Two AMAZING SOUNDING DEMO DISC LPS for the price of one! We’ve mated the HOTTEST SIDE ONE of one copy with the HOTTEST SIDE TWO of another to produce the best sounding complete Fantasy Film World we have ever heard. A+++ sound, with the kind of orchestral power that few recordings in the history of the world can lay claim to. There’s a reason this record is on the TAS Superdisc list — if any LP should be called a Superdisc, this one should. (With Phase Four sound you might even call it a Super-Duper-Disc.) (more…)
The Citizen Kane Suite on this album is to die for — a real desert island disc for me. (The CD by the way is actually quite good. I have it in the car and play it often.)
The Concerto Macabre for Piano and Orchestra (from “Hangover Square”) is superbly well recorded and a brilliant piece of music as well.
An orchestral dreadnought such as this requires mastering and pressing of the highest quality. The music by its very nature taxes the limits of LP playback itself, with deep bass notes; incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects — every sound an orchestra can produce is found on this record, and then some.
You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can hardly imagine what instrument or group of instruments could possibly be making some of these sounds.(more…)
TWO STUNNING SIDES! With sound like this, I now understand why this has been such a highly regarded long-term resident of the TAS Superdisc List. A copy like this IS a TRUE SUPERDISC — but the average copy of this album is anything but. Who could take such harsh, grainy, thin, veiled, compressed sound seriously? What was Harry smokin’?
I can honestly and truthfully say that until we discovered the Hot Stampers for this album, I never thought this record deserved the praise Harry heaped upon it. Now I do. I once was blind but now I see, or something like that. And by the way, does his copy sound as good as this one? I would bet money right now that this monster is clearly the better pressing.
Let’s face it: Harry’s not the kind of guy to sit down with ten copies and shoot them out. That would be far beneath the great and powerful Oz himself.
Rare and Delightful Mastering
This is one of those rare (and delightful) instances where the mastering engineer had serious talent and knew how to use it, because both sides of this record are OUTSTANDING — Demo Disc quality all the way.(more…)
You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this vintage Columbia pressing – fairly quiet vinyl too
The best copies are out of this world, reproducing some of the most dynamic, exciting, richest, and most spacious sound we have ever heard from the man’s records
The music is wonderful of course, with the Suites giving you all the best parts of his marvelous compositions with none of the filler
Vibrant orchestrations, high quality sound and fairly quiet surfaces combine for an immersive and engrossing listening experience
One of the great Columbia recordings. I suspected it might have been done at the legendary 30th St studios in New York but I was wrong, Manhattan Center’s huge stage served as the venue. Either way the sound is no less glorious.
The big advantage this copy had over most is the fullness of the brass. The shrill sound of the brass on most Columbia albums is what gets them tossed in the trade pile. Fortunately the sound here is rich and clean, with solid deep bass. The stage is huge, with the multi-miking kept to a minimum so that you can really hear the space.(more…)
This London Phase 4 British import has some of the most SPECTACULAR sound I have ever heard reproduced from disc. The sound is so BIG and BOLD that it handily puts to shame 95% or more of all the Golden Age Shaded Dogs, London Bluebacks, Mercury Living Presence’s, EMI’s and Decca’s we’ve ever played. If we had a Classical Top 100 list, this record would belong in a Top Ten taken from it, right near the top judging by what I heard when I played it.
Side two here is BEYOND White Hot, earning a sonic grade of A++++! I don’t know that any other copy has earned such a high grade for side two but this one sure did. It blew our minds.(more…)
SUPERB sound can be found on these two Columbia stereo pressings of the Broadway Cast recording. This is a huge, spacious, natural, exciting All-Tube Golden Age recording that impressed us no end here at Better Records.
We heard an amazing sounding copy many years ago, and the only reason we haven’t done the shootout since then is that we just couldn’t find enough clean copies with which to do it. To be clear, we’re not talking quiet vinyl, we’re talking about not beat-to-death, not all-scractched-up vinyl. People loved this music and they played the hell out of it.
Imagine our surprise when the good sound of these copies turned out to not only have superb sound, but exceptionally quiet Mint Minus vinyl too! Don’t expect to see another of this quality any time soon. If we can’t find them, who can?(more…)
This very nice looking London Phase 4 LP has SUPERB SOUND for some of these pieces. Especially noteworthy is the ’Psycho Narrative For Orchestra’, at 14 minutes the longest piece here. Written purely for string orchestra, the tonality is Right On The Money (ROTM), with cellos that growl like the real thing.
In fact, so much of this sounds so good, and is such a brilliant showcase for one of the great orchestral colorists, Bernard Herrmann, that you’ll be asking yourself why more classical music doesn’t sound like this.(more…)
What separated the best pressings from the rest of the pack turned out to be more than just rich, sweet, full-bodied sound. The better pressings make the various singers sound dramatically more solid, three-dimensional and real. You can hear the nuances of their deliveries much more clearly on a copy that sounds as good as this!
Tubey Magic to Die For
This early ’60s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)
A superb original stereo copy with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally QUIET vinyl for this album too
A record that has its share of problems, but if you’ve got the system for it (huge, heavily tweaked, fast, free from obvious colorations and capable of tremendous resolution), this copy is sure to impress
A TAS List favorite that sounds amazing on a the right early pressing and dramatically better than any Heavy Vinyl reissue that’s we know of
“The more recognizable and certainly more straightforward side of Bacharach is here, too, on the Dusty Springfield smash ‘The Look of Love.’ This is one of Bacharach’s best soundtracks…”
The space is big and the sound relatively rich (although the sound does vary quite a bit from track to track). The vocals have notably less hardness than most and the orchestra is not as brash as it can be on so many of the copies we audition. Huge amounts of Tubey Magic as well, which is key to the best sounding copies, and critical to The Look of Love. The sound needs weight, warmth and tubes or you might as well be playing a CD.(more…)
This BEYOND White Hot Stamper Side Two completely blew our minds with Bernard Herrmann orchestral MAGIC. Side two is just OUT OF THIS WORLD. Since side two is where the Three Worlds of Gulliver suite is found — the very same superbly recorded music that is on Harry’s Super Disc List — you can be sure that is this is some of the best sounding Bernard Herrmann music you will ever have the opportunity to hear, if not THE best. The sound is DEMONSTRATION QUALITY of the HIGHEST ORDER.
When it comes to this side two what we have here is a record that sounds so good, with the needle hits the groove you will feel like you’ve just threaded up the master tape and hit play. The effect is that you’re so totally IMMERSED in the musical experience you forget you’re listening to a record. You’re hearing the music exactly the way the musicians intended it to sound. You can’t ask for more than that.(more…)