A KILLER sounding copy with Triple Plus (A+++) sound or very close to it on both sides
The overall sound here is incredibly rich, full and dynamic with huge amounts of Tubey Magic and a solid bottom end
This is by far the best copy we have played in years – it’s richer, bigger and more solid than practically everything we were able to throw against it
While the music here may not be for everyone, if you’re a fan you’ll have a hard time finding a copy that sounds even remotely as good as this one does
This is an album that rarely sounds any good. We’ve spent a ton of money over the years chasing British originals and various other pressings looking for that Pink Floyd magic, but the early pressings were consistently disappointing, as are most reissues. If you like this music — admittedly a big if — I don’t think you can find better sound for it.(more…)
ThisA++++Beyond White Hot Stamper copy of Thick As A Brick has the best side one we have ever heard! This copy is operating at A WHOLE NOTHER LEVEL.
Side one has HUGE, room-filling, hi-definition sound, with levels of Tubey Magic one would simply never expect to hear coming from a run-of-the-mill domestic Reprise pressing such as this. But here they are; there’s no denying the transparency, size and rock and roll energy of this mind-boggling side one. It’s truly a Demo Disc of the highest order.
We cannot avoid awarding freakishly good sound such as this our rule-breaking Four Plus grade, limited to those rarefied pressings that take the sound of familiar records beyond what we’ve heard before.(more…)
Excellent sound throughout with both sides of this vintage UK pressing earning solid Double Plus (A++) grades or better
Forget the thin sounding domestic pressings – these British sides are rich, full-bodied and spacious with real bottom end weight
4 1/2 stars: “Abacab was where this new incarnation of the band came into its own. Working with producer Hugh Padgham, the group escalated the innovations of Duke, increasing the pop hooks, working them seamlessly into the artiest rock here… as bright, bold, and jagged as the modernist artwork on the cover.”
know of. Tons of bass too. We also quite like the big drums and meaty guitars he was able to bring to XTC’s English Settlement (a record we just never see anymore; wonder where they all went?).(more…)
This KILLER pressing of Phil Manzanera’s debut album boasts Shootout Winning Triple Plus (A+++) sound from start to finish
Two stunning sides – Demo Disc quality sound barely begins to describe the size and power of this recording
This album is an amazing SONIC BLOCKBUSTER, with sound that will positively leap out of your speakers
A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his Engineering Masterpiece
The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.
Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more.(more…)
Insanely good Shootout Winning Triple Plus (A+++) sound from start to finish – one of the best copies to ever hit the site!
Our rare, original Plum and Orange UK original here put every other pressing to shame – some of the best High Production Value rock music of the ’70s, thanks to the band and a Mr Eddie Offord
If you’ve ever heard one of our Yes Album Hot Stampers, you’ll know what to expect here – HUGE and POWERFUL sound
“If Yes‘ debut was a prelude to their glory years as a band, Time and a Word sees them making a bold first step into the realm of prospective greatness.”
This British original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
A killer copy and the first to hit the sit in three years – Double Plus (A++) or better on both sides
The overall sound here rich, smooth and Tubey Magical with huge amounts of energy and presence
This is an outstanding recording. And why shouldn’t it be? It’s engineered by Andy Johns (Led Zeppelin II and many more)
“The original group’s debut album was a then-groundbreaking meld of progressive rock with classical and jazz influences…” – All Music
Prog fans take note: this album’s audiophile credentials are more than in order. Some of the best recordings we have ever heard involved one of these guys, and on this one you get them both. That’s almost too much production talent for one album.(more…)
Two stunning sides, each with Shootout Winning Triple Plus (A+++) sound, making this one of the best sounding copies we’ve ever heard!
The sound here is incredibly big, rich and Tubey Magical with a huge punchy bottom end
Good sound for early Floyd is a very tough ticket which is why you don’t see many copies hit the site
The first White Hot Stamper copy of A Saucerful Of Secrets to ever hit the site! We’ve been at this quite a long time so that should tell you something about how tough it is to find good sound for this album. If you’re a fan of the band’s early prog-psych freakouts, I imagine you’ll be very impressed with the kind of sound we were able to find here.(more…)
A Top Copy: Triple Plus (A+++) on side one, where the biggest hits are and a solid Double Plus (A++) side two
The sound is HUGE — far RICHER, bigger, clearer and more open than other copies we played
A Better Records favorite for more than thirty years, the rare ’80s album that holds up today
The big hit Something About You ROCKS on this copy – only these British originals let you turn it up and hear it right
“World Machine pushes their newfound radio-friendly sound into the forefront, and the result is one of the finest pop albums of the mid-’80s. “Something About You” exemplifies Level 42’s sound at the peak of its success.”
This British Polydor pressing of Level 42’s BEST ALBUM makes a mockery of most of what’s out there — who knew the sound could be this good? Punchy bass, breathy vocals, snappy drums; it’s all here and it reallyl comes JUMPIN’ out of the speakers on this pressing.
What was striking this time around was just how smooth, rich and tubey the sound was on the best copies. It’s been a few years since we last did this shootout and it’s amazing to us how much better this title has gotten in that short span of time.
Of course, the recording very likely got no better at all, but our system, set-up, room, electricity and who-know-what-else sure did.(more…)
Only the second Shootout Winning copy to ever hit the site and boy is it KILLER! Triple Plus (A+++) sound on both sides
About as quiet as these British copies come – Mint Minus Minus throughout
“… “tasteful, subtle and refined” – Melody Maker
This original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.(more…)
Shootout Winning Triple Plus (A+++) sound on both sides and the first to hit the site in many years
This UK Original Plum and Orange pressing is by far the best way to hear the album, but finding a clean one was no walk in the park
“In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases…” – All Music
I wish I could say that this was the sonic (or musical) equivalent of Fragile of The Yes Album — or even the second album, Time and a Word — but that’s simply not the case. Still, there’s a lot to like here and it’s fun to hear the band developing their style and growing into the pop-prog behemoth they would become with their third release.
What shootout winning sides such as these have to offer is not hard to hear:
The biggest, most immediate staging in the largest acoustic space
The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1969
Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
Natural tonality in the midrange — with all the instruments (and effects!) having the correct timbre
Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above.(more…)