Genre – Rock – Glam Rock

Eno – Here Come The Warm Jets

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  • KILLER sound from start to finish for this Island import pressing with both sides finishing top of the class — Triple Plus (A+++) sound throughout
  • The sound here is clean, clear, present and dynamic yet still super rich and musical with lots of Tubey Magic
  • Exceptionally quiet vinyl — Mint Minus to Mint Minus Minus on both sides
  • 5 stars on Allmusic: “Eno’s solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs… Avant-garde yet very accessible, Here Come the Warm Jets still sounds exciting, forward-looking, and densely detailed, revealing more intricacies with every play.”

A great pressing of one of our favorite albums! These are not easy to come by, so we don’t get to shoot these out as often as we’d like. This is not your typical audiophile-friendly rock album, to be sure. There are lots of weird sounds, out-of-tune instruments and other Eno craziness. We’re big Eno fans here — Taking Tiger Mountain and Before And After Science are other big favorites here. If you’ve got a taste for avant-garde art rock, this album should be right up your alley. (more…)

Roxy Music – Roxy Music – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame.

The legendary first Roxy Music album returns to the site in tip top White Hot Stamper form, boasting no less than an incredible A+++ White Hot Side Two coupled with a superb A++ Super Hot Side One! Folks, it doesn’t get much better than this!

In considering both music and sound, this is arguably the best record the band ever made. Siren, Avalon and Country Life are all musically sublime, but the first album has the kind of dynamic, energetic, POWERFUL sound that their other records simply never show us. And we’ve played them by the dozens, so there’s a pretty good chance we will never find copies with the abundant richness and power we found here. (more…)

Roxy Music – Country Life – Our Shootout Winner from 2015

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A distinguished member of the Better Records Rock Hall of Fame.

Many of the best songs Ferry ever wrote and Roxy ever played are on this album. Musically it’s right up there with the first album and Siren, both early ’70s Art Rock landmarks.

In our experience the right British original Sunray (Pink Rim) Island pressing will always win the shootout if you have a good pile of copies to play. There are some bad sounding Island LPs out there, so don’t assume the Sunray is the answer. It’s potentially the right answer. Without at least five copies in hand you won’t know for sure whether the copy you like is truly a Hot Stamper or not-that-hot-of-a-stamper.

The sound on some tracks is noticeably better than others. These British pressings give you the richest, fullest, biggest sound with the least amount of sibilance, grain and grunge. It’s the rich, full-bodied ANALOG sound — with some problems to be sure — that we adore here at Better Records. (more…)

David Bowie – Pin-Ups – Forget the Original British Pressings

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We just finished our biggest-ever shootout for this fun Bowie album and this one was DRAMATICALLY better than most other copies. We played copies from all over the world — England, Germany, France, Canada, and the good ol’ USA — and heard all kinds of bad sound.

So what were the worst copies we heard? Hands down it was the British Originals, believe it or not. They tend to be dull, thick, and lifeless — not a good match for this punky, energetic material. [We have since found some very good sounding Brit originals but, that said, to date they have never won a shootout.]

On the other side, many of the other copies we heard were bright and grainy. It’s very tough to find a copy that strikes a balance, but we finally managed to dig up a handful that did the job. (more…)

Roxy Music – Stranded

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A distinguished member of the Better Records Rock Hall of Fame.

Stranded is one of the higher quality recordings by the band, coming in second for sonics only to the first album, which is really saying something considering that the first album is a Top 100 title. The Tubey Magic on the early albums has to be heard to be believed.

In our experience the right British original Sunray Island pressing will always be the Ultimate Pressing. (There are some bad sounding Island LPs out there, so don’t assume the Sunray is the answer. It’s potentially the right answer. Without at least five copies in hand you won’t know whether the copy you like is a true Hot Stamper or a not-that-hot-Hot Stamper.)

The domestic, German, Japanese and Dutch pressings are not remotely competitive with the Brits on this album (which is not true for all of Roxy’s albums but true for this one, Siren being the clear exception to the rule).

Now for those of you who are not Roxy Music fans and don’t know this music, this album may take a bit of getting used to. We assure you it will be well worth your while. We think it’s brilliant!

The sound on some tracks is noticeably better than others. Amazona is a KNOCKOUT here. These British pressings give you the richest, fullest, biggest sound with the least amount of sibilance on the vocals, grain or grunge. It’s the rich, full-bodied ANALOG sound we adore here at Better Records.

We thank Chris Thomas for his production and John Punter for his engineering work at AIR Studio. This album and the first one are without question the two best sounding Roxy albums, and that’s true for any incarnation of the band.

Both belong in any serious rock and pop collection, and if you are a fan of Art Rock, every Roxy album should be on your shelf, along with all your Bowie, Pink Floyd, Supertramp, Eno, Peter Gabriel, 10cc and so many others (most of which are personal favorites of mine, albums I have played hundreds of times over the last 30 years and plan to play hundreds of times in the next).

My Story

I’ve been a giant Roxy Music fan since 1975. Rolling Stone gave Siren a rave review that year, and I went right out and bought myself a copy on their say-so. I then proceeded to play it every day. This went on for weeks. I’m a bit obsessive that way. (Being obsessive is extremely helpful if you have a desire to excel in audio. It may in fact be the most important trait of them all.)

I consider Roxy to be one of the greatest Art Rock bands in the history of the world. Although the general public and probably most audiophiles would surely cast their vote for Avalon as the band’s masterpiece, I much prefer the music of these others — their eponymous first album, Stranded, Country Life and Siren — to the more “accessible” music found on Avalon. To be fair, that’s splitting hairs, because any of those five titles are absolute Must Own Albums that belong in any serious popular music collection.

TRACK LISTING

Side One

Street Life
Just Like You
Amazona
Psalm

Side Two

Serenade
A Song for Europe
Mother of Pearl
Sunset

AMG 4 1/2 Star Rave Review

Without Brian Eno, Roxy Music immediately became less experimental, yet it remained adventurous, as Stranded illustrates. Under the direction of Bryan Ferry, Roxy moved toward relatively straightforward territory, adding greater layers of piano and heavy guitars. Even without the washes of Eno’s synthesizers, Roxy’s music remains unsettling on occasion, yet in this new incarnation, they favor more measured material, whether it’s the reflective “A Song for Europe” or the shifting textures of “Psalm.” Even the rockers, such as the surging “Street Life” and the segmented “Mother of Pearl,” are distinguished by subtle songwriting that emphasizes both Ferry’s tortured glamour and Roxy’s increasingly impressive grasp of sonic detail.

Webr Rave Review (Author Unknown)

Feeling that the band couldn’t handle two egos (and talents) moving in opposite directions half the time, Eno quit the band after For Your Pleasure. This move made Roxy Music less quirky (and innovative), but more focused, without ugly synth grunts unsettling Ferry’s mannered music and melodies.

There’s still plenty of weirdness and odd sound effects, but these are incorporated more subtly – the telephone ringing on “Street Life”, the castanets punctuating “Mother Of Pearl”. Roxy practically reinvented their sound on each album, and here they are elegant and stately, with Latin rythms reinforcing its Mediterranean flavor. Smoothed out, they sound like a much different band – no longer would their music contain the hint of anarchy; every piece is integrated without seeming patched on. When Manzara’s guitar cuts through the stroll of “Amazona”, it’s the kind of shock that you live for, a half-court jump and slam-dunk through the net of Ferry’s pretensions.

The operative adjective for Roxy’s first true masterpiece is gorgeous (it’s the same adjective for their final one, too), a far remove from the first two albums. “Just Like You” contains lovely falsetto singing from Ferry, and a razor-lyrical guitar solo from Manzanera. The futurism of the first two albums gives way to the world-weary nostalgia of “Song For Europe”, which admits “There’s nothing left for us to share but yesterday.”

The centerpiece, “Mother Of Pearl”, might be Roxy’s finest seven minutes. Charging in with blazing guitars, the music suddenly gives way to a stately piano ballad – the effect is startling. Ferry soliloquizes on the elusiveness of true love, rhyming odd metaphors like “serpentine sleekness/was always my weakness”, summing it all up with the so-true phrase, “If you’re looking for love in a looking glass world, it’s pretty hard to do.” Continue that quest for thy damsel in distress, Bryan, as long as you always keep it this interesting.

David Bowie – Ziggy Stardust – Our Shootout Winning Copy from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Is this one of the Greatest Rock Albums of All Time? Unquestionably. It’s the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.

Is it Bowie’s Masterpiece? Absolutely. No other Bowie record ranks higher in my book. No other Bowie record would command a similar price, regardless of its sonic merits.

Is it amazingly well recorded? You better believe it. This is not just Bowie’s masterpiece; it’s Ken Scott’s as well. For BIG, BOLD, wall to wall, floor to ceiling sound, look no further.

Ken Scott engineered this record and he did his usual amazingly good job. The guitars may not sound “real”, they way they actually do in real life, but they sure sound GOOD! Lots of rich, sweet tubey magic, the sound we love here at Better Records. (more…)

Eno – Here Come The Warm Jets – Our Shootout Winning Copy from 2007

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This British Island Sunray LP is the copy we’ve been waiting for! We love this music but we’d never heard a copy of this album that could hold its own sonically with our Hot Stamper copies of Taking Tiger Mountain — until we played this one.

We hardly ever see enough clean copies of this to do a full shootout, but we know Hot Stamper sound when we hear it and this copy’s got it — on BOTH sides. It’s got a wonderfully meaty bottom end that was missing from many of the copies we’ve played before. Baby’s On Fire is super punchy, and Cindy Tells Me has AMAZING bass. The vocals are full-bodied and breathy with lots of texture and wonderful presence. The clarity here is superb — none of the smearing so common to the domestic pressings. (more…)

T.Rex – Electric Warrior

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  • A superb copy of this T.Rex classic with nearly Triple Plus (A++ to A+++) sound on both sides, coming in right behind our Shootout Winner
  • This early UK pressing is amazing, with the kind of grungy, Tubey Magical guitars that are guaranteed to blow your mind
  • It’s beyond difficult to find quiet copies of this title (same goes for The Slider), let alone those with this kind of sound, so any fan of Mr Bolan should snap this one up and be quick about it
  • 5 stars: “The album that essentially kick-started the U.K. glam rock craze… it’s that sense of playfulness, combined with a raft of irresistible hooks, that keeps Electric Warrior such an infectious, invigorating listen today.”

This pressing is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

Bryan Ferry – Another Time, Another Place (2016)

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Both sides are blessed with the kind of early ’70’s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades I tell you!

Nobody can manage to get a recording to sound like this anymore and it seems as if no one can even remaster a recording like this anymore, if our direct experience with scores of such albums counts as any sort of evidence. (more…)

Bryan Ferry – These Foolish Things (2010)

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These Foolish Things

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

AN AMAZING COPY OF THIS VERY FUN ALBUM! We had a nice stack of British copies and this one had an unbeatable A+++ side one backed with a killer A++ – A+++ side two, both on very quiet vinyl. Anyone who digs Roxy Music or Bowie’s Pin-Ups is going to find a lot to like here. Check out the cool cover of A Hard Rain’s A-Gonna Fall that kicks off side one!  

Most of the copies we played didn’t come near this one in terms of presence or energy. The sound positively JUMPS out of the speakers and fills the room! There’s loads of tubey magic, big punchy drums, and depth to the soundfield. (more…)