Genre – Rock – Folk Rock (American)

Linda Ronstadt – The Stone Poneys Featuring Linda Ronstadt

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The Stone Poneys Feat. Linda Ronstadt

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  • With two seriously good Double Plus (A++) sides, this was one of the better copies we played in our shootout for these later pressings – exceptionally quiet vinyl too
  • Much more folk than pop, for the most part the sound here is tubey, rich and sweet
  • The originals from 1967 have never impressed us much – re-released when HLAW hit big, it features three great Linda solos
  • “It doesn’t have “Different Drum,” but the first Stone Poneys album is their folkiest and best, dominated by close harmonies and strong original material by the group’s guitarists, Bob Kimmel and Ken Edwards.” 

This copy was one of the better pressings we played in our shootout, but the sound varies a fair amount from track to track. The best tracks are rich, tubey and clear; the worst thin, bright and hard.

The first track on side one rarely stayed clean when loud, but here for the most part it does. It’s a good test for whether or not you have a copy with high quality, low distortion mastering. Listen for the least amount of smear and congestion and the most resolution.

The second track is richer and tubier – it proves that side one is mastered correctly.

On side two the first track is rough, the second track better, the third richer, sweeter and smoother still. (more…)

Simon & Garfunkel – Bookends – Save the Life of My Child Is One Tough Test

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Another in our series of Home Audio Exercises with advice on What to Listen For as you critically evaluate your copy of Bookends.

The big production songs on this album have a tendency to get congested on even the best pressings, which is not uncommon for Four Track recordings from the ’60s. Those of you with properly set up high-dollar front ends should have less of a problem than some. $3000 cartridges can usually deal with this kind of complex information better than $300 ones.

(But not always. Expensive does not always mean better, since painstaking and exacting set up is so essential to proper playback.)

Save the Life of My Child — A Tough Test

I used to think this track would never sound good enough to use as an evaluation track. It’s a huge production that I had heretofore found all but impossible to get to sound right on even the best original copies of the album. Even as recently as ten years ago I had basically given up on reproducing it right.

Thankfully things have changed. Nowadays, with carefully cleaned top copies at our disposal and a system that is really cooking, virtually all of the harmonic distortion in the big chorus near the opening has disappeared. It takes a very special pressing and a very special stereo to play this song. That’s precisely what makes it a good test! (more…)

Bread – The Best of Bread Vol. 2 – Reviewed in 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This very nice looking Elektra Butterfly Label LP has the best sound I’ve ever heard for this compilation. Keep in mind that this is an album of mostly weak material, not in the class with the first ’Best of Bread’ by a long shot. However, some of these songs sound quite good here, easily better than the typical Bread album from which they are taken. Listen to ‘Been Too Long On The Road’ or ‘He’s A Good Lad’ to hear the best sounding Bread.

Leonard Cohen – Live Songs

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Live Songs

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We had a big shootout for this live album, compiled from different shows Cohen performed in 1970 and 1972, and we’re pleased to report that the sound was killer on both sides of this copy.

Drop the needle anywhere and you’ll notice the impressive immediacy to the vocals, the clear transients on the guitars and the deep, note-like bass. Cohen’s voice sounds just right here — deep and gravely — and the overall sound is rich, warm and full. (more…)

Bread – The Best of Bread

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

For just the second time since 2007, here’s a White Hot Stamper copy of The Best Of Bread — a Better Records Desert Island Disc if ever there was one. (Believe me, there are plenty.)

I can’t be sure why these songs sound so much better here than they do on Bread’s standard albums, but we’ve never heard a Bread album that could compete with the best copies of this compilation. [This is no longer true, please read more about this subject in the listings for the individual Bread albums.]

Bread albums have some of the most Tubey Magical, rich and sweet ANALOG sound you can find, thanks to engineer ARMIN STEINER.

He was also one of the engineers on Spirit’s first album, assisted on Ram and has more than a hundred other engineering credits. (more…)

Neil Young – Everybody Knows This Is Nowhere

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  • A MONSTER Shootout Winning early pressing with incredible Triple Plus (A+++) sound on both sides – this is the EKTIN you have been waiting for!
  • Live-in-Your-Listening-Room sound throughout – miles beyond any copy you’ve heard (or ever will hear)
  • Includes immortal classics such as “Cinnamon Girl,” “Cowgirl in the Sand,” and “Down by the River,” just to name three
  • 5 stars: “Everybody Knows This Is Nowhere was breathtakingly different when it appeared in May 1969, both for Young and for rock in general… almost 30 years later [make that 49], he was still playing this sort of music with Crazy Horse, and a lot of contemporary bands were playing music clearly influenced by it.”

The sound of this Hot Stamper copy is Big and Bold in the best Neil Young tradition, with studio ambience bouncing off the walls and into the open mics he favors.

The best tracks have that Live-in-the-Studio quality, with minimal processing and maximum ENERGY. We absolutely love that sound. With a killer pressing played back on a big pair of speakers this album can ROCK like nobody’s business. Nine minutes of Down by the River? A ten minute long version of Cowgirl in the Sand? Cinnamon Girl? We are so there. (more…)

The Band – Music From Big Pink

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  • Two strong Double Plus (A++) sides AND quiet vinyl make this a consistently impressive copy of this all-time classic album
  • Forget all those lifeless, ambience-free, vague sounding Heavy Vinyl pressings – THIS is the sound of the album
  • It’s big, punchy and dynamic, and resolves all the intricacies of the recording that make it so interesting to us audiophiles
  • 5 stars on Allmusic: “Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.”

We guarantee you have never heard Music from Big Pink sound remotely as good as it does on this very copy. (more…)

Joni Mitchell – Ladies Of The Canyon – What To Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy.

The growl of the cello on Rainy Night House can clearly be heard behind Joni, with the wood of the instrument sounding real and correct. The kind of You Are There immediacy and transparency of the best copies has to be heard to be believed. 

Listen to the piano Joni plays throughout the album: this is not the thin and hard-sounding instrument that accompanies her on practically every LP you have ever had the misfortune to audition, hoping against hope that someday you would find that “elusive disc” with sound worthy of such extraordinary music. No, this piano has real weight; it has body; and it’s surrounded by real, three-dimensional studio space. (more…)

1A, or Is 1B Better? – Your Guess Is As Good As Mine

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Before we go any further, I have a question: Why are we guessing?

I received an email recently from a customer who had gone to great pains to do his own shootout for a record; in the end he came up short, with not a lot to show for his time and effort. It had this bit tucked in toward the end:

Some of [Better Records’] Hot Stampers are very dear in price and most often due to the fact that there are so few copies in near mint condition. I hate to think of all the great Hot Stampers that have ended up in piles on the floor night after night with beer, Coke, and seeds being ground into them.

Can you imagine all the 1A 1B or even 2A 2B masters that ended up this way or were just played to death with a stylus that would be better used as a nail than to play a record!

As it so happens, shortly thereafter I found myself on Michael Fremer’s old website of all places, where I saw something eerily similar in his review for the (no doubt awful) Sundazed vinyl. I quote below the relevant paragraphs. (more…)

Bread – Baby I’m-A Want You – Check Out Those Tubey Magical Acoustic Guitars

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Bread’s fourth album has wonderfully sweet and rich 1972 ANALOG sound. The acoustic guitars are to die for on the title track. Talk about Tubey Magic, this copy has got bucketfuls of it on the voices and guitars. Whatever happened to that sound I wonder?

Listen for the delicate space up high above the music on the title track. This copy has the extended top end that opens up the sound and lets the music breathe.

The average copy is dull, compressed, congested and squawky in the midrange, all good reasons that explain why we simply haven’t been able to do many of Bread’s albums outside of the Greatest Hits and the first album. Most copies are so bad sounding that it seems pointless to even try — pointless only until a copy like this comes along to make us (and other Bread fans) believers. 

Pure Pop For Now People

When you hear music sound this good, it makes you appreciate the music even more than the sound. This is in fact the primary raison d’etre of this audiophile hobby, or at least it’s supposed to be. To hear the vocal harmonies that these guys produced is to be reminded of singers of the caliber of the Everly Brothers or The Beatles. It’s Pure Pop for Now People, to quote the famous wag Nick Lowe.

Of course, by Now People, I’m referring to people who appreciate music that came out close to forty years ago. Whenever I hear a pop record with sound like this, I have to ask myself “What has gone wrong with popular recordings for the last three or four decades?”

I can’t think of one recording of the last twenty years that sounds as good as this Bread album. Are there any? (more…)