This is Eno’s Masterpiece as well as a Desert Island Disc for yours truly. On the right pressing this is a Twisted Pop Demo Disc like nothing you have ever heard. If you have a big speaker and the kind of high quality playback that is capable of unraveling the most complicated musical creations, with all the weight and power of live music, this is the record that will make all your audio effort and expense worthwhile.
That’s the kind of stereo I’ve been working on for forty years and this album just plain KILLS over here.
That being said, it may not be the kind of thing most music loving audiophiles will be able to make much sense of if they have no history with this kind of Art Rock from the ’70s. I grew up on Roxy Music, 10cc, Eno, The Talking Heads, Ambrosia, Supertramp, Yes and the like, bands that wanted to play rock music but felt shackled by the chains of the conventional pop song. This was and still is my favorite kind of music.(more…)
A killer copy of Manifesto, with Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
Big, rich and lively throughout – the Tubey Magic on this early UK pressing will show you just how good this Rhett Davies’ recording can sound
This one may have won our shootout, but it has some minor condition issues, so we’re keeping the price down
“The songs ending each side fade out with real grace and leave you hanging, wanting more — drenched in a romance out of reach.” Rolling Stone
Good pressings of Manifesto are hard to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly don’t hear on most pressings.(more…)
MASTER TAPE SOUND ON BOTH SIDES! This copy is a FLUKE — we guarantee you have never heard a copy sound even remotely this good. We sure haven’t, and we’ve probably played fifty or more. This copy found itself running way ahead of the pack and never looked back. Two A+++ sides back to back — what are the chances?
Telegraph Road does something on this LP that you won’t hear on one out of twenty pressings: It ROCKS. It’s got ENERGY and DRIVE.(more…)
A KILLER copy with Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
This copy was doing it all right — bigger, richer, more full-bodied, more present, better bass and the list goes on
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
“Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop… It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion.” — All Music
White Hot Stampers for Lodger — this wasn’t easy, folks! We’ve been trying to find a great sounding copies of Lodger for years and this is only the second time we’ve ever managed to get a big shootout going, which should tell you just how tough it is to get a killer copy of this album.(more…)
This British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.(more…)
The sound is rich, spacious and sweet with a HUGE soundstage. Drop the needle on Changes and check out how dynamic it is. Side one is where the most popular material for this album is found (Changes, Life On Mars, Oh! You Pretty Things) so this copy definitely a great way to go on Hunky Dory.
Pressings of this record typically suffer from one major shortcoming: a severe lack of presence in the midrange. Bowie sounds like he has a blanket over his head on 90% of the copies you might run into, import and dometic. I always just kind of expected to hear it that way for the rest of my life. Now I know better. Both sides of this copy show you the Hunky Dory that you always dreamed could exist, must exist, but somehow has proved elusive in the real world.(more…)
A Top Copy: Triple Plus (A+++) on side one, where the biggest hits are and a solid Double Plus (A++) side two
The sound is HUGE — far RICHER, bigger, clearer and more open than other copies we played
A Better Records favorite for more than thirty years, the rare ’80s album that holds up today
The big hit Something About You ROCKS on this copy – only these British originals let you turn it up and hear it right
“World Machine pushes their newfound radio-friendly sound into the forefront, and the result is one of the finest pop albums of the mid-’80s. “Something About You” exemplifies Level 42’s sound at the peak of its success.”
This British Polydor pressing of Level 42’s BEST ALBUM makes a mockery of most of what’s out there — who knew the sound could be this good? Punchy bass, breathy vocals, snappy drums; it’s all here and it reallyl comes JUMPIN’ out of the speakers on this pressing.
What was striking this time around was just how smooth, rich and tubey the sound was on the best copies. It’s been a few years since we last did this shootout and it’s amazing to us how much better this title has gotten in that short span of time.
Of course, the recording very likely got no better at all, but our system, set-up, room, electricity and who-know-what-else sure did.(more…)
This White Hot Stamper Ambrosia LP has the kind of sound you would never expect to find in the grooves of this album. It was a THRILL to hear, especially at the volumes at which we played it! The transparency and openness were off the charts, and unmatched by any other copy in our shootout. We’re big fans of this band here at Better Records — we love their take on complex, big production rock!
It’s also yet another example of the value of taking part in the myriadrevolutions in audio. If you never want your prized but sonically-challenged records to sound any better than they do right now, this minute, don’t bother to learn how to clean them better, play them back better or improve the acoustics of your room. No one can make you do any of those things. The only reason you might have for doing them is so that you can enjoy more of your favorite music with much better sound. Is that a good enough reason? If you’re on this site I’m guessing it is.
That’s the reason we do it. We want records like this one, which didn’t start sounding good until about 2005, and now sound MUCH better than I ever thought they could, to keep getting better and better. Why shouldn’t they?
And these improvements we talk about so much have allowed us to enjoy records we could never fully enjoy before because they never really sounded all that good to us. Now they do, and they will keep getting better, as more and more developments come along in all areas of analog reproduction.(more…)
Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon. After reading a rave review in Rolling Stone of the album back in 1975 I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it. As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do. Now I listen to each of the first five releases on a regular basis.
Somehow they never seem to get old, even after more than thirty years.
Of all the Roxy albums (with the exception of Avalon) this is probably the best way “in” to the band’s music. The earlier albums are more raucous, the later ones more rhythmically driven — Siren catches them at their peak, with, as other reviewers have noted, all good songs and no bad ones.(more…)