Genre – Rock – Pure Pop

Herb Alpert – Whipped Cream & Other Delights

More Herb Alpert

xxxxx

xxxxx

  • Two excellent sounding early stereo sides, each rating Double Plus (A++) or better
  • Tubey Magical, big-bottomed, punchy, spacious sound – what we’ve come to expect from Larry Levine’s engineering
  • An excellent recording with a studio crew full of pros – this is a dynamite combo on a strong copy like this!
  • Alpert’s most famous album, 5 stars on Allmusic: “Three Grammy Awards alone for the update of the Bobby Scott and Ric Marlow-penned theme “A Taste of Honey.”

We finally pulled together enough clean copies of this classic album with which to do a serious shootout. We soon found out that the better pressings can give you the kind of Tubey Magical, big-bottomed, punchy, spacious sound that we’ve come to expect from Larry Levine’s engineering for A&M. If you have any Hot Stamper pressings of Sergio Mendes & Brasil ’66’s albums then you know exactly the kind of sound we’re talking about. (more…)

Herb Alpert – Whipped Cream & Other Delights

More Herb Alpert

xxxxx

xxxxx

  • Two excellent sounding early stereo sides, each rating Double Plus (A++) or better
  • An excellent recording with a studio crew full of pros – this is a dynamite combo on a strong copy like this!
  • Alpert’s most famous album, 5 stars on Allmusic: “Three Grammy Awards alone for the update of the Bobby Scott and Ric Marlow-penned theme “A Taste of Honey.”

We finally pulled together enough clean copies of this classic album with which to do a serious shootout. We soon found out that the better pressings can give you the kind of Tubey Magical, big-bottomed, punchy, spacious sound that we’ve come to expect from Larry Levine’s engineering for A&M. If you have any Hot Stamper pressings of Sergio Mendes & Brasil ’66’s albums then you know exactly the kind of sound we’re talking about. (more…)

Elton John’s Too Low For Zero – The Last in a Great Run

More Elton John

More Too Low For Zero

xxxxx

  • You’ll find excellent Double Plus (A++) grades on both sides of this early British import LP – quiet vinyl too
  • There’s some real Tubey Magic on this album, along with breathy vocals and plenty of rock and roll energy 
  • I Guess That’s Why They Call It The Blues – the best song Elton’s done in the last 35 years – is killer here
  • One of engineer Bill Price’s best efforts behind the boards in the ’80s, and Chris Thomas’s production is State of the Art as usual
  • Allmusic 4 1/2 Stars: “Happily, this is a reunion that works like gangbusters, capturing everybody at a near-peak of their form.” 

Much of the production — the smooth, sweet harmony vocals, the rich, grungy guitars, the solid, warm piano — reminds me of Goodbye Yellow Brick Road, one of the classics from back in the day when Gus Dudgeon was running the show.

Caribou (1974) and Captain Fantastic and the Brown Dirt Cowboy (1975) have a similarly glossy, perfectionist approach to production as well of course. It was 1975’s Rock of the Westies that went off in another direction. (more…)

Botnick and Levine Knocked This One Out of the Park

More Sergio Mendes

More Equinox

xxxxx

The music is of course wonderful, but what separates Sergio from practically all of his ’60s contemporaries is the AMAZING SOUND of his recordings. Like their debut, this one was engineered by the team of Bruce Botnick and Larry Levine. Botnick is of course the man behind the superb recordings of The Doors, Love and others too numerous to mention. 

Levine is no slouch either, having engineered one of the best sounding albums on the planet, Sergio Mendes’ Stillness.

Just play the group’s amazing versions of Watch What Happens, Night and Day, or Jobim’s Wave to hear the Mendes Magic that makes us swoon. For audiophiles it just doesn’t get any better. (Well, almost. Stillness is still the Ultimate, on the level of a Dark Side of the Moon or Tea for the Tillerman, but Equinox is right up there with it.) (more…)

Sergio Mendes – Look Around – Speakers Corner Reviewed

More Sergio Mendes

More Look Around

xxxxx

Sonic Grade: C

We were fairly impressed with the Speakers Corner pressing of this album when it came out on Heavy Vinyl years ago. Since then we have learned a lot. Their version is okay, not bad, but by no stretch of the imagination can it compete with any Hot Stamper pressing on our site. 

Audiophile Sound to Die For

As you may have noticed, we here at Better Records are HUGE Sergio Mendes fans. Nowhere else in the world of music can you find the wonderfully diverse thrills that this group offers. We go CRAZY for the breathy multi-tracked female vocals and their layers of harmonies, the brilliant percussion, and, let us never forget, the critically important piano work and arrangements of Sergio himself. (more…)

Listening in Depth to Paul Simon – Still Crazy After All These Years

More Paul Simon

More Still Crazy After All These Years

Listening in Depth

xxxxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Still Crazy After All These Years.

As well-produced, well-engineered Pop Albums from the ’70s, the very best copies can proudly hold their heads high. Wait a minute. Our last commentary noted what a mess most of the pressings of this album sound like, with so much spit and grain. Have we changed our minds? Well, yes and no, and as usual we make no excuses for having changed our minds. We call it progress. (more…)

Listening in Depth to The Beatles – Help

More Beatles

More Help

Listening in Depth

xxxxx

Presenting another entry in our extensive Listening in Depth series, this time for The Beatles’ amazing fifth album, released in 1965, Help.

Much like we said about the Please Please Me Hot Stampers, on the top copies the presence of the vocals and guitars is so real it’s positively startling at times. Drop the needle on You’ve Got To Hide Your Love Away and turn up the volume — on the best copies it will be as if John and Paul were right there in your living room!

The best import copies of this album sound AMAZING, but the typical one is pretty mediocre. Most tend to be dull, with not enough extension up top, as well as thin, lacking weight and body from the lower midrange on down.


 In-Depth Track Commentary (more…)

Elvis Presley – It Happened At The World’s Fair


Our White Hot Shootout Winner for 2017

xxx

  • An insanely good sounding copy: Triple Plus (A+++) on the first side, Double Plus (A++) on the second
  • If you want to know just how rich, spacious, natural and Tubey Magical an Elvis record can sound, here’s your chance to find out
  • Fairly quiet vinyl throughout — Mint Minus to Mint Minus Minus – it’s unlikely any early pressing would ever play as well
  • Elvis’s early albums are rarely in audiophile playing condition, so finding these later pressings with such good sound has been a real ear opener

See all of our Elvis Presley albums in stock

This pressing has the glorious sound of 1963 in its grooves. It has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Whitney Houston – Our White Hot Shootout Winner


Our White Hot Shootout Winner for 2018

xxx

  • This killer copy has surprisingly natural sound for an ’80s release – Triple Plus (A+++) on the first side, Double Plus (A++) on the second
  • Full-bodied, rich and warm, this album has the kind of analog sound we did not expect to find, thank goodness  
  • Consistently strong material: You Give Good Love, Saving All My Love for You, How Will I Know, All at Once, and Greatest Love of All (the last of seven (!) singles released from the album)
  • “…introduced the world to “The Voice,” an octave-spanning, gravity-defying melismatic marvel.”

See all of our Whitney Houston albums in stock

The copies that do well in our shootouts have qualities common to many of the other male and female Hot Stamper vocal pressings we offer. The best copies are big, rich, clear and transparent, with breathy, immediate vocals. (more…)

The Police – Reggatta de Blanc – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

xxx

  • With two Triple Plus (A+++) shootout winning sides, this copy took top honors in our recent shootout
  • Only the second White Hot copy to hit the site in years but we think you’ll agree that this superb pressing was worth the wait
  • Sting’s pulsing bass lines and the massive assault of Copeland’s kick really come to life on this pressing
  • “Reggatta de Blanc stands the test of time as one of the greatest albums of the post-punk and new wave era, improving in almost every way upon The Police’s debut album.”

See all of our Police albums in stock

This A&M LP has PUNCHY LOW-END that really drives this rhythmically charged music! Sting’s pulsing bass lines and the massive assault of Stewart Copeland’s kick drum really come to life on this Hot Stamper pressing.

Though it lacks some of the high end extension and midrange “prettiness” of the half-speed, we feel that this copy presents the music much more correctly. This is Reggae-Rock; it needs good tight bass to drive the music and keep up the pace, and half-speed mastered records almost never get the bass to sound deep, solid and punchy the way full-speed-mastered records do.  (more…)