Genre – Rock – Singer / Songwriter

Carole King – Tapestry

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  • This KILLER copy of King’s beloved Tapestry earned top honors — Triple Plus (A+++) sound or close to it on both sides – exceptionally quiet vinyl too
  • Both sides are big, full and Tubey Magical yet still clean, clear and open – you will hear that the dark veils of most copies have finally been lifted
  • This album is clearly Carole’s masterpiece – it’s loaded with great songs, and they all sound fantastic here
  • 5 stars: “…an intensely emotional record, the songs confessional and direct; in its time it connected with listeners like few records before it, and it remains an illuminating experience decades later.”

Audiophile sound is not easy to find on Tapestry. As we’ve been saying for twenty years, most copies are either dull and murky or edgy and thin, and on half the ones that DO sound good the vinyl is noisy. On a copy like this, though, the sound gets out of the way and lets you focus on the MUSIC — and make no mistake, the music on this album is as good as it gets from Carole King. (more…)

James Taylor – Sweet Baby James

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  • With two seriously good Double Plus (A++) sides, this copy was one of the best we played in our recent shootout – exceptionally QUIET vinyl too
  • Just listen to all that lovely echo – it’s a dead giveaway that both sides have resolving power far beyond the other copies you may have heard 
  • A Top 100 Title, inarguably a Masterpiece – Fire and Rain and Suite for 20 G (one of JT’s All Time Best) are out of this world here
  • 5 Stars: “Sweet Baby James launched not only Taylor’s career as a pop superstar but also the entire singer/songwriter movement of the early ’70s that included Joni Mitchell, Carole King, Jackson Browne, Cat Stevens, and others…”

Vocal reproduction is key to the best sounding copies of Sweet Baby James as it is on so many Folkie Pop Rock albums from the era.

To find a copy where Taylor’s vocals are front and center — which is exactly where they should be — but still rich, sweet, tonally correct and Tubey Magical is no mean feat. Only the best copies manage to pull it off. (more…)

Carly Simon – What to Listen For

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Carly Simon – Carly Simon

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

Too many copies we played erred on the hi-fi-ish side, with not enough warmth. The copies that sound incredibly clean and clear just didn’t do much for us; they weren’t able to convey the intimacy and emotion of the music.

I’m sure you’ve had a similar experience playing CDs of some of your old favorites. You keep wondering why you liked the music in the first place. Don’t blame the music. Blame those crappy CDs.  (more…)

Carole King – Tapestry – Will You Still Love Me Tomorrow?

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of Tapestry.

Notice how the third track on side two, Will You Still Love Me Tomorrow, which Carole wrote when she was only eighteen and which became a big hit for The Shirelles, is actually the best sounding song on the entire album.

I have a theory that this song was recorded toward the end of the sessions, and the reason it sounds so good is that it took them until then to figure out how to do it. This is no Demo Disc by any means. The recording itself seems to have shortcomings of every kind from track to track. Perhaps as they made their way through the sessions they were learning from their mistakes, mistakes that no one could go back and fix without starting from scratch all over again, and by the time they got to this track they had it all figured out. Of course that is just a guess, nothing but speculation on my part. Regardless of the cause, see if you don’t hear what I’m talking about. 

What to Listen For (WTLF)

One of the most telling qualities that the best copies displayed is the ability to hear through the mix to Carole’s piano, which is often placed toward the back of the mix, underpinning the music, not playing a prominent role. The best copies really let you follow her all the way through every song, no matter how quietly she is playing or how far back in the mix she may be. If the pressing has a thinner sound, obviously it’s easy to pick up on the precussive nature of the instrument. The trick is to hear the full range of notes, and for that you need fullness and transparency. (more…)

Joni Mitchell – Court And Spark – Rating the DCC LP

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Sonic Grade: B

The DCC — Not Bad! 

Steve’s version is very musical; it’s rich and natural sounding, which of course makes it very enjoyable. You can do a lot better but you sure can do a lot worse. Opaque, veiled, lifeless, dull sound is the norm for Court and Spark — most copies are dead as a doornail. If they’re not dead, they’re likely to be thin and gritty. The DCC is a big improvement over the average domestic pressing. (The original Brit imports are fairly competitive with the DCC; the later Brits with the K catalog numbers suck as a rule.)

The Nautilus Half-Speed is pretty but lifeless, like so many of their pressings. I would grade it about a C. Don’t waste your money. (more…)

Jackson Browne’s Late for the Sky – This Kind of Clarity Quickly Wears Out Its Welcome

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF)  as you critically evaluate your copy of Late for the Sky. 

It’s not easy to find copies that get the tonal balance right the way the best copies do. Most err in one of two ways — either they’re rich, full and a little veiled, or they’re clear and transparent, but leaned-out and boosted.

The clear ones of course are the ones that initially fool you — they present an illusion of transparency because everything is easy to hear right from the get-go, but they quickly wear out their welcome with their more “modern”, leaner sound.

The choruses are telling here. With so many background singers, the size and weight and energy of the singers only comes through on the copies that are full and rich.

What Else to Listen For (WETLF?)

The jug on Walking Slow — you gotta love it!

Jackson Browne’s Debut – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF)  as you critically evaluate your copy of Jackson Browne’s first (and best) album. 

The real trick with this album is in striking the right balance between richness and presence. A White Hot Stamper from years back made me change my mind about this recording. I used to think it was dull, but I was wrong. I used to think that even the best copies of this recording sounded rolled off on the top end. I no longer believe that to be true. On the best pressings the top end is correct for this music.

It took the right pressing to show me the error of my ways. (more…)

Rickie Lee Jones on Rhino Heavy Vinyl – Not My Idea of Good Sound

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Sonic Grade: C

We were fairly unimpressed with the Rickie Lee Jones on Warners that came out a few years back. It has that phony Modern Mastering sound we find so unappealing on the Rhino reissue of Blue. (We seem to be pretty much alone in not liking that one, and we’re proud to say we still don’t like it. Hey, play The Blue Game and maybe you’ll see why.)

We liked the new Sweet Baby James Hoffman and Gray cut. We note in our review that “Hoffman and Gray can take pride in this Sweet Baby James. It’s some of the best work I’ve heard from them to date. If more DCC and Heavy Vinyl reissues sounded like this, we wouldn’t be so critical of them. Unfortunately they don’t, and there are scores of pages of commentary on the site to back up that statement for those of you interested in the subject.”

We went on to say “The amazing transparency and dynamic energy of the best originals will probably never be equalled by an audiophile pressing like this. (It hasn’t happened yet and we remain skeptical of the possibility.) Considering that this pressing is sure to beat most reissues, imports and such like, we have no problem heartily recommending it to our customers, especially at the price.” (more…)

The Piano Stylings of Carole King on Tapestry

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One quality that we had no trouble recognizing on the better copies was TRANSPARENCY. The more transparent copies made it possible to hear through the mix to Carole’s piano, which is usually placed toward the back of the mix. There it serves to underpin the music, playing more of a supporting role than a leading one, very unlike the piano on a Joni Mitchell album for example. 

The best copies let you easily follow Carole’s playing all the way through every song, from start to finish, no matter how quiet her part or how far back in the mix she may be placed.

If the pressing has a thinner sound obviously it becomes easier to pick up on the percussive nature of the instrument and “see” it more clearly. However, a thin piano tone on this album is the kiss of death. The best copies allow you to hear the full range of notes — including those played with the left hand — and for that you need both richness and transparency.

This is a tricky balancing act; rarely in our experience do any two copies find precisely the same balance throughout an entire side. (more…)

Carole King – Tapestry – An Album We Are Clearly Obsessed With

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TAPESTRY is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.  

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.

This link will take you to all of our other CAROLE KING albums.

Tapestry Testimonial

… I felt the earth move under my feet with this record …

Our good customer Roger (and, if he keeps this up, a future editor-at-large) recently purchased the cheapest Hot Stamper Tapestry ($150) from our mailing. As is his wont he proceeded to do his own shootout with the CBS Half-Speed. We told him in our listing it wasn’t any good but we’re glad to see he didn’t take out word for it. There is no subtitute for hearing a record on your own stereo, good or bad. (The record, not the stereo.) (more…)