A KILLER copy with Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
This copy was doing it all right — bigger, richer, more full-bodied, more present, better bass and the list goes on
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
“Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop… It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion.” — All Music
White Hot Stampers for Lodger — this wasn’t easy, folks! We’ve been trying to find a great sounding copies of Lodger for years and this is only the second time we’ve ever managed to get a big shootout going, which should tell you just how tough it is to get a killer copy of this album.(more…)
A superb sounding copy of Elvis Costello’s Last Really Good Album with Double Plus (A++) sound or BETTER throughout
This copy showed us a Spike we never knew existed — so much energy and presence to the sound, it came jumping out of the speakers and simply refused to mind its manners. Elvis should be proud. Why don’t more records sound like this?
This is one of the best batches of songs Elvis (and his buddy Paul McCartney) ever wrote!
This British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.(more…)
An excellent sounding early British Apple pressing with solid Double Plus (A++) sound throughout and reasonably quiet vinyl
If you want to hear the rich, Tubey Magical sound that was all over the Master Tape in 1973, these vintage imports are the only way to go
What Living in the Material World does show off far better than the earlier record, however, is Harrison’s guitar work… it does represent his solo playing and songwriting at something of a peak. Most notable are his blues stylings and slide playing, glimpsed on some of the later Beatles sessions but often overlooked by fans.” – All Music
The sound is rich, spacious and sweet with a HUGE soundstage. Drop the needle on Changes and check out how dynamic it is. Side one is where the most popular material for this album is found (Changes, Life On Mars, Oh! You Pretty Things) so this copy definitely a great way to go on Hunky Dory.
Pressings of this record typically suffer from one major shortcoming: a severe lack of presence in the midrange. Bowie sounds like he has a blanket over his head on 90% of the copies you might run into, import and dometic. I always just kind of expected to hear it that way for the rest of my life. Now I know better. Both sides of this copy show you the Hunky Dory that you always dreamed could exist, must exist, but somehow has proved elusive in the real world.(more…)
A Top Copy: Triple Plus (A+++) on side one, where the biggest hits are and a solid Double Plus (A++) side two
The sound is HUGE — far RICHER, bigger, clearer and more open than other copies we played
A Better Records favorite for more than thirty years, the rare ’80s album that holds up today
The big hit Something About You ROCKS on this copy – only these British originals let you turn it up and hear it right
“World Machine pushes their newfound radio-friendly sound into the forefront, and the result is one of the finest pop albums of the mid-’80s. “Something About You” exemplifies Level 42’s sound at the peak of its success.”
This British Polydor pressing of Level 42’s BEST ALBUM makes a mockery of most of what’s out there — who knew the sound could be this good? Punchy bass, breathy vocals, snappy drums; it’s all here and it reallyl comes JUMPIN’ out of the speakers on this pressing.
What was striking this time around was just how smooth, rich and tubey the sound was on the best copies. It’s been a few years since we last did this shootout and it’s amazing to us how much better this title has gotten in that short span of time.
Of course, the recording very likely got no better at all, but our system, set-up, room, electricity and who-know-what-else sure did.(more…)
We’ve long been huge fans of this album both musically and sonically. It’s the kind of recording where the sound JUMPS out of the speakers. It reminds me of Crime Of The Century that way. It’s also one of the most DYNAMIC popular recordings I know of. If this album doesn’t wake up your system, it’s time to scrap it and start over! Musically it’s one of my all time favorite albums, a real Desert Island disc.
One of the many elements that combine to push this album well beyond the bounds of most popular recordings is the thought and care that went into the soundstaging. Listen to the stereo separation on any track — the sound of each instrument has been carefully considered within the context of the arrangement and placed in a specific location within the soundfield for a reason — usually that reason is for MAXIMUM EFFECT.
That’s why we LOVE 10cc. Their recordings from this era are an audiophile dream come true. Compare that to some of the stereo mixes for the Beatles albums, where an instrument or vocal seems to panned to one channel or another not because it SHOULD be, but because it COULD be. With 10cc those hard-left, hard-right effects make the songs JUMP. They call attention to themselves precisely because the band is having a blast in the studio, showing off all the tricks they have up their sleeves. They want you to get as big a kick out of hearing them as they did conjuring them up.(more…)
Of all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses.
Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to contemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding. (Those cymbal crashes can really mess with your mind if you let them. To get a better picture of the DBX sound just bang two trash can lids together as close to your head as possible.)
The first two albums can sound very good, as can Royal Scam, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a seriously good sounding record indeed.(more…)
It’s been years since I last played this album, and I’m happy, ecstatic even, to report that it sounds far better than I remember it sounding. In the old days I recall it as somewhat dry, flat and transistory. Now it’s BIG and BOLD, revealing a band that’s on fire in the studio.
This White Hot side two had by far the most energy of any side we played, showing us just what a monster rocker this album can be when it’s mastered and pressed right. The reviews were mixed when the album was released in 1978 but time has been kind to it — after hearing the killer copies I would rank it up at the top with the best of Ferry’s and Roxy’s work.
The first three tracks are uptempo barn burners sure to get you out of any funk you may find yourself in, day or night.(more…)
Both Double Plus (A++) sides of this Top 100 Title offer superb Demo Disc Analog sound
The multi-tracked multi-layered guitars are as big as life on this copy and are guaranteed to rock your world
Top sound for all the hits: More Than a Feeling, Long Time/Foreplay, Rock & Roll Band, Peace Of Mind…
“Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s.” — Allmusic, 4 1/2 stars
Boston’s first (and only good) album is a long-time member of our Top 100, and on a great pressing like this it’s easy to see why. It’s an incredible recording when you can hear it right, and this is about as right as it gets!
It’s obvious why the first Boston album became a Multi-Platinum Record. Practically every one of its songs still gets heavy radio play on every rock station in town. Consummately well-crafted music like this is almost impossible to find nowadays. I guess that’s why they call it Classic Rock.(more…)