Genre – Rock – Prog Rock

Pink Floyd – A Saucerful of Secrets

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  • Two stunning sides, each with Shootout Winning Triple Plus (A+++) sound, making this one of the best sounding copies we’ve ever heard!
  • The sound here is incredibly big, rich and Tubey Magical with a huge punchy bottom end 
  • Good sound for early Floyd is a very tough ticket which is why you don’t see many copies hit the site

The first White Hot Stamper copy of A Saucerful Of Secrets to ever hit the site! We’ve been at this quite a long time so that should tell you something about how tough it is to find good sound for this album. If you’re a fan of the band’s early prog-psych freakouts, I imagine you’ll be very impressed with the kind of sound we were able to find here. (more…)

Level 42 – World Machine


Our White Hot Shootout Winner for 2018

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  • A Top Copy: Triple Plus (A+++) on side one, where the biggest hits are and a solid Double Plus (A++) side two
  • The sound is HUGE — far RICHER, bigger, clearer and more open than other copies we played
  • A Better Records favorite for more than thirty years, the rare ’80s album that holds up today
  • The big hit Something About You ROCKS on this copy – only these British originals let you turn it up and hear it right
  • “World Machine pushes their newfound radio-friendly sound into the forefront, and the result is one of the finest pop albums of the mid-’80s. “Something About You” exemplifies Level 42’s sound at the peak of its success.”

See all of our Level 42 albums in stock

This British Polydor pressing of Level 42’s BEST ALBUM makes a mockery of most of what’s out there — who knew the sound could be this good? Punchy bass, breathy vocals, snappy drums; it’s all here and it reallyl comes JUMPIN’ out of the speakers on this pressing.

What was striking this time around was just how smooth, rich and tubey the sound was on the best copies. It’s been a few years since we last did this shootout and it’s amazing to us how much better this title has gotten in that short span of time.

Of course, the recording very likely got no better at all, but our system, set-up, room, electricity and who-know-what-else sure did. (more…)

Genesis – Trespass

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  • Only the second Shootout Winning copy to ever hit the site and boy is it KILLER! Triple Plus (A+++) sound on both sides 
  • About as quiet as these British copies come – Mint Minus Minus throughout
  • “… “tasteful, subtle and refined” – Melody Maker

This original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Yes’s First Album on Plum and Orange

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  • Shootout Winning Triple Plus (A+++) sound on both sides and the first to hit the site in many years
  • This UK Original Plum and Orange pressing is by far the best way to hear the album, but finding a clean one was no walk in the park
  • “In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases…” – All Music

I wish I could say that this was the sonic (or musical) equivalent of Fragile of The Yes Album — or even the second album, Time and a Word — but that’s simply not the case. Still, there’s a lot to like here and it’s fun to hear the band developing their style and growing into the pop-prog behemoth they would become with their third release.

What shootout winning sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1969
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments (and effects!) having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above. (more…)

The Pentangle – Pentangling

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  • With a Triple Plus (A+++) shootout winning side one and a superb Double Plus (A++) side two, this copy could not be beat
  • The unprocessed quality found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound
  • The foundation of the music is provided by two legendary guitar heavyweights, Bert Jansch and John Renbourn, with Jacqui McShee’s almost unbearably sweet vocals soaring above them
  • The best material from Pentangle’s amazing first six albums, with sound that’s full of British Analog Tubey Magic
  • “Pentangling is filled to the brim with some of the finest recordings the British folk movement had to offer…”

This album presents the classic 1969 lineup at its best, with superior sonics to boot.

The unprocessed folky sound found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound. (How many of the ’70s rock albums in our Top 100 have that natural drum sound? Not many when you stop to think about it.)

When I was selling audio equipment back in the ’70s this was one of our Demo Discs. The song Pentangling has beautifully recorded drums and string bass. The first track, I’ve Got A Feeling, is lovely as well.

Notice how there is nothing — not one instrument or voice — that has a trace of hi-if-ishness. No grain, no sizzle, no zippy top, no bloated bottom, nothing that reminds you of the phony sound you hear on audiophile records at every turn. Silky sweet and Tubey Magical, this is the sound we love here at Better Records. (more…)

Genesis – Foxtrot

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  • This early Peter-Gabriel-led Genesis album from 1972 boasts killer Triple Plus (A+++) sound from start to finish
  • One of the toughest in the catalog to find with good sound and quiet surfaces – you need the right UK pressing to even be in the ballpark – but this copy delivers the proggy goods like gangbusters
  • 5 stars: “Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound – which doesn’t necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. This is the rare art-rock album that excels at both the art and the rock, and it’s a pinnacle of the genre because of it.”

This vintage British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

The Body and Soul of Freddie Hubbard – Speakers Corner Reviewed

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Sonic Grade: B

An outstanding Freddie Hubbard straight ahead jazz album on Speakers Corner vinyl that belongs in any jazz lover’s collection. 

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers. 

 

 

 

Genesis A Trick Of The Tail – A MoFi Disaster

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

The last time I played the MoFi I could not believe how ridiculously COMPRESSED it was. On top of that, the midrange is badly sucked out (as is the case with most MoFi’s) making the sound as dead as dead can be. You think 180 gram records are lifeless? Play this piece of crap and see just how bad an audiophile record can sound.

And to think I used to like this version! I hope I had a better copy back in the ’80s than the one I played a few years ago. I’ll never know of course. If you have one in your collection give it a spin. See if it sounds as bad as we predict it will. 

Pink Floyd – The Wall

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  • A superb Demo Disc Quality pressing – all four sides earned outstanding Double Plus (A++) sonic grades
  • Buzzing helicopters, ringing telephones, clicking typewriters and so on happen RIGHT THERE in the room with you
  • James Guthrie labored mightily to make this one as big, bold and immersive as any Prog Rock recording we know of, and succeeded brilliantly
  • Rock & Pop Top 100 – “A triumph of production…” and indisputable proof that analog in 1979 could still be absolutely amazing 

Pink Floyd tends to be an amazingly well-recorded band, and this album is certainly no exception. If you’ve taken home one of our Hot Stampers for Dark Side of the Moon, Meddle, or Wish You Were Here, then you certainly know what we’re talking about. Big grungy electric guitars, crystal clear vocals, HUGE punchy drums, earth-shaking bass and TONS of ambience are the hallmarks of any Pink Floyd Hot Stamper. (more…)

The Yes Album – Rhino 180g Debunked

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Sonic Grade: F

Hall of Shame pressing. The worst version ever? Could be! That notorious hack Ron McMaster strikes again. (more…)