Genre – Percussion

76 Pieces of Explosive Percussion – Direct to Disc – Reviewed in 2000

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

Sonic Arts Box Version. A poor man’s Bang-Baaroom with a stage full of percussionists playing a variety of instruments. This LP presents a realistic soundstage and an amazing array of sounds. There’s also some incredibly deep bass drum work.  

Kotekan – Percussion and… – Reviewed in 2002

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

This IMMACULATE Reference LP with No Sogn Of Play (NSOP) is the best sounding record RR ever made! 

“.. heady, explosive, weird, bizarre and brilliant playing…” – S.F. Chronicle

Takemitsu – Percussions in Colors – Reviewed in 2010

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

Superb sound!

“Rare 1978 audiophile limited edition Japanese lp with Sumire Yoshihara on percussion performing experimental works. The Ichiyanagi work has a unique graphical score and allows the performer to select different classes of percussion. Takemitsu’s piece is based on a work of art in the form of a book made for the composer by Italian artist Bruno Munari. Takemitsu’s score consists of this book and an accompanying set of musical instructions on how to interpret its abstract collages and designs. Includes extensive notes inside the gatefold cover.” (more…)

Skip Martin – Perspectives In Percussion, Vol. 2 – Our Shootout Winner from 2014

xxxxx
xxxxx
xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Absolutely the best “Crazy Percussion Extravaganza” we have ever heard. The sound JUMPS out of the speakers like you will not believe. The best of its kind bar none? That’s exactly what this record is.

It is my belief that no one with an up-to-date, highly tweaked big system, a properly setup front end (with the VTA adjusted specifically for this record), and a carefully treated listening room can fail to have his mind blown by the sonics of this pressing.

The second image gives you the rundown on all the percussion instruments played on the album. I count 22! The recording is so good that if you listened to it enough times you might even be able to spot them all.

And it’s not just percussion. Click on the third image to see the many woodwinds and horns. Joining them are an organ, piano, electric guitar and of course bass.

Soundfield, Timbre and Dynamics

The spaciousness of the studio is reproduced with uncanny fidelity, with both huge depth and width, but there is another dimension that this record operates in that Bang, Baa-room and Harp, just to take one example, does not — the instruments here are capable of jumping out of your speakers, seemingly right into your listening room.

The effect is astonishing. I have never heard these instruments sound more real than they do here. The timbre is perfection. The dynamics are startling. As it says on the back cover, “the world’s greatest percussionists, soloists and section men [yes, your read that right, “section”, not “session”] recorded in HOLLYWOOD without attenuated dynamics…”

Add to those clearly unattenuated dynamics high and low frequencies that are also not the least bit attenuated, and microphones capable of deadly accuracy, and you have yourself a recording of unparalleled fidelity. I know of none to equal it. We’ve played these kinds of records by the score but I have never heard one do what this one is doing. (more…)

Bob and Ray – Throw a Stereo Spectacular – Our Shootout Winner from 2010

More Living Stereo

More Bob and Ray

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

It’s been nearly two years but the waiting is over — we’ve found another copy of the famous Bob and Ray on Living Stereo with DEMONSTRATION QUALITY SOUND! Without a doubt this is the best sound I have ever heard for side one of this album. The sound here is so amazing I’m willing to go out on a limb and make the following recklessly bold statement. Buck Dance on this pressing has the most extended, natural and harmonically correct high frequencies I have ever heard from my speakers (or anyone else’s for that matter). 

And the crazy thing about it is, when played against an actual original pressing of Music for Bang, Baa-room and Harp, this copy, which one would assume is made from a dub, SOUNDS FAR BETTER. Now of course we don’t have ten copies (or even two copies) of LSP 1866 which would allow us to find one with an even better Buck Dance than the one heard here on Bob and Ray, which means we cannot be definitive in any way about the disparity in sound between the two albums. We can only judge the records we have in hand, not the ones we might have heard years ago or — even worse — speculate about the sound of records we have not actually played, recently or otherwise. (more…)

Dick Schory – Music for Bang, Baa-room and Harp – Check Your Polarity!

More Dick Schory

More Music for Bang, Baa-room and Harp

xxxxx

Another in our series of Home Audio Exercises .

An amazing discovery from Better Records. Many copies of this album are REVERSED POLARITY on side two (the side with Buck Dance, one of the better tracks on that side and great for testing). Yes, once again you heard it here first, folks. We had two 4S copies of the album and both of them had side two out of polarity.  

NEWSFLASH: 7s on side two is out of polarity too. Just played one today. There’s practically no real top end extension until you reverse the polarity.

Reversing the absolute phase on this record today was a REVELATION. There before me was all the ambience, openness, sweetness, silkiness and warmth I had come to expect from the best pressings of this longtime member of HP’s TAS List of Super Discs, a record that really is a Super Disc when you hear a good one, and this is a very very good one indeed, on side two anyway. (more…)

Dick Schory – Music for Bang, Baa-room and Harp – Our Shootout Winner from 2016

More Dick Schory

More Music for Bang, Baa-room and Harp

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

This one is absolutely As Good As It Gets on side one. It’s a real treat to hear such a crazy assortment of percussion instruments with this kind of amazingly clear, high-resolution sound! It’s just bigger, richer and clearer than any side we can remember playing. 

Harry Pearson put this record on his TAS List of Super Discs, and rightfully so. It certainly can be a Super Disc, but only when you have the right pressing. This is one of the Demo Discs on the TAS List which truly deserves its status when, and only when, you have the right copy. (The typical copy is quite good, but it sure doesn’t sound like this.) Nothing else in our shootout could touch it. And it’s IN PHASE. Many copies are not.

What to Listen For (WTLF)

Top end, plain and simple. It’s the RARE copy that really has the incredible extension of this side two. The space, the clarity, the harmonic complexity — perhaps one out of ten copies will show you a side two such as this. (more…)

Dick Schory – Music To Break Any Mood

More Dick Schory

Music To Break Any Mood

xxxxx

  • Both sides here earned solid Double Plus (A++) grades, making this one of the better copies from our recent shootout 
  • The overall sound is super big, rich and Tubey Magical with a lovely bottom end and tons of energy
  • “Dick Schory’s second major outing for RCA is more self-assured, from the preposterous jacket art and liner notes to more upbeat tunes… Schory’s musical ideas are always fresher than those of Bobby Christian and Mike Simpson, who helped on the previous album. All but two tracks are good to great.” – All Music

This vintage RCA Living Stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Airto – Fingers – Top End Extension Is Key to the Best Pressings

More Airto

More Fingers

airtofinge_

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Fingers.

The best copies have the highs that are missing from so many of the CTI originals. When you play them against most copies there is an extension to the top end that you won’t hear elsewhere. Since this album is heavy on percussion, that difference is critical. The HARMONICS of the percussion are critically important to the music. When they go missing it’s as if the music seems to slow down, a strange effect but a fairly common one with rhythmically dense arrangements such as these. 

With an extended top end the sound is SWEET, not HARSH. Believe us when we tell you, the last thing you want is a harsh sounding pressing of a Rudy Van Gelder recording. (Not unless you have a dull, dull, deadly dull stereo. Those “Old School” stereos are practically the only way one can tolerate some of his early recordings.) (more…)

Xavier Cugat – Chile Con Cugie

More Xavier Cugat

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Amazing nearly White Hot stamper sound on side two. It’s so big and fun, jumping with energy in a huge space. 1959 Living Stereo three-dimensionality from Webster Hall. Lots of exotica percussion and rhythm make for fun stereo listening.  (more…)