MASTER TAPE SOUND and QUIET VINYL on BOTH SIDES! If you’re an audiophile who loves classic rock, you just haven’t lived until you’ve heard Magic Man and Crazy On You on a Hot Stamper pressing, and they don’t get ANY hotter than this copy! We play dozens upon dozens of these every year, and based on that experience this Hot Stamper will be virtually unbeatable for EITHER side. (more…)
That bass drum tells you a lot about your deep bass reproduction, but we prize a little something called whomp here at Better Records every bit as much. It’s the WEIGHT and POWER you sense happening down below that translates into whomp factor. (This is the frequency area that screens and small dynamic drivers have the most trouble with. You need to be able to move lots of air under, say, 200 cycles to give the music a sense of real power down below. Few systems I’ve run into over the last thirty years can really pull it off.)
That bass drum tells you a lot about your deep bass reproduction, but we prize a little something called whomp here at Better Records every bit as much. It’s the WEIGHT and POWER you sense happening down below that translates into whomp factor.
Speaking of the song “Why,” I have to confess that it’s my favorite Fleetwood Mac song of all time. Considering how many great songs this band has recorded over the last thirty plus years, that’s really saying something. (“Need Your Love So Bad” off Pious Bird is right up there with it.) (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
Is this one of the Greatest Rock Albums of All Time? Unquestionably. It’s the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.
Is it Bowie’s Masterpiece? Absolutely. No other Bowie record ranks higher in my book. No other Bowie record would command a similar price, regardless of its sonic merits.
Is it amazingly well recorded? You better believe it. This is not just Bowie’s masterpiece; it’s Ken Scott’s as well. For BIG, BOLD, wall to wall, floor to ceiling sound, look no further.
Ken Scott engineered this record and he did his usual amazingly good job. The guitars may not sound “real”, they way they actually do in real life, but they sure sound GOOD! Lots of rich, sweet tubey magic, the sound we love here at Better Records. (more…)
- An amazing copy of this Prog Blockbuster, with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second – super quiet vinyl too, as quiet as any copy we have ever listed
- An incredibly complex recording, with huge organs, light-speed changes and an abundance of multi-tracked parts
- A recording that will push even the highest quality, most heavily tweaked stereo to its limits – if you can play this record good and loud, you can play anything
- 5 stars: “Close to the Edge represented the musical, lyrical, and sonic culmination of all that Yes had worked toward over the past five years. In 1972, Close to the Edge was a flawless masterpiece.”
This vintage Atlantic pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
A distinguished member of the Better Records Rock Hall of Fame.
UNBELIEVABLE! Here’s an Island Pink Label pressing of Traffic’s self-titled second album that has a STUNNING side one, a GREAT side two, and plays close to Near Mint! It has been YEARS since we’ve had such a beautiful Pink Label copy, and I doubt we’ve ever heard a pressing on any label that could better this side one. The sound is as close to PERFECTION as we ever expect to hear for this music — super tubey magical, unbelievably transparent and tonally correct from top to bottom. (more…)
- This stunning pressing of the band’s final studio album boasts Shootout Winning Triple Plus (A+++) sound or close to it throughout
- Clearly better than every other pressing we played – when you can hear it sound this good you may just come to appreciate how good the music is
- Every Breath You Take and Wrapped Around Your Finger are amazingly big, rich and Tubey Magical here
- 4 1/2 stars: “Few other albums from 1983 merged tasteful pop, sophistication, and expert songwriting as well as Synchronicity did, resulting in yet another all-time classic.”
This music can have real Rock and Roll POWER — if you’re lucky enough to own a pressing with all the energy of the master tapes inscribed in its grooves. Some have it and some don’t. Welcome to the world of analog, where no two copies sound the same and most are nothing special. (No two covers of this album look the same either. Get a pile of them out and see if you can find two that match. It’s not easy.) (more…)
Here it is, folks — the best sounding copy of Mystery To Me to ever hit our site. This copy positively DOES IT ALL — it’s super open and spacious with tons of energy and incredible presence. The bottom end is just KILLER and there’s dramatically more richness and fullness than you get on most copies out there.
It’s beyond difficult to find great sounding copies of this album, which is why it’s been about four years since we last had these on the site.
Mystery To Me is my All Time Favorite Fleetwood Mac album, and this White Hot Stamper copy has the sound that I always DREAMED this album could have, but didn’t — until now. This is just the second Hot Stamper shootout that we’ve been able to do, since clean copies with the right stampers are ridiculously hard to come by. I’m not kidding. I have spent the last ten years and more trying to find the right stampers for this record. I can tell you I was dead wrong so many times in the past that I had almost given up. Time and time again, just when I thought I had it figured out, I would go back and play my so-called “hot” copy, to find myself miserably disappointed all over again. (more…)
- With outstanding Double Plus (A++) sonic grades on both side, this vintage UK pressing sounds rich, smooth and sweet – exceptionally quiet vinyl too
- Some of the band’s most sophisticated hits: Every Little Thing She Does Is Magic, Invisible Sun, Spirits In The Material World, and more
- Hugh Padgham took over engineering duties for Ghost and The Police’s next album, resulting in a dramatic improvement in the quality of their recordings
- “This album has more variety than the menu in a Bangkok brothel. In particular, Sting’s voice has taken on a new depth and fresh maturity. The opening song, ‘Spirits In The Material World’, may have what sounds like a dumb title, but the song is a dream of close harmonies and nicely understated drums.” Record Mirror
If you’re looking for big hits, this album is for you. I mean, get three tracks in and you’ve already heard Spirits In The Material World, Every Little Thing She Does Is Magic and Invisible Sun — not a bad way to get things started! (more…)
MASTER TAPE SOUND! We just finished another big Boston shootout; stop me if you’ve heard this one before, but most copies are pretty darn mediocre. If you want to deal with grainy highs, hooded mids, leaned-out bass and on overall lack of enthusiasm on the part of the band, I suppose that’s your prerogative, but this music is a heckuva lot more fun when it sounds like it does on this White Hot Stamper!
When you drop the needle on More Than A Feeling or Peace Of Mind you’ll quickly see why we gave this side one our top grade of A+++. The sound is rich and full with a silky sweet top end and incredible power to the bottom. There’s lots of ENERGY and the kind of presence you need to free this music from the confines of your speakers.
Side two is nearly as amazing. The sound is BIG, BOLD and LIVELY with an excellent bottom end. Side one opens up just a bit more and is a bit sweeter up top, but side two was definitely impressive enough for an A++ grade.
If more records sounded like this we would be out of business (and the CD would never have been invented). Most people don’t have the time or resources to play twenty copies of Boston to find one that sounds like this, but that’s our metier here at Better Records. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
TWO SUPERB SIDES — super transparent, super hi-rez, with tons of energy and tubey magic! We just finished a mega-shootout for this title, dropping the needle on more than a dozen copies, and this bad boy earned Best In Show. Side two earned our top A+++ grade while side one was just half a plus behind. Most copies out there won’t come even close to this one on EITHER side.
Both sides have superb, mind-blowing, Demo Disc Quality Sound. Drop the needle on any track on either side to hear what we’re talking about. The highs are silky and delicate, the bottom end is tight and punchy, and the vocals sound AMAZING. The bass is PERFECTION, which really brings out the reggae feel of the song Hotel California. It’s so deep and loping, the effect is practically narcotic. (more…)