Genre – Rock – Roots Rock

Creedence Clearwater Revival – Creedence Clearwater…

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Creedence Clearwater…

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  • An insanely good copy with Shootout Winning Triple Plus (A+++) sound from start to finish  
  • These sides are exceptionally low-distortion, lively, solid and dynamic – just what this music needs
  • Probably the most difficult CCR studio album to find with great sound – and here it is!
  • 4 stars: “… the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.”
  • Featuring classics such as I Put a Spell on You, the extended-length jam Susie Q (8:37, perfect for Underground Radio), The Working Man, Porterville and more

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

This is an album that’s nearly impossible to find with excellent sound and clean surfaces. This is one of the best copies we’ve managed to get on the site in the last year by a HUGE margin. (more…)

The Band – Moondog Matinee

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Some great music is to be found here, and quite respectable sound on the “hotter” copies. ’Ain’t Got No Home’ and ’A Change Is Gonna Come’ are two personal favorites of the ten tracks here.

Both sides are tonally balanced from top to bottom, with more energy and space than others. The bass is huge, the brass rich, the all analog sound smooth and natural. It’s no demo disc; it just sounds bigger, clearer, and more right than the other sides we played.

Listen to how Tubey Magical the organ on The Great Pretender sounds. The top extends and the bass is punchy. (more…)

Creedence Clearwater Revival – Bayou Country

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Bayou Country

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  • A KILLER Shootout Winning Triple Plus (A+++) copy – you won’t find better sound for this band on vinyl 
  • Proud Mary and Good Golly Miss Molly are absolute MONSTERS on this early pressing – you will be floored
  • Our pick for the best sounding CCR recording – when you have a copy that sounds like this one, and, trust me, a copy as good sounding as this one is tough to find
  • 4 1/2 stars: “All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival’s muscular, spare, deceptively simple sound as an evocative portrait of America.”

It’s beyond tough to find copies that aren’t bright, gritty, grainy or edgy — that’s how most Creedence records sound I’m afraid — but here’s a Bayou Country that’s fairly smooth, exceptionally lively, mostly transparent and just plain rockin’ enough to make your day. (more…)

Creedence Clearwater Revival – Cosmo’s Factory

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Cosmo’s Factory

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  • KILLER Triple Plus (A+++) sound from the first note to the last – it doesn’t get any better than this folks! 
  • The sound is incredibly present and punchy with great clarity, excellent bass, freedom from grain and real swamp rockin’ energy
  • So many great songs: Run Through the Jungle, Lookin’ Out My Back Door, Who’ll Stop the Rain, etc.
  • A 5 star album and arguably the best record the band ever made: “…an album made during stress and chaos, filled with raging rockers, covers, and intense jams…”

We’ve made some strides of late (in 2015 as a matter of fact) finding the “right’ pressings for this band on some of their albums, especially this one, and with improved cleaning technologies we’re finding that the better copies such as this one are sounding the way we want our Creedence records to sound.  

Note that the Hoffman reissues and the MoFi pressing sound nothing like the Creedence records we all grew up with, and records that sound that small, lifeless, boring or wrong just can’t be what audiophiles want, can they? (more…)

Creedence Clearwater Revival – Creedence Clearwater…

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It’s unlikely you will be demonstrating your system with this record, but you may find yourself enjoying the hell out of it for what it is — an early example of Roots Rock that still holds up today.

TRACK LISTING

Side One

I Put a Spell on You 
The Working Man
Suzie Q

Side Two

Ninety-Nine and a Half (Won’t Do)
Get Down Woman 
Porterville 
Gloomy 
Walk on the Water

AMG Review

Released in the summer of 1968 — a year after the summer of love, but still in the thick of the Age of Aquarius – Creedence Clearwater Revival’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations. While many of Fogerty’s obsessions and CCR’s signatures are in place — weird blues (“I Put a Spell on You”), Stax R&B (Wilson Pickett’s “Ninety-Nine and a Half”), rockabilly (“Susie Q”), winding instrumental interplay, the swamp sound, and songs for “The Working Man” — the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of “Susie Q,” the backward guitars on “Gloomy,” and the directionless, awkward jamming that concludes “Walking on the Water.” Still, the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp.

We Shootout Cosmo’s Factory

[Note that we have not played the Heavy Vinyl pressing of CCR’s first album. Having heard AP’s Cosmo’s Factory we have no intention of playing any CCR title on that label. We’re assuming, rightfully or otherwise, that the AP versions will not be to our liking. Ultimately we guarantee that our Hot Stampers will beat any pressing you may have, including, perhaps especially, any of those by Analogue Productions.]

Our story begins: Years ago a customer sent me his copy of the Analogue Productions LP (mastered by Hoffman and Gray) in order to carry out a little shootout I had planned among the five copies I could pull together: two MoFi’s, the Fantasy ORC reissue, a blue label original, the AP, and another reissue.

Let’s just say there were no real winners, but there sure were some losers.

My take on the Hoffman version is simply this: it has virtually no trace of TUBEY ANALOG MAGIC. None to speak of anyway. It sounds like a clean, tonally correct but fairly bass-shy CD. No pressing I played managed to be so tonally correct and so boring at the same time. The MoFi has some funny EQ colorations, the kind that bug the hell out of me on 98% of their crappy catalog, but at least it sounds like analog. It’s warm, rich and sweet. The AP copy has none of those qualities.

This is simply more pointless 180g sound, to my ear anyway. I couldn’t sit through it with a gun to my head.

It’s an all-but-IMPOSSIBLE record to find with good sound. It’s shocking how bad most of the original blue label pressings are. No top, no bass and hard mids — not exactly a recipe for audiophile happiness. The ORC (Original Rock Classics) Fantasy reissues we’ve played are usually a joke as well; there’s not a whole lot above 6k on most of those pressings and the bass is hollow.

Bottom line: You would need a LOT of vintage tubes in your system to get the AP record to sound right, and then everything else in your collection would sound wrong.

Bob Dylan & The Band – Before The Flood – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

One of the great Live Classic Rock albums of all time, now available in White Hot Stamper form! We recently undertook a massive shootout for this spirited double LP and three of the better sides from the whole shebang are on this here pressing. Sides one and two each earned our top grade of A+++, while side four clocked in at A++. Side three, as is often the case, was not quite up to the same standards. 

We feel that the best material is contained on the other three sides, so we doubt this will be a dealbreaker for many of you. (more…)

The Band – Music From Big Pink – MoFi’s Ruinous EQ Destroys Another Classic

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Sonic Grade: D

A Hall of Shame pressing and another MoFi LP debunked.

In 2012 the new MoFi put out another remastered Big Pink. Since their track record at this point is, to be honest, abysmal, we have not felt the need to audition it.

It’s very possible, even likely, that they restored some of the bass that’s missing from the originals. But bad half-speed mastered bass — poorly defined, never deep and never punchy — is that the kind of bass that would even be desirable?

To us, it is very much a problem. Bad bass is just plain annoying. Fortunately for us it is a problem we have to deal with much less often now that we’ve all but stopped playing half-speed mastered records. (more…)

The Band – The Band (2011)

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Holy mother of god, this is one KNOCKOUT copy of The Band’s self-titled masterpiece! Both sides earned our top grade of A+++ and beat the pants off every other copy — including quite a few RL-mastered originals — in the shootout. On top of that, both sides play between Mint Minus and Mint Minus Minus, which is pretty dan quiet for this album. We love this music, but most copies out there have flimsy sound, trashed vinyl, or both. Here’s the exceedingly rare copy that does just about everything right WITHOUT the typical crackly campfire surface noise!

This Capitol Green Label pressing mastered by Robert Ludwig has TWO KILLER SIDES. When you play either side of this copy, you are going to lose your mind. It’s got Master Tape clarity, You Are There presence, and unbelievable transparency. Drop the needle on Night They Drove Old Dixie Down or Up On Cripple Creek and get ready for some SERIOUS MAGIC! (more…)

Dr. John – In The Right Place

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  • Off the charts “Triple Triple” sound for this Must Own Dr. John album – both sides earned our top grade of A+++
  • SURPRISINGLY GOOD SOUND – who knew how well recorded this album was? (Certainly not the audiophile press)
  • We don’t know of any other Dr. John album with sound remotely as good, and the modern albums of his we’ve played were just awful
  • 4 1/2 Stars: “Dr. John finally struck paydirt here and was certainly In the Right Place. With the hit single “Right Place Wrong Time” bounding up the charts, this fine collection saw many unaware listeners being initiated into New Orleans-style rock.”

Punchy drums, solid bass, smooth vocals, extended highs — this album was produced, recorded and mastered by superbly talented individuals who deserve a lot of credit for the work they have done here.

If you like Little Feat this album should be right up your alley. And if you like this album and don’t know little feat, the link on the left will take you to their music. They’re one of the all time great bands of the ’70s (and still going as far as I know). (more…)

The Band – Music From Big Pink (2012)

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Capitol pressing has some of the best sound we’ve ever heard for this album! It’s beyond frustrating to try to find great sound for Big Pink — most copies tend to be an absolute nightmare. The sound is rich, warm, sweet, and full-bodied with exceptional clarity and transparency. There’s tons of ambience and you can really hear the sound of the room around the drums. The sound of the organ is AMAZING!

Side one earned an A++ grade. It has a strong bottom end and the vocals sound correct. The sound can be a bit murky at times, but that’s pretty much the case for every Band record we’ve ever played — it’s just kind of their sound. (The Moody Blues are another band whose records always sound murky, for whatever reason.)

Side two was a bit better — fuller, cleaner, livelier and more transparent than just about any copy we’ve ever heard. There’s tons of tubey magic and real weight to the bottom. We gave it an A++ to A+++ — you’ll have a VERY hard time finding one that sounds even close to this good if our experience is any guide. (more…)