Genre – Rock – Prog Rock

Pink Floyd – Atom Heart Mother – Our Shootout Winner from 2013

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This is an album that almost never sounds good. We’ve spent a ton of money over the years chasing British originals and various other pressings looking for that Pink Floyd magic, but most copies were terribly disappointing sonically. This was the best copy we’ve heard in many years — richer, bigger sounding and more solid than everything else we were able to put against it. It’s far from a Demo Disc but if you like this music I don’t think you can find better sound for it. 

Atom Heart Mother is from Pink Floyd’s early psych years, and it’s not a pop album by any means. In truth it’s fairly bizarre, kicking off with a side long orchestral piece before settling into songs on the second side. There’s a lot to enjoy here, but if you aren’t familiar with the album you may want to check it out on youtube before laying out the big bucks we charge for a copy that sounds as good as this one does. (more…)

The Yes Album – What a Recording!

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  • Plenty of Prog Rock Power is on display here – Eddie Offord’s engineering is Hard To Fault throughout 
  • A Top 100 Album and the band’s best sounding record – quiet too, Mint Minus to Mint Minus Minus
  • “It was the addition of Steve Howe’s guitar pyrotechnics that finally allowed Yes to find their true identity. The Yes Album is a giant leap forward.” 

At its best, this album is a Big Speaker Prog-Rock opus with tremendous power and dynamic range, but it takes a special pressing like this one to really bring it to life. 

These guys — and by that I mean this particular iteration of the band, the actual players that were involved in the making of this album — came together for the first time and created the sound of Yes on this very album, rather aptly titled when you think about it.

With the amazing EDDIE OFFORD at the board, as well as the best batch of songs ever to appear on a single Yes album, they produced both their sonic and musical masterpiece — good news for audiophiles with Big Speakers!

Drop the needle on this bad boy and you will find yourself on a Yes journey the likes of which you have never known. And that’s what I’m in this audiophile game for. The Heavy Vinyl crowd can have their dead-as-a-doornail, wake-me-when-it’s-over pressings that play quietly. I couldn’t sit through one with a gun to my head. (more…)

Kansas – Masque

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  • The band’s 3rd studio album finally makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish – exceptionally quiet vinyl too  
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • Features some of the band’s best rock epics, including “Icarus-Borne on Wings of Steel” and “Mysteries and Mayhem”
  • “Musically, Masque foreshadows the tight melodies and instrumental interplay on the next two albums, Leftoverture and Point of Know Return, which together serve as the peak of Kansas’ vision.”

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Phil Manzanera – Diamond Head – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This White Hot Stamper English Import has the BIGGEST, BOLDEST SOUND we have ever heard for this album! If this copy doesn’t wake up your stereo nothing ever will.

Like its brother, 801 Live, this album is an amazing SONIC BLOCKBUSTER, with sound that positively leaps out of the speakers.

Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more.

This isn’t known as an audiophile album but it should be — the sound is GLORIOUS — wall to wall, floor to ceiling, and as rich and dynamic as it gets. It’s also a big speaker album. Play this one as loud as you can. (801 Live is exactly the same way and needs high volumes to come to life.) (more…)

Gentle Giant – Octopus

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This minty Vertigo Spaceship label British import original pressing has SUPERB SUPER HOT Stamper sound on side one. It’s BIG, open and Tubey Magical in the best tradition of British Prog Rock. If you’re a fan of ELP, Yes, Tull, Floyd and the like, this music might just be right up your alley. And unless you have some seriously expensive pressings, not many albums by the above-named bands will be competitive sonically with the sound of this side one. The album is VERY well-recorded.

Side one was tonally correct with an extended top end, the kind of top that many British pressings only hint at. We gave side one a grade of A++. It will be very hard to beat because it sounds AMAZING. It’s British analog at its richest and tubiest.

Side two was a step down sonically. Although rich and full-bodied, there is some smear on the transients and the stage is not as big as it is on this superb side one. (more…)

Yes – Fragile

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  • Outstanding Double Plus (A++) sound and exceptionally quiet vinyl on both sides – Roundabout and Long Distance Runaround are guaranteed to blow your mind
  • Thanks to Eddie Offord’s superb engineering, this is some of the best High Production Value Rock Music ever recorded    
  • AMG 5 stars, a founding member of our Top 100, and the second of the band’s three Must Own Prog Rock Masterpieces*
  • “Fragile was Yes’ breakthrough album… it also marked the point where all of the elements of the music (and more) that would define their success for more than a decade fell into place fully formed.”

*The other two, of course, being The Yes Album (earlier in 1971) and Close to the Edge (1972).

We doubt you’ve heard too many (if any) rock records that sound as AMAZING as this one. It’s dynamic, punchy and powerful, with the kind of super-low distortion sound that lets you really crank the levels, the louder the better. How many Yes records will let you do that? This one will. That’s what you get for your money — the kind of sound that can blow your mind over and over again for as long as you live, or at least as long as your hearing holds out. (more…)

Yes – Fragile – An Album We Are Clearly Obsessed With

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FRAGILE is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries. Below you can find a letter one of our good customers wrote about his Hot Stamper pressing.

Our good customer Franklin wrote us a nice letter to let us us how much he loved his Fragile Hot Stamper. He’s so right: that was one AMAZING sounding record!

Just listened to the Yes album Fragile. FANTASTIC!!!!! I didn’t know Yes LPs could sound like this. Any Yes LPs I’ve ever heard were harsh sounding and after a couple of minutes my ears would start to hurt. Thanks!

Regards,
Franklin

Thanks, Franklin, for your enthusiastic letter. Is this the same famously “compromised” recording that MF complained about while extolling the virtues of the mediocre Analogue Productions LP? Now you and I both know two things: how wrong they are, and how amazing this record can really sound — when you’re lucky enough to have a truly Hot Stamper like the very one you played. (more…)

Today’s Half-Speed Mastered Mess Is Meddle on Mobile Fidelity

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Sonic Grade: D

A Hall of Shame pressing and another MoFi LP debunked.

Same problems as the MoFi Thick As a Brick: The MoFi is TRANSPARENT and OPEN, and the top end will be lush and extended. If you prize clarity, this is the one!

But if you prize clarity at the expense of everything else, you are seriously missing the boat on Meddle (and of course Thick As A Brick too). The MoFi is all mids and highs with almost nothing going on below.

This is a rock record, but without bass and dynamics the MoFi pressing can’t rock, so what exactly is it good for?

Rush – 2112 – Our Shootout Winner from 2014

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A distinguished member of the Better Records Rock and Pop Hall of Fame

We just finished our first ever shootout for the classic 2112, and here’s a wonderful copy with two impressive sides! We’ve collected a bunch of these over the years — it took ages to find pressings that delivered the kind of sound our customers expect from a Better Records Hot Stamper. Most Rush records sound godawful, but this one actually has the potential to be amazing — as long as you’ve got the right copy! (more…)

Level 42 – World Machine – Our Shootout Winner from 2014

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This White Hot Stamper British Polydor original pressing of Level 42’s BEST ALBUM makes a mockery of most of what’s out there — who knew the sound could be this good? Punchy bass, breathy vocals, snappy drums; it’s all here and it reallyl comes JUMPIN’ out of the speakers on this pressing.

World Machine has been a personal favorite of mine since I first played it way back in 1985. Of course in 1985 I had only a domestic pressing, and if you want to hear what happens when you use a dub of the British master tape and then brighten the hell out of it in the mastering process, I heartily recommend you find yourself a copy.

here’s one sitting in every record store in town. The grain and the grunge on the domestic LPs is hard to believe — yet somehow I actually used to put up with that sound! I could listen to it then but I sure couldn’t listen to it now. No doubt you have your share of records like that.

TRACK LISTING (more…)