Genre – Rock – Big Production Rock

Steely Dan – The Royal Scam – Larry Carlton Stretches Out

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  • Stunning sound from start to finish: Triple Plus (A+++) or close to it on both sides
  • This is a killer Shootout Winning copy of The Dan’s hard-rockin’ classic from 1976 – HERE is the right sound for this music
  • These two sides give you what you need for The Royal Scam – rich, meaty, with powerful rhythmic energy and not too bright
  • “Drummer Bernard “Pretty” Purdie lashes out the rolling grooves on most of the nine tracks, establishing the album’s anxious feel, and Larry Carlton’s jaw-dropping guitar work provides a running commentary to Fagen’s strangulated vocals… These are not the sort of Steely Dan songs favored by smooth-jazz stations.”

One of the best copies from our last shootout. The life and energy are off the charts here, and the edge and grit that ruin the typical pressing are virtually nowhere to be heard.

It’s an absolute monster, and if you love this album like we do you are doing to flip when you hear it. And side two of this album is KILLER for this group of Steely Dan Classics: Green Earrings, Haitian Divorce, Everything You Did, and of course, The Royal Scam. (more…)

The Doors’ Strange Days – A True Demo Disc


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  • A stunning Demo Disc quality early pressing of one of the most difficult-to-find records in the world of Classic ’60s Rock
  • You get two incredible sides each rating a Triple Plus (A+++) or very close to it
  • The sound is HUGE, full-bodied and lively throughout – check out that killer bottom end and the amazing transparency
  • Amazing sound for so many classics: When The Music’s Over, Moonlight Drive, Love Me Two Times and more
  • Nearly impossible to find copies that play anywhere near this quietly, let alone ones that sound like this!

See all of our Doors albums in stock

PHENOMENAL sound for the Doors sophomore classic. You won’t believe how good this copy is — incredibly rich and full yet still clean, clear and dynamic with a big bottom end, driving rock and roll energy and huge amounts of space. Thanks Bruce Botnick, you are da man!

Honestly, we must return or reject 80% of the copies that come through the door, which should go a long way towards explaining why they hit the site with such irregularity. We know what the best stampers are and have for quite a while. What we have a devil of a time doing is finding anyone selling the album who knows how to grade it properly, especially when it comes to the kind of groove damage that’s common to records played on turntables that lack anti-skate adjustment. What good is a record with distortion on vocal peaks, not to mention inner grooves that are borderline unlistenable? (more…)

Fleetwood Mac – Tusk – Some of Our Favorite Twisted Melodic Pop

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  • A MONSTER pressing that simply cannot be beat – all four sides (well, almost) earned our highest sonic grade of Triple Plus (A+++)
  • Staggering Demo Disc Quality sound on the more highly produced tracks, of which there are plenty spread across these two discs
  • The power of the bottom end is especially impressive on all the sides (and John McVie kills it on bass as usual)
  • 5 stars: “Because of its ambitions, Tusk failed to replicate the success of its two predecessors … yet it earned a dedicated cult audience of fans of twisted, melodic pop.” Twisted melodic pop? Sign me up!

This copy is absolutely KILLER, with the kind of transparency, space and openness you simply cannot find on most copies. When the soundstage is as wide and three-dimensional as it is here, it’s amazing how much more SENSE the music starts to make.

And the clarity is not the phony “audiophile” kind that’s the result of too much treble. The tonality is correct throughout, and there’s no lack of richness or warmth to the sound. They just don’t get any better. (more…)

The Beatles Abbey Road – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Abbey Road.  

Those of you who follow the site (or do your own shootouts) know that it’s much tougher to find great copies of Abbey Road than it is for MMT or Please Please Me. Most of the copies we’ve played just aren’t good enough to put on the site. For whatever reasons — probably because this recording is so complicated and required so many tracks — Abbey Road is arguably the toughest nut to crack in the Beatles’ catalog. 

Most of the copies we’ve played over the years suffer from too much grit and grain, particularly on the vocals. Not the best ones though. We just couldn’t believe how smooth and sweet the vocals were on our shootout winner last time around, especially on side two, without sacrificing any breath or texture.

The Power of Abbey Road

This is the final statement from The Beatles. To take away the power of this music by playing it through inadequate equipment makes a mockery of the monumental effort that went into it. Remember, the original title for the album was Everest. That should tell you something about the size and scope of the music and sound that the Beatles had in mind. In-Depth Track Commentary (more…)

Roundabout Vs. South Side of the Sky

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you go about critically evaluating your copies of Fragile.

This shootout taught us that track one is not as well recorded as the rest of side one. On copy after copy, and there were well over a dozen, it was the other big track on side one, South Side of the Sky, that had consistently better sound. You really hear it in the choruses, where the voices are so full-bodied, powerful, rich and energetic on that fourth track, and less of all of these qualities on the first.

You really hear it in the choruses, where the voices are so full-bodied, powerful, rich and energetic on that fourth track, and less of all of these qualities on the first. We play both songs, but we play them in reverse order, knowing that the mind-boggling sound is really going to be on South Side, not so much Roundabout.

This record should give any record you own a run for its money. It’s as BIG and as BOLD a statement about raising the bar for rock recordings as any I know. Without a doubt one of the Best Rock Recordings of all time.

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Michael Jackson’s Thriller Is White Hot

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  • The two INCREDIBLE sides here are guaranteed to make this by far the best sounding Thriller you have ever heard – Triple Plus (A+++) or very close to it
  • The sound is HUGE – wide, deep, and open, with a solid bottom end and relentless rhythmic energy to spare 
  • Billie Jean and Beat It sound out of this world, but that’s not fair, since every track on this copy is good enough to blow your mind
  • “This was a record that had something for everybody, building on the basic blueprint of Off the Wall by adding harder funk, hard rock, softer ballads, and smoother soul — expanding the approach to have something for every audience.” AMG 5 stars

Note that the slightly better sounding of the two sides here is the second side, which we feel is the stronger side of the album. with Beat It, followed by Billie Jean and ending on the single most emotional song MJ ever sang, The Lady in My Life.

Clearly one of the greatest lineups to be found on any side of any album from any era. No other Michael Jackson album can hold a candle to it.

The sound on this copy is huge, with the kind of three-dimensional soundstaging that lets the music unfold in front of you and around you as well. The bass is meaty and well-defined, showing you the rhythmic foundation that the music needs. The overall sound is transparent with amazing texture to practically every element.

Michael’s voice is marvelous on this copy — breathy, textured, and positively dripping with emotion (just listen to him break down on The Lady in My Life). (more…)

Elton John’s and Bernie Taupin’s Co-Masterpiece – Tumbleweed Connection

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  • You’ll find outstanding Double Plus (A++) sound from first note to last on this Elton John classic
  • The overall sound here is incredibly big, rich, spacious and dynamic with plenty of presence and bottom end weight
  • An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
  • 5 stars: “….their most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”

Superb Music and Sound 

This has to be one of the best sounding rock records of all time — certainly worthy of a Top Ten spot on our Top 100 list. Engineered by Robin Geoffrey Cable at Trident, there is no other Elton John recording that is as big and powerful as Tumbleweed. (more…)

Elton John – Madman Across The Water Is Lush

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  • An outstanding copy of Madman with Double Plus (A++) sound from the first note to the last
  • A ridiculously tough album to find with the right sound and reasonably quiet surfaces – which is why we so rarely have them on the site
  • The last of the classic albums Elton recorded at Trident, the best of which have more Tubey Magic than anything that came after
  • 4 1/2 stars on Allmusic: “The record remains an ambitious and rewarding work, and John never attained its darkly introspective atmosphere again.”

This Madman is guaranteed to blow your mind.

The amount of effort that went into the recording of this album is comparable to that of the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Pink Floyd, The Beatles (of course) and far too many others to list. This is some of the best high production value rock music of the ’70s. (more…)

Elton John – Don’t Shoot Me, I’m Only The Piano Player

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  • Amazing Triple Plus (A+++) sound on the first side and Double Plus (A++) on the second
  • Spacious, musical and lifelike, this is a truly superb pressing!
  • Thanks to Ken Scott’s brilliant engineering and Gus Dudgeon’s production savvy, every song here sounds better than you imagined
  • 4 stars in the AMG: “His most direct, pop-oriented album… a very enjoyable piece of well-crafted pop/rock.”

It’s not easy to find great copies of this album, but this one absolutely nails it! It’s dynamic, energetic and full of tubey magic, and most importantly, the vocals and piano sound JUST RIGHT. The overall sound is rich, smooth, and sweet.  (more…)

Another Harry Nilsson Must Own Album (Which Makes Four for Those of You Keeping Score at Home)

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  • Amazing Shootout Winning Triple Plus (A+++) As Good As It Gets sound on both sides – maybe the best copy to ever hit the site
  • You can thank Ken Scott for his Tubey Magical engineering and Richard Perry for his Big As Life production approach – this is our kind of sound!
  • It’s one of Harry Nilsson’s four Must Own albums – for both sonics and music this copy is going to be very hard to beat
  • “… a fantastic set of songs that illustrate what a skilled, versatile songsmith Nilsson was… if you appreciate Nilsson’s musicality and weirdo humor, he never got any better.” – All Music

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