Genre – Rock – Big Rock Sound

When Led Zeppelin IV Sounds This Good, We Get Letters

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LED ZEPPELIN IV

xxx
Michael just got a nice copy of Zep IV from us. His letter follows.

Well son of a bitch. Do you know how many tube combinations, cartridge adjustments, turntable adjustments, speakers, speaker placements, and other hocus pocus shit I’ve gone through after listening to a Led Zeppelin album I have where Bonham was barely present and Page’s guitar would wear my ears out within 2 songs thinking this can’t be the way they sounded…I know Bonham hit those drums hard. Well, that ain’t the case with the Zeppelins I recently purchased from you. Shit man, finally. It’s alive! Thank you Tom.
Michael S

My reply:

Mike,
Glad to hear it! If you ever win the lottery we’ll get you a White Hot copy and REALLY blow your mind. About one out of ten with the right stampers gets When the Levee Breaks to sound the way you want it to.  When I finally heard it about two or three years ago I could hardly believe it. Most pressings just plain suck.

Good to know you are giving the boys a good home to live in, where they can be appreciated.

TP

More Led Zeppelin

Martin Birch Knows How to Get The Big Rock Sound on Vinyl

Martin Birch Engineered Albums with Hot Stampers

Martin Birch Engineered Albums We’ve Reviewed

 

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When you get a Hot Stamper presssing like this one, Machine Head is a True Rock and Roll Demo Disc. Since our stereo is all about playing these kinds of records, and playing them at good loud levels as nature — and the artists — intended, we had a helluva time with Machine Head.

It had the kind of presence and energy that puts most copies of this album to shame. It’s also amazingly spacious, the result no doubt of it being recorded practically live in the studio. On the best copies you can really hear the sound bouncing off the studio walls, just as you can on the best Zep, AC/DC and Bad Co. albums. You can just tell they are all playing this one live: it’s so relaxed and natural and REAL sounding.

The vocalist is no doubt in a booth, but everyone else seems to be in a lively studio. With lovely extension up top this was a very sweet copy that cried out to be turned up good and loud. The louder we played it the better it sounded!

Domestic Vinyl?

Forget ’em, they’re clearly made from dubs. Some are better than others, but none can compete with the better British pressings such as this one..

With your permission we’d like to “borrow” some of the commentary from the listing we did a while back for Bad Company’s second album, since so much of what’s good about that record is exactly what’s good about this one.

What You Want from the Best Copies

The best pressings give you exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.)

I’m guessing that very few people have ever heard this record sound this good. The average copy is really a piece of trash, as is the awful 180 gram version that was recently remastered. This is the way to go.