Genre – Rock – Folk Rock (British)

Richard and Linda Thompson – Hokey Pokey

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  • Off the charts “Triple Triple” sound for this classic Richard and Linda Thompson album – both sides earned our top grade of Triple Plus (A+++) 
  • The best copy we’ve ever played, with superior Tubey Magical richness that just knocked us out and made it our clear Shootout Winner
  • Everything you want in the sound of a good British Folk Rock album is here in abundance – enjoy!
  • 4 Stars: “The Thompsons, from the opening Irish fiddle derivation of a Chuck Berry riff, through Linda’s exquisite performance of “A Heart Needs a Home,” to their cover of Mike Waterson’s “Mole in a Hole” which closes the record, once again create a timeless amalgam of folk and rock…”

This is one of R&L Thompson’s best albums, their second release, following the luminous I Want to See the Bright Lights Shine from a year earlier. Rich and full-bodied, with big bass and gobs of studio ambience, this is the way this music was meant to be heard. (more…)

Shoot Out The Lights – Loud Versus Live

Shoot Out The Lights

 

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Here’s a thought: if 180 gram records are supposed to be an improvement over the original pressings, why is it that they NEVER sound Big and Bold like this pressing? And I do mean never; I’ve played hundreds of them over the years and have yet to hear this kind of sound on any of them. At this point I would have to conclude that it is simply not possible.

If you have big speakers, a large listening room and like to play your records loud, there is no modern reissue that will ever give you the thrill that a record like this can. (Of course, to fully appreciate the effect it obviously helps if you have a White Hot Stamper copy to play.)

Loud Versus Live

I’ve seen Richard Thompson on a number of occasions over the years, and as loud as my stereo will play, which is pretty darn loud, I could never make his guitar solos 20 dB louder than everything else, because it’s not on the record that way. That’s why live music can’t be duplicated properly in the home: the dynamic contrasts are much too great for the typical listener or his stereo.

Having said that, when you actually do turn this record up, way up, you get the feeling of hearing live music, and that’s not easy to do! Only the best recordings, in my experience, can begin to give you that feeling. We discuss this subject in a number of commentaries under the heading of Turn Up Your Volume.
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Fairport Convention – Unhalfbricking – Simply Vinyl Reviewed

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Sonic Grade: B

One of the better Simply Vinyl recuts. We haven’t played a copy of it in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.

“This 180 gram LP comes recommended, with very good English sound (smooth, rich) for this early Richard Thompson folk music, with the wonderful Sandy Denny on vocals. Happily, not your standard audiophile fare.” 

A 5 Star Rave Review in the All Music Guide! (more…)

Jethro Tull – Stand Up – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

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  • A stunning Island Pink Label Import LP with Triple Plus (A+++) sound or very close to it on both sides
  • This is a True Tull Classic, and a VERY tough record to come by with this kind of sound
  • Both British sides give you richness, Tubey Magic, clarity and resolution few copies can touch – and what’s more, IT ROCKS
  • Their best album? It gets my vote, and this copy will really make the case if you turn it up good and loud

See all our Jethro Tull albums in stock

We just finished a big shootout for Stand Up with a variety of Brit pressings and a few domestics (which most of the time are awful but occasionally you run across one that’s pretty good on one side or another).

The following are some older notes that apply to the album in general.   (more…)

Every Picture Tells A Story – Our Shootout Winner for 2017

 

Our White Hot Shootout Winner for 2017
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  • A truly incredible copy with a Triple Plus (A+++) side two and an excellent Double Plus (A++) side one – a sonic powerhouse and Demo Disc par excellence
  • If you’re a fan of BIG DRUMS in a BIG ROOM, with jump-out-of-the-speakers sound, this is the album for you
  • A Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
  • “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.” – 5 Stars

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This is a superb recording, and on a pressing like this it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of recordings).

Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Led Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least.

If you’re a fan of BIG DRUMS in a BIG ROOM, with jump-out-of-the-speakers practically direct-to-disc sound quality, this is the album for you. The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the showstopping “(I Know) I’m Losing You”, is clearly out of his mind).

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

The Pentangle – It Doesn’t Get Much More Real on Vinyl Than This

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This is an honest-to-goodness Demo Disc. When for a (thankfully) brief time back in the ’70s I was selling audio equipment, the song “Pentangling” was a favorite demo cut to play in the store. The sound of the string bass and snare drum are amazingly natural; I don’t know of any other pop album from the era that presents the vibrant timbre of those two instruments better.

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The Transatlantic British originals can be quite good as well, but are very tough to come by in good condition these days, and pricey when you find them. This record easily qualifies for our Top 100 List, it’s that good (but unfortunately too rare to make the cut).

The Best Sides

The true foundation of the music is provided by two legendary guitar heavyweights, Bert Jansch and John Renbourn. With Jacqui McShee’s almost unbearably sweet vocals soaring above them, this album presents the classic lineup at its best, with superior sonics to boot.

It’s Acoustic!

The unprocessed folky sound found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound. (How many of the ’70s rock albums in our Top 100 have that natural drum sound? Not many when you stop to think about it.) (more…)

Robin Black’s Two Engineering Masterpieces

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Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; tubey-magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.

We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.

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