Genre – Rock – Prog Rock

Genesis – Live – Reviewed in 2010


Superb sounding but somewhat noisy British Original (or what appears to be) pressing on the Charisma label. This album sounds RIGHT ON THE MONEY. I don’t think you can find a better sounding version than this one.

“A well-recorded showcase of the early group’s concert sound, much of what is here actually works better than the studio versions of the same songs…” AMG 

Genesis – Seconds Out – Our Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

STUNNING SOUND FOR ALL FOUR SIDES! This live album from 1977 has some of the best Genesis sound we’ve heard. Their studio recordings are often a bit flat and dull, so it’s really a treat to hear those songs with this kind of big, open, dynamic sound! Phil Collins handles the lead vocals here, but he does a great job even on the Peter Gabriel material.  (more…)

Ambrosia – Somewhere I’ve Never Travelled – Our Shootout Winner from 2012



A distinguished member of the Better Records Rock and Pop Hall of Fame.

This SUPERB WHITE HOT STAMPER copy is our overall winner from the recent huge Hot Stamper shootout we did for Ambrosia’s second — and second best — album. Friends, it’s been a long time coming but, judging by this copy and the others which fared well, it was worth it. We LOVE this music.

Ambrosia is one of the few groups that has mastered the technique of being both far-out galactic in scope of vision and mainstream AM commercial in execution… There is an unusual dreamlike quality that pervades its work. The songs seem to be reaching the listener direct from some strange and beautiful realm of the unconscious. It is an experience rare in popular music today, or at any time.

Billboard, 1977


We here present one of the best sounding copies for Somewhere I’ve Never Travelled we have ever played. Side one rated A+++, As Good As It Gets, with a side two that was not far behind at A++. From beginning to end this pressing is KILLER. (more…)

King Crimson – In the Court of the Crimson King


A distinguished member of the Better Records Rock and Pop Hall of Fame. 

Over the last five years or so we have been prepping for this shootout by buying and trying lots of different pressings. Right from the start we could hear that no domestic pressing was, or was likely to ever be, remotely competitive with the best Brits.

Most later reissues — domestic or import — were as flat and lifeless as a cassette, although we admit that some were clearly better than others.

The MoFi pressing is one of their best. Unfortunately we have little tolerance for the dynamic compression, overall lifelessness and wonky bass heard on practically every record they ever remastered. One of the reasons your MoFi might not sound wrong to you is that it isn’t really “wrong.” It’s doing most things right, and it probably will beat whatever you can find to throw at it.

But it’s lacking some important qualities, and a listen to one of our Hot Stampers will allow you to hear exactly what you’re not getting when you play an audiophile pressing of In The Court Of The Crimson King, even one as good as MoFi’s.

Side by side the comparison will surely be striking. How much energy, size and power and passion is missing from the record you own? There’s only one way to find out, and it’s by playing a better copy of the album. This one will do nicely. (more…)

King Crimson – Lizard – Our Shootout Winner from 2018


A distinguished member of the Better Records Rock and Pop Hall of Fame.

Incredible sound throughout with both sides of this copy winning our recent shootout and in the process earning our top grade of Triple Plus (A+++). Every bit the sonic equal of the first album, if you colorful Big Production Jazzy Prog Rock (with mellotron!) is your thing you can’t go wrong here. (more…)

King Crimson – Lizard – Our Shootout Winner from 2008


A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is a SUNRAY Island Records label British Import LP with No Bar Code — an Early Pressing. We can’t imagine Lizard sounding much better than this. Both sides have sweet and open sound. It’s rich, warm, and transparent! 

The dynamics on this pressing are unlike anything we have ever heard for this title. This copy has all of that and then some. There is big-time presence accentuated by sweet highs and rich lows. When we say this record is open and spacious, we mean it! You can peer directly into the soundstage due to it’s amazing transparency and detailed texture. Rounding out the bottom end is excellent bass tone with the WHOMP we love.

This is, in our humble opinion, a better record than the first King Crimson album, which is notoriously bass shy. Finding a quiet copy of either one of those titles would be an amazing feat. We are never going to have enough clean copies of this record to do a proper shootout, but in this case I am confident calling it as close to Right On The Money as it can get.

Kansas – Point of Know Return – Our Shootout Winner from 2013


A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO STUNNING SIDES, both clocking in at or just shy of our top grade of A+++! It takes a special pressing to do this music justice, and this one really nails it. Rich, full and tonally balanced from top to bottom, it’s hard to imagine how this music could sound any better. The bass is solid and textured, the vocals are full and clear and there’s tons of space around all the instruments! From the grungy guitars of the title track to the delicate acoustics of “Dust in the Wind”, this one gets it right.

The sound is big and bold and dynamic, all in a way that no other copy you have ever heard will be (or your money back of course). Just listen to those cymbal crashes — this copy is cut super clean, with almost no smear or veiling to speak of. (more…)

Electric Light Orchestra – ELO 2


  • Stunning sound from start to finish for this Harvest UK import with both sides earning nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner
  • These sides are huge, rich and Tubey Magical with wonderfully sweet and breathy vocals and a huge bottom end
  • “It was as personal an effort as Lynne had ever made in music, showcasing his work as singer, songwriter, guitarist, sometime synthesizer player, and producer, and it is more focused than its predecessor but also retains some of the earlier album’s lean textures… the album holds up well, and it and the single [Roll Over Beethoven] did go a long way toward getting them the beginnings of an audience in America.”


Crack The Sky – Animal Notes

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

Both sides are big and rich in the same way that all the best Classic Rock albums from the ’70s are. It has plenty of rock ENERGY; here the sound jumps out of the speakers like practically no other copy we heard.

At the levels it was playing at it was nothing less than a thrill to hear the album I’d known for so long sound so much better than I remember it from back in the day. (Stereo has come a long way since 1976, that’s for damn sure.)

To my mind, speaking as both a fan and an audiophile, both the first two Crack the Sky albums succeed brilliantly on every level: production, originality, songwriting, technical virtuosity, musical consistency and, perhaps most importantly for those of you who have managed to make it this far, Top Quality Audiophile Sound. (more…)

Traffic – Mr. Fantasy – Where’s the Bass?

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This Pink Label Original Island pressing has amazingly sweet, open, extended and transparent mids and highs. It has two major shortcomings: a lack of bass, and a fair amount of surface noise. If you can add a few dB around 50 cycles and can put up with some surface noise and scratches, you are guaranteed to hear some wonderful sound in the best tubey Island tradition. 

Side two sounds better than side one; it has more bass and therefore is more tonally correct.