- A stunning sounding copy with a Triple Plus (A+++) side two and an excellent Double Plus (A++) side one
- The overall sound here is rich, full and solid with a nice extended top end and excellent bass – Have A Heart sounds fantastic
- About as quiet as we can find them — Mint Minus to Mint Minus Minus
- 4 1/2 stars on Allmusic: “A great comeback album that made for a great story”.
See all of our Bonnie Raitt albums in stock
The sound here is POWERFULLY BIG AND BOLD, with meaty, deep bass (such a big part of the rockers here, Thing Called Love being a prime example) and some of the sweetest, richest, most ANALOG sound we’ve heard from any record Don Was has been involved with.
When you hear it like this — something probably pretty close to what he heard during the control room playback for the final mix — it actually makes sense. It works. It’s not exactly “natural,” but natural is not what they were going for, now is it?
We play albums like this VERY LOUD. I’ve seen Bonnie Raitt live a number of times and although I can’t begin to get her to play as loud in my listening room as she did on stage, I can try. To do less is to do her music a profound disservice.
What to Listen For (WTLF)
Note how silky the cymbal crashes are; not too many copies get them to sound that way.
Listen especially for how all the elements of the recording are clearly laid out and audible, never forced or hyped in any way. The sound can be so 3-D!
Key note for side two — listen for the sibilance on Bonnie’s voice on Too Soon to Tell. Some copies have really gritty spitty sibilance, others keep it well under control, with a much more silky quality.
One of the qualities that we don’t talk about on the site nearly enough is SIZE of the record’s presentation. So many copies of this album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. Some copies do; they create a huge soundfield with the music positively jumping out of the speakers. When you hear a copy that can do that, it’s an entirely different listening experience.
We often have to go back and downgrade the copies that we were initially impressed with in light of such a standout pressing. Who knew the record could do that? We sure didn’t, not until we played the copy that did, and that copy might have been number 8 or 9 in the rotation. Think about it: if you had only seven copies, you might not have ever gotten to hear it!
The Sound You Are Paying For
What amazing sides such as these have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1987
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments of the band having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
- No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the above|
Mint Minus – as quiet as any record you will find on this site!
Nick of Time
Thing Called Love
Cry on My Shoulder
Have a Heart
Too Soon to Tell
I Will Not Be Denied
I Ain’t Gonna Let You Break My Heart Again
The Road’s My Middle Name