Is this one of the Greatest Rock Albums of All Time? Unquestionably. It’s the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.
Is it Bowie’s Masterpiece? Absolutely. No other Bowie record ranks higher in my book. No other Bowie record would command a similar price, regardless of its sonic merits.
Is it amazingly well recorded? You better believe it. This is not just Bowie’s masterpiece; it’s Ken Scott’s as well. For BIG, BOLD, wall to wall, floor to ceiling sound, look no further.
Ken Scott engineered this record and he did his usual amazingly good job. The guitars may not sound “real”, they way they actually do in real life, but they sure sound GOOD! Lots of rich, sweet tubey magic, the sound we love here at Better Records.(more…)
A superb copy of this T.Rex classic with nearly Triple Plus (A++ to A+++) sound on both sides, coming in right behind our Shootout Winner
This early UK pressing is amazing, with the kind of grungy, Tubey Magical guitars that are guaranteed to blow your mind
It’s beyond difficult to find quiet copies of this title (same goes for The Slider), let alone those with this kind of sound, so any fan of Mr Bolan should snap this one up and be quick about it
5 stars: “The album that essentially kick-started the U.K. glam rock craze… it’s that sense of playfulness, combined with a raft of irresistible hooks, that keeps Electric Warrior such an infectious, invigorating listen today.”
This pressing is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.(more…)
Both sides are blessed with the kind of early ’70’s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades I tell you!
Nobody can manage to get a recording to sound like this anymore and it seems as if no one can even remaster a recording like this anymore, if our direct experience with scores of such albums counts as any sort of evidence.(more…)
AN AMAZING COPY OF THIS VERY FUN ALBUM! We had a nice stack of British copies and this one had an unbeatable A+++ side one backed with a killer A++ – A+++ side two, both on very quiet vinyl. Anyone who digs Roxy Music or Bowie’s Pin-Ups is going to find a lot to like here. Check out the cool cover of A Hard Rain’s A-Gonna Fall that kicks off side one!
Most of the copies we played didn’t come near this one in terms of presence or energy. The sound positively JUMPS out of the speakers and fills the room! There’s loads of tubey magic, big punchy drums, and depth to the soundfield.(more…)
The following is our 2007 commentary for the best Ziggy Stardust we had ever heard
This RCA Import has DRAMATICALLY better sound than any Ziggy LP we’ve ever played here at Better Records. Whatever you think you know about the sound of this record, THINK AGAIN. The sound of this copy is so far beyond any expectation I had that hearing it was nothing short of a REVELATION. It’s TWO FULL GRADES better than any copy we played in our shootout.
Ater hearing this copy we had to lower our grades for every other pressing we had played. This was a completely new standard.(more…)
Insanely good sound throughout this early UK pressing with each side rating a Triple Plus (A+++) or very close to it – quiet vinyl too
These sides were bigger, richer and livelier, with more bass, energy and Tubey Magic than the other copies we played (which is why this copy won the shootout)
Even the best domestic pressings always sounded dubby to us – we gave up playing them years ago
5 stars: “The Slider essentially replicates all the virtues of Electric Warrior, crammed with effortless hooks and trashy fun. All of Bolan’s signatures are here – mystical folk-tinged ballads, overt sexual come-ons crooned over sleazy, bopping boogies, loopy nonsense poetry, and a mastery of the three-minute pop song form.”
For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good a 1972 All Tube Analog recording can sound, this killer copy will do the trick. (To be honest, since I do not know what equipment was being used in the many studios this album was recorded in, better to say that this is what, to our ears, sounds like all tube analog sound.) With Tony Visconti in the studio the sound has much in common with another Glam Rock Masterpiece from the same year, Ziggy Stardust.(more…)
The sound is rich, spacious and sweet with a HUGE soundstage. Drop the needle on Changes and check out how dynamic it is. Side one is where the most popular material for this album is found (Changes, Life On Mars, Oh! You Pretty Things) so this copy definitely a great way to go on Hunky Dory.
Pressings of this record typically suffer from one major shortcoming: a severe lack of presence in the midrange. Bowie sounds like he has a blanket over his head on 90% of the copies you might run into, import and dometic. I always just kind of expected to hear it that way for the rest of my life. Now I know better. Both sides of this copy show you the Hunky Dory that you always dreamed could exist, must exist, but somehow has proved elusive in the real world.(more…)
This UK RCA copy is out of this world with Triple Plus (A+++) sound or close to it on both sides
Big space, breathy vocals, grungy guitars and the Tubey Magic is luscious throughout
Pretty darn quiet throughout — Mint Minus to Mint Minus Minus
As it says on the back of the jacket, “Many thanks to our engineer Ken (Scott, one of our favorites).”
Stunning Triple Plus (A+++) sound or close to it on both sides. The sound is rich and full, just the way the Brits like it. The heavy compression that both Bowie and Scott favor works its magic at every turn, adding fatness and richness and lovely harmonics to the guitars and the drums. (more…)
Excellent sound for Lou Reed’s Glam Rock Classic, Transformer — Double Plus (A++) or BETTER on both sides
Here is an import pressing with the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock
“… Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.” – All Music
Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock. You’ve got Lou Reed teamed up with David Bowie (in the producer’s chair!), Mick Ronson, Herbie Flowers and Klaus Voorman, and on top of that the album was recorded at Trident and mixed by the great Ken Scott.(more…)