Genre – Jazz – Trumpet

Freddie Hubbard – Ready For Freddie – Reviewed in 2006

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a QUIET Blue Note ’70s pressing with wonderful music and pretty good sound. The trumpet here sounds excellent with lots of breath and just the right amount of bite. The track Crisis on side two should particularly appeal to audiophiles — just check out that well-recorded bass and all the cool little drum breaks.  

We hardly ever see clean copies of this album, so we don’t imagine we’ll ever have the resources to do a proper shootout. I don’t imagine that you’ll find a much better sounding copy of this album that plays this quietly.

The reproduction of the trumpet on practically every track is nothing less than superb. It jumps out of the speakers front and center and forces you to listen to it. (more…)

Miles Davis – A Tribute To Jack Johnson

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A distinguished member of the Better Records Jazz Hall of Fame.

Two White Hot Stamper sides on quiet vinyl for this 5-Star Jazz/Rock Fusion classic! If you love the crazy music that Miles was making with John McLaughlin in the early ’70s, I’m sure you’re already a fan of this album, but I bet you’ve never heard it sound like this.

Check out the especially insightful Five Star All Music Guide Review linked above to get a better feel of what this album is all about. We’ve been trying to track down a good copy for ages, so it was a treat to hear this crazy, progressive jazz finally sound right. (more…)

Miles Davis – In Person – Friday Night – Our Shootout Winner from 2015

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A distinguished member of the Better Records Jazz Hall of Fame.

Normally our notes for the sound of the records we are shooting out against each other fall into two categories: what the record is doing right and what the record is doing wrong. You’ll note that in this case there was nothing wrong about the sound to write about.

The secret is TUBES – they work their magic on this music like nothing else can.

I could have picked some nits, but when a specific pressing is so clearly superior to its competition, what’s the point?

Allow me to transcribe my notes:

Side One

The right sound — big, rich, tubey and real. No need to pick nits.

Side Two

Transparent. Rich, smooth, balanced. Horn gets huge and loud the right way. Piano is full. Solid bass.

Over and out. (more…)

Lee Morgan – The Cooker

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A distinguished member of the Better Records Jazz Hall of Fame.

Both sides are open, spacious and transparent, with a lovely and quite extended top end. Just listen to the trumpet solo on ’A Night In Tunisia’; you can really hear the leading edge transients. The baritone sax played by the estimable Pepper Adams also sounds particularly nice throughout the record.  

Side One – Record One

Big, open and rich, with tight bass and a huge baritone sax, we found this side Hard To Fault.

Side two of this copy badly lacked warmth, which is a deal killer for us. That “clean” Heavy Vinyl sound drives us up a wall. (more…)

Miles Davis – Steamin’

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A distinguished member of the Better Records Jazz Hall of Fame.

WOW — this Prestige Yellow Label Mono pressing has some of the most realistic, natural Miles Davis sound we’ve ever heard! Both sides earned A+++ grades and play Mint Minus Minus or a little better, truly exceptional for a vintage pressing such as this one. You will have an incredibly difficult time finding a copy that can hold its own with this one. (more…)

Miles Davis – At Fillmore – Our Shootout Winner from 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

This is an Original Columbia 2 LP set on QUIET vinyl with tonally CORRECT sound. The music found here was recorded in the wake of Davis’ highly influential fusion opus Bitches Brew. Keith Jarrett is featured on organ along with a band that includes Chick Corea, Jack DeJohnette and Dave Holland. It culls tracks from a four night stay at the Fillmore East in 1970. (more…)

Miles Davis – Filles de Kilimanjaro – Our Shootout Winner from 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

SURPRISINGLY GOOD SOUND on this ’70s Red Label pressing! This one even knocked out a handful of 360 Label Originals in a recent shootout. It’s richer and fuller with superior clarity compared to most of the copies we’ve heard. The overall sound on both sides is airy, open and spacious with excellent clarity. Most of the Red Label pressings we played were too dry and sterile to enjoy, but this one has some serious analog magic. (more…)

Miles Davis – The Beginning (aka: The Musings of Miles)

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  • Here is a killer early pressing of Miles’ 1955 Prestige album with superb Shootout Winning Triple Plus (A+++) sound on both sides and vinyl that is going to be very hard to find any quieter 
  • Unusually rich, full-bodied, lively and present, sound that brings out the best in Miles’ music
  • Recorded in All Tube Mono, this is the real sound of these four jazz giants playing live-in-the-home-studio of none other than a Mr Rudy Van Gelder
  • “Miles Davis was in the process of forming his first classic quintet when he recorded this date… The trumpeter is featured with pianist Red Garland, bassist Oscar Pettiford, and drummer Philly Joe Jones, playing four standards plus a blues (“Green Haze”) and “I Didn’t,” his answer to Monk’s “Well, You Needn’t.””

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Donald Byrd – Blackjack

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  • KILLER sound throughout for this later Blue Note pressing with Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first 
  • Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
  • “One can sense that Byrd wanted to break through the boundaries and rules of hard bop but had not yet decided on his future directions… Byrd and Red in particular are in excellent form throughout the date.” – All Music

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Miles Davis – Birth of the Cool

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A distinguished member of the Better Records Jazz Hall of Fame.

Birth Of The Cool in White Hot Stamper form! We’ve been trying to find copies of this classic music from 1949-1950 that really delivered in an audiophile sense, but as you might imagine it was one tough task. We checked out Mono and Stereo copies, Originals and Reissues… basically anything we could get our hands on. It wasn’t easy and it wasn’t cheap, but we managed to find a pressing here that delivers excellent sound throughout. (more…)