume level you can really get Aretha to belt it out like nothing you have ever heard.
Like most modern churches, the kind that have upholstered pews and lots of carpeting, the natural reverberation of the sound isn’t as pronounced as it would be were the recording taking place in a 16th century cathedral.(more…)
Two incredible sides — an A+++ side one backed with an A++ to A+++ side two — for one of the best sounding albums Aretha recorded! We’ve done a ton of Aretha shootouts over the years and I’d put this one up with Amazing Grace as her top titles for sound. Everything we wanted from this music, this copy was DOIN’ IT, plain and simple. It’s lively, open, present and natural. The soundfield is big and spacious and the bottom end is killer. Aretha fans, you won’t want to miss out on this one!(more…)
This Atlantic pressing is a MONSTER, easily one of the best we’ve ever played, and unusually quiet to boot. You will have a very tough time finding a copy with even one side this good, let alone two. The music, of course, is top notch — and it’s even better when you don’t have bad sound or crappy vinyl getting in the way. I imagine the Queen Of Soul herself would be very impressed with the way she sounds on this White Hot Stamper pressing.
This WONDERFUL album of Aretha’s is very possibly her most consisent from the period, but it’s sure a tough nut to crack sonically. So many copies are smeary, recessed and lifeless you’d think you were playing a heavy vinyl reissue, not a real Atlantic original. And no matter how hard you try, there just do not seem to be any copies with quiet surfaces and clean inner grooves.(more…)
This Minty Original looking Columbia Two Eye Demo LP from 1963 has WONDERFUL sound. It’s sweet and spacious, and the vinyl plays quietly. I don’t think you could find either a better sounding copy of this record.
Aretha’s records for Columbia feature a more pop-oriented sound than her later works. This is a great record for those interested in checking out the early roots of one of the greatest singers of all time!
This Atlantic Green & Blue label pressing has TWO GOOD SIDES on relatively quiet vinyl. We pulled together enough clean copies for a big shootout recently and most of them sounded the way you’d probably expect — thin, bright, and grainy. This copy did a much better job of communicating the music, giving you the kind of life and energy this music needs to work its magic. (more…)
A superb original stereo copy with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally QUIET vinyl for this album too
A record that has its share of problems, but if you’ve got the system for it (huge, heavily tweaked, fast, free from obvious colorations and capable of tremendous resolution), this copy is sure to impress
A TAS List favorite that sounds amazing on a the right early pressing and dramatically better than any Heavy Vinyl reissue that’s we know of
“The more recognizable and certainly more straightforward side of Bacharach is here, too, on the Dusty Springfield smash ‘The Look of Love.’ This is one of Bacharach’s best soundtracks…”
The space is big and the sound relatively rich (although the sound does vary quite a bit from track to track). The vocals have notably less hardness than most and the orchestra is not as brash as it can be on so many of the copies we audition. Huge amounts of Tubey Magic as well, which is key to the best sounding copies, and critical to The Look of Love. The sound needs weight, warmth and tubes or you might as well be playing a CD.(more…)
Take it from an Ella fan, you can’t go wrong with this one. On the best pressings, the sound is rich and full-bodied in the best tradition of a classic vintage jazz vocal album with big band backup. You could easily demonstrate your stereo with a good copy, but what you would really be demonstrating is music that the listener probably isn’t familiar with, and that’s the best reason to put on an old record.
On the best copies, the space is HUGE and the sound so rich, with prodigious amounts of Tubey Magic as well, which is key. The sound needs weight, warmth and tubes or you might as well be playing a CD.(more…)