Genre – Rock – Folk Rock (American)

Bread – The Best of Bread Vol. 2 – Reviewed in 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This very nice looking Elektra Butterfly Label LP has the best sound I’ve ever heard for this compilation. Keep in mind that this is an album of mostly weak material, not in the class with the first ’Best of Bread’ by a long shot. However, some of these songs sound quite good here, easily better than the typical Bread album from which they are taken. Listen to ‘Been Too Long On The Road’ or ‘He’s A Good Lad’ to hear the best sounding Bread.

Leonard Cohen – Live Songs

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Live Songs

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We had a big shootout for this live album, compiled from different shows Cohen performed in 1970 and 1972, and we’re pleased to report that the sound was killer on both sides of this copy.

Drop the needle anywhere and you’ll notice the impressive immediacy to the vocals, the clear transients on the guitars and the deep, note-like bass. Cohen’s voice sounds just right here — deep and gravely — and the overall sound is rich, warm and full. (more…)

Bread – The Best of Bread

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

For just the second time since 2007, here’s a White Hot Stamper copy of The Best Of Bread — a Better Records Desert Island Disc if ever there was one. (Believe me, there are plenty.)

I can’t be sure why these songs sound so much better here than they do on Bread’s standard albums, but we’ve never heard a Bread album that could compete with the best copies of this compilation. [This is no longer true, please read more about this subject in the listings for the individual Bread albums.]

Bread albums have some of the most Tubey Magical, rich and sweet ANALOG sound you can find, thanks to engineer ARMIN STEINER.

He was also one of the engineers on Spirit’s first album, assisted on Ram and has more than a hundred other engineering credits. (more…)

Neil Young – Everybody Knows This Is Nowhere

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  • A MONSTER Shootout Winning early pressing with incredible Triple Plus (A+++) sound on both sides – this is the EKTIN you have been waiting for!
  • Live-in-Your-Listening-Room sound throughout – miles beyond any copy you’ve heard (or ever will hear)
  • Includes immortal classics such as “Cinnamon Girl,” “Cowgirl in the Sand,” and “Down by the River,” just to name three
  • 5 stars: “Everybody Knows This Is Nowhere was breathtakingly different when it appeared in May 1969, both for Young and for rock in general… almost 30 years later [make that 49], he was still playing this sort of music with Crazy Horse, and a lot of contemporary bands were playing music clearly influenced by it.”

The sound of this Hot Stamper copy is Big and Bold in the best Neil Young tradition, with studio ambience bouncing off the walls and into the open mics he favors.

The best tracks have that Live-in-the-Studio quality, with minimal processing and maximum ENERGY. We absolutely love that sound. With a killer pressing played back on a big pair of speakers this album can ROCK like nobody’s business. Nine minutes of Down by the River? A ten minute long version of Cowgirl in the Sand? Cinnamon Girl? We are so there. (more…)

The Band – Music From Big Pink

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  • Two strong Double Plus (A++) sides AND quiet vinyl make this a consistently impressive copy of this all-time classic album
  • Forget all those lifeless, ambience-free, vague sounding Heavy Vinyl pressings – THIS is the sound of the album
  • It’s big, punchy and dynamic, and resolves all the intricacies of the recording that make it so interesting to us audiophiles
  • 5 stars on Allmusic: “Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.”

We guarantee you have never heard Music from Big Pink sound remotely as good as it does on this very copy. (more…)

Joni Mitchell – Ladies Of The Canyon – What To Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy.

The growl of the cello on Rainy Night House can clearly be heard behind Joni, with the wood of the instrument sounding real and correct. The kind of You Are There immediacy and transparency of the best copies has to be heard to be believed. 

Listen to the piano Joni plays throughout the album: this is not the thin and hard-sounding instrument that accompanies her on practically every LP you have ever had the misfortune to audition, hoping against hope that someday you would find that “elusive disc” with sound worthy of such extraordinary music. No, this piano has real weight; it has body; and it’s surrounded by real, three-dimensional studio space. (more…)

1A, or Is 1B Better? – Your Guess Is As Good As Mine

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Before we go any further, I have a question: Why are we guessing?

I received an email recently from a customer who had gone to great pains to do his own shootout for a record; in the end he came up short, with not a lot to show for his time and effort. It had this bit tucked in toward the end:

Some of [Better Records’] Hot Stampers are very dear in price and most often due to the fact that there are so few copies in near mint condition. I hate to think of all the great Hot Stampers that have ended up in piles on the floor night after night with beer, Coke, and seeds being ground into them.

Can you imagine all the 1A 1B or even 2A 2B masters that ended up this way or were just played to death with a stylus that would be better used as a nail than to play a record!

As it so happens, shortly thereafter I found myself on Michael Fremer’s old website of all places, where I saw something eerily similar in his review for the (no doubt awful) Sundazed vinyl. I quote below the relevant paragraphs. (more…)

Bread – Baby I’m-A Want You – Check Out Those Tubey Magical Acoustic Guitars

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Bread’s fourth album has wonderfully sweet and rich 1972 ANALOG sound. The acoustic guitars are to die for on the title track. Talk about Tubey Magic, this copy has got bucketfuls of it on the voices and guitars. Whatever happened to that sound I wonder?

Listen for the delicate space up high above the music on the title track. This copy has the extended top end that opens up the sound and lets the music breathe.

The average copy is dull, compressed, congested and squawky in the midrange, all good reasons that explain why we simply haven’t been able to do many of Bread’s albums outside of the Greatest Hits and the first album. Most copies are so bad sounding that it seems pointless to even try — pointless only until a copy like this comes along to make us (and other Bread fans) believers. 

Pure Pop For Now People

When you hear music sound this good, it makes you appreciate the music even more than the sound. This is in fact the primary raison d’etre of this audiophile hobby, or at least it’s supposed to be. To hear the vocal harmonies that these guys produced is to be reminded of singers of the caliber of the Everly Brothers or The Beatles. It’s Pure Pop for Now People, to quote the famous wag Nick Lowe.

Of course, by Now People, I’m referring to people who appreciate music that came out close to forty years ago. Whenever I hear a pop record with sound like this, I have to ask myself “What has gone wrong with popular recordings for the last three or four decades?”

I can’t think of one recording of the last twenty years that sounds as good as this Bread album. Are there any? (more…)

The Band’s Second Album – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of The Band’s second album.

The best copies have no trace of phony sound from top to bottom. They’re raw and real in a way that makes most pop records sound processed and wrong. Our best Hot Stampers have plenty of the qualities we look for in The Band. Energy, presence, transparency, Tubey Magic… you name it — you will find it there. The biggest strength of this recording is its wonderful, natural midrange. And tons of bass.

Despite what anyone might tell you, it’s no mean feat to find good sounding copies of this record. There are good originals and bad originals, as well as good reissues and bad reissues. Folks, we’ve said it many times — the label can’t tell you how a record sounds, but there’s a sure way to find out that information. You’ve got to clean ’em and play ’em to find out which ones have Hot Stampers, and we seem to be the only record dealers who are doing that, in the process making unusually good pressings available to you, the music-loving audiophile. (more…)

Joni Mitchell – Court And Spark – Rating the DCC LP

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Sonic Grade: B

The DCC — Not Bad! 

Steve’s version is very musical; it’s rich and natural sounding, which of course makes it very enjoyable. You can do a lot better but you sure can do a lot worse. Opaque, veiled, lifeless, dull sound is the norm for Court and Spark — most copies are dead as a doornail. If they’re not dead, they’re likely to be thin and gritty. The DCC is a big improvement over the average domestic pressing. (The original Brit imports are fairly competitive with the DCC; the later Brits with the K catalog numbers suck as a rule.)

The Nautilus Half-Speed is pretty but lifeless, like so many of their pressings. I would grade it about a C. Don’t waste your money. (more…)