Genre – Jazz – Trumpet

Miles Davis – Green Haze (‘The Musings of Miles’ and ‘Miles’)

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  • A superb sounding Mono pressing with Double Plus (A++) sound or better on all four sides; mostly quiet vinyl too
  • The sound is spacious, sweet and positively dripping with ambience – talk about Tubey Magic, the liquidity of the sound here is positively uncanny
  • This Prestige Two-Fer simply combines two complete Miles Davis titles recorded by Rudy Van Gelder in 1955 – ‘The Musings of Miles’ and ‘Miles’
  • “… it is for the excellent rhythm sections and the playing of Miles Davis that this two-fer is highly recommended.” – All Music

This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

Sketches Of Spain on Six Eye in Stereo

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1960 – It Was a Very Good Year

When you get a Hot Stamper like this one the sound is truly MAGICAL. (AMG has that dead right in their review.) Tons of ambience, Tubey Magic all over the place; let’s face it, this is one of those famous Columbia recordings that shows just how good the Columbia engineers were back then. The sound is lively but never strained. Davis’s horn has breath and bite just like the real thing. What more can you ask for?

We Was Wrong in the Past About HP and Six Eye Labels

In previous commentary we had written:

Harry Pearson added this record to his TAS List of Super Discs a few years back, not exactly a tough call it seems to us. Who can’t hear that this is an amazing sounding recording?

Of course you can be quite sure that he would have been listening exclusively to the earliest pressings on the Six Eye label. Which simply means that he probably never heard a copy with the clarity, transparency and freedom from distortion that these later label pressings offer.

The Six Eyes are full of Tubey Magic, don’t get me wrong; Davis’s trumpet can be and usually is wonderful sounding. It’s everything else that tends to suffer, especially the strings, which are shrill and smeary on most copies, Six Eyes, 360s and Red Labels included.

Over the course of the last few years we’ve come to appreciate just how good the right Six Eye stereo pressing can sound.

In fact, the two copies earning the highest grades were both original stereo pressings. Other pressings did well, but none did as well as the originals. This has never been our experience with Kind of Blue by the way. The later pressings have always done the best job of communicating the music on that album. (more…)

Benny Carter – Swingin’ the ’20s

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  • With a Triple Plus (A+++) shootout winning side two and a Double Plus (A++) side one, this copy took top honors in our recent shootout
  • These good sides are so much bigger and more open, with more bass and energy – the saxes and trumpets are immediate and lively
  • Mr. Earl Hines himself showed up, a man who knows this music like nobody’s business – Leroy Vinnegar and Shelly Manne round out the quartet
  • “Great musicians produce great results, and most of the LP’s tracks were done in one or two takes. The result is ‘a spontaneous, swinging record of what happened’ when Carter met Hines ‘for the first time. . . .'”

We finally built up enough copies of this great album to do a shootout, our first since 2012, which ought to tell you something about the used record market these days. This copy had most of the Tubey Magic of the originals we played, with all of the amazing clarity and freedom from distortion the later pressings are capable of reproducing — the best of both worlds.

Our Yellow Label Contemporary pressing in stereo of Benny Carter’s swingin’ jazz quartet is the very definition of a top jazz recording from the late ’50s mastered through a modern, very high quality cutting chain. There’s good extension on the top end, with TONS of what you might not expect: Tubey Magic and Richness. If that’s what you’re looking for, this copy has got it! (more…)

The Recordings of Chet Baker – These Four Didn’t Make the Grade

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More that Didn’t Make the Grade
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These are just some of the recordings by Chet Baker that we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.

Free Service provided to the Audiophile Public, courtesy of Better Records.+

Chet Baker Albums with Hot Stampers

Chet Baker Albums We’ve Reviewed

Johnny Hodges & Wild Bill Davis – Blue Rabbit from 1964

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  • This KILLER jazz pressing boasts shootout winning Triple Plus (A+++) sound from first note to last
  • The sound here is Tubey Magical, lively and clear, with three-dimensionality that goes deep and fills the listening room from wall to wall
  • This copy plays on relatively quiet vinyl, Mint Minus to Mint Minus Minus throughout
  • “One of altoist Johnny Hodges’ many solo records in the 1960s… Tasty and swinging music.” – Allmusic

For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good 1963-64 All Tube Analog sound can be, this killer copy will do the trick. (more…)

Harry Edison & Eddie “Lockjaw” Davis – Simply Sweets Is Simply Wonderful

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  • With stunning Triple Plus (A+++) sound from first note to last, this copy of Simply Sweets simply blew away every other pressing in our recent shootout
  • This is one of the best sounding small group Pablo recordings we have played in quite a while – the sound of this superb jazz quintet is lively and real like you will not believe
  • The legendary engineer Val Valentin put this one on tape, brilliantly – he’s the man behind some of our All Time Pablo favorites
  • “Trumpeter Harry ‘Sweets’ Edison and tenor saxophonist Eddie “Lockjaw” Davis always made a potent pair. They both possessed immediately identifiable sounds, were veterans of Count Basie’s Orchestra and never had any difficulty swinging.” — Allmusic

Both sides of this very special pressing — it looks the same as every other copy we played but it sure doesn’t sound like them — are huge, rich, tubey and clear. As soon as the group got going we knew that this copy was going to be exceptional, and the longer it played the better it got and the more we liked it. There was no other copy in our shootout that could touch it, in any area of reproduction. (more…)

Harry Edison & Eddie “Lockjaw” Davis – Simply Sweets – A Sleeper from Pablo

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  • This outstanding copy of Simply Sweets boasts solid Double Plus (A++) sound on both sides and relatively quiet vinyl too 
  • The sound of this superb jazz quintet is big, lively, open and clear with Tubey Magical richness
  • The legendary engineer Val Valentin put this one on tape, brilliantly – he’s the man behind some of our All Time Pablo favorites
  • “Trumpeter Harry ‘Sweets’ Edison and tenor saxophonist Eddie “Lockjaw” Davis always made a potent pair. They both possessed immediately identifiable sounds, were veterans of Count Basie’s Orchestra and never had any difficulty swinging.” — Allmusic

Both sides of this outstanding pressing are big, rich, tubey and clear. Few other copies in our shootout held this kind of sound.

Titles such as this one are the reason we put so much time and money into hunting down and auditioning every Pablo jazz record we can get our hands on — because some of them sound like this one. Who else was recording jazz this good in the late ’70s and well into the ’80s?

And don’t say Concord. There are maybe five great sounding records on that label. Pablo has ten or twenty times that many, and that’s a conservative estimate. We owe a tremendous debt of gratitude to Norman Granz for starting the Pablo label and keeping the quality as high as he did. (more…)

Chet Baker Plays The Best Of Lerner And Loewe

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Plays The Best Of Lerner And Loewe

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  • With a Triple Plus (A+++) side one and an excellent Double Plus (A++) side two, this copy is one of the BEST we have ever heard
  • Big, rich, smooth, open, natural, with plenty of tight bass – what’s not to like? This copy is killin’ it
  • Some of the best jazz guys of the day back up Chet on this one: Zoot Sims, Pepper Adams, Bill Evans, Herbie Mann and more
  • “…the timelessness of the melodies, coupled with the assembled backing aggregate, make Chet Baker Plays the Best of Lerner and Loewe (1959) a memorable concept album.”

This is a wonderful Chet Baker record that doesn’t seem to be getting the respect it deserves in the wider jazz world. You may just like it every bit as much as the Chet album, and that is one helluva record to compare any album to, in our estimation about as good as it gets in most respects.   (more…)

Miles Davis In Person – Friday Night and the Sound of Tubes

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Allow me to transcribe my notes:

Both Sides

The right sound — big, rich, tubey and real. Transparent. Rich, smooth, balanced. Horn gets huge and loud the right way. Piano is full. Solid bass.

No need to pick nits.

The Dog that Didn’t Bark in the Night

Normally our notes for the sound of the records we are shooting out against each other fall into two categories: what the record is doing right and what the record is doing wrong. You’ll note that in this case there was nothing wrong about the sound to write about. (more…)

Contemporary Tube Versus Transistor Tradeoffs

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In some ways yes, in some ways no, and we are happy to lay it all out for you based on the critical listening we undertook recently. Here’s how we weighed the tradeoffs in the sound of the originals versus that of the reissues, with VTA advice to follow. 

This superb sounding ORIGINAL Black Label Contemporary pressing of Benny Carter’s swingin’ jazz quartet is the very definition of a top jazz stereo recording from the late ’50s mastered through an all tube chain.

There’s good extension on the top end for an early pressing, with TONS of what you would most expect: Tubey Magic and Richness. If that’s what you’re looking for, this copy has got it!

We prefer the later pressings in most ways, but this record does something that no later pressing we have ever played can do — get Benny’s trumpet to sound uncannily REAL. If you want to demonstrate to your skeptical audiophile friends what no CD (or modern remastered record) can begin to do, play side two of this copy for them. They may be in for quite a shock. (more…)