This Contemporary Black Label Original LP has AMAZING SOUND ON BOTH SIDES! It has that classic tube-mastered sound — warmer, smoother, and sweeter than the later pressings with more breath of life.
Overall the sound is well-balanced and tonally correct from top to bottom, which is rare for a black label Contemporary, as they are usually dull and bass-heavy.
I won’t buy them locally anymore unless they can be returned. I’ve got a box full of Contemporarys with bloated bass and no top end that I don’t know what to do with! Like most mediocre-to-bad sounding records around here, they just sit in a box taking up space. All our time and effort goes into putting good pressings on the site and in the emailings. It’s hard to get motivated to do anything with the leftovers. We paid plenty for them, so we don’t want to give them away. But they don’t sound good, so our customers won’t buy them. What to do, what to do? Ebay I guess, but that’s a long way down the road. It’s too more fun doing listings for good records these days to want to stop now. The average record is just average, and nothing is ever going to change that.(more…)
This very nice looking Capitol LP has SUPERB SOUND. It’s RICH, SWEET and full of TUBEY MAGIC. It could use a bit more top end but other than that it’s hard to imagine June sounding much better than she does here.(more…)
Both sides of this 1962 All Tube Recorded and Mastered record are just as rich and relaxed as you would expect. The balance is correct, which means the top is there as well as the bottom, with good vocal presence throughout.
We are HUGE fans of this album at Better Records, but it’s taken us a long time to pull together enough clean copies to make this shootout happen. We’re happy to say it worth all the trouble.
Get the volume just right and June will be standing between your speakers and putting on the performance of a lifetime. This is one of our favorite female vocal albums (along with Clap Hands, Julie Is her Name and a fair number of others) and this amazingly good copy will show you why – the sound and music are wonderful.
The Mono Is King
This early mono pressing is the only way to find the MIDRANGE MAGIC that’s missing from modern records. As good as the best of those pressings may be, this record is dramatically more REAL sounding.(more…)
The huge, rich orchestral sound captured so beautifully by Val Valentin is always one of the many highlights to be found on the songbook series. By the time this album came out in 1964 Ella had already recorded 18 LPs worth of songbooks – this was the last, going out on a high note. Some of the Mercer Classics here are Too Marvelous For Words, Day In – Day Out, Laura, Skylark, Midnight Sun, I Remember You.
When you are lucky enough to find a album that sounds as good as this one, full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else.
The recording is outstanding, with huge amounts of space and midrange richness that might just take your breath away.(more…)
An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound from the first note to the last – reasonably quiet vinyl too
If you want to hear just how good an All Tube Capitol recording, in mono, from 1957 can sound, this record is guaranteed to do the trick
All the top West Coast Cool School jazz vets are here: Shelly Manne, Bud Shank, Bob Cooper, and the arrangements are by the wonderfully talented Pete Rugolo
“… the cool-toned singer is the main star. Highlights include a definitive “I Want to Be Happy,” “Imagination,” “When Sunny Gets Blue,” and “It’s Always You.” All of June Christy’s Capitol dates are well worth picking up.”
These two sides, each rating a solid Double Plus (A++), are proof positive that Trio is a surprisingly well recorded album
Big, rich, smooth, and sweet, how did George Massenburg pull off this kind of analog sound in 1987?
We don’t know, but we do know good sound when we hear it, and we heard exceptionally good sound on this copy
“…that rare example of an all-star collaborative effort that truly shows everyone involved to their best advantage, and it ranks with the best of all three headliners’ work.”
With three brilliant and accomplished singers harmonizing in the studio you can imagine that faultless midrange tonality is key to the best copies, and you would be right.
Some copies had the girls’ sounding a bit dark and veiled. Some had them a bit thin and bright. The Goldilocks Principle comes into play here as it does in so many of our shootouts: the best copies find the right balance of richness and clarity.(more…)
A superb sounding copy of Ronstadt’s 1986 release with outstanding Double Plus (A++) sound from the first note to the last – exceptionally quiet vinyl too
Both sides are incredibly clean, clear, full-bodied, and lively with plenty of extension on both ends, we’ve never heard For Sentimental Reasons sound like this!
The final installment of the jazz trilogy that Ronstadt recorded with bandleader and arranger Nelson Riddle
“… it is in the hushed intensity of Mr. Riddle’s string arrangements for the album’s ballads that one senses a musician reaching deeply into his soul to make eloquent final statements… The arrangements’ emotional gravity reverberates in Miss Ronstadt’s singing…”
Both sides give you a much more natural sounding Linda than you have ever heard. She’s fuller, sweeter, breathier, less spitty (some tracks more than others) and just plain less artificial than any others we played.(more…)