Genre – Jazz – Trumpet

Oscar Peterson + Harry Edison + Eddie Cleanhead Vinson

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Oscar Peterson + Harry Edison + Eddie Cleanhead Vinson

A distinguished member of the Better Records Jazz Hall of Fame.

This is a long out of print Pablo LP with AMAZING sound and music. It’s one of those superb Allan Sides engineered recordings at Ocean Way, like Basie 88 Street. Demo disc quality sound is the result! With players like these, the music is every bit as good as any jazz record I know of. In other words, I really like this album.

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Freddie Hubbard – Red Clay

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics
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Freddie Hubbard – Red Clay

A distinguished member of the Better Records Jazz Hall of Fame.

This original CTI pressing has two wonderful sides, including an AMAZING A+++ SIDE TWO! This side two has amazingly good Demo Disc sound. RVG knocked this one out of the park, that’s for damn sure.

Hubbard was a master of funky jazz, and the song Red Clay is possibly the funkiest jazz track he ever got down on tape. At 12 minutes in length it is a transcendentally powerful experience — and the bigger your speakers and the louder you turn them up the more moving that experience is going to be!

More Freddie Hubbard

Side One

Side one gets going with the perennial favorite, Red Clay. The intro starts off with a stylized free-form jam, sounding like a bop-jazz band of old, then takes form and solidifies into a groove of monstrous proportions. Ron Carter’s bass playing is stellar and that fingers-on-frets sound is heard on this copy. Super clear and present, this side has zero smear and amazingly explosive transients! A touch more top and this would be right there with side two.

Like many of our funky favorites, this one was eventually sampled for a popular hip-hop song. That may not mean much to you, but it definitely means that nice copies of this album get swiped up quickly by young DJs and producers. (more…)

Advice on How to Avoid Making This Rookie Record Collecting Mistake on Kind of Blue

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Record Shopping Day Video!

Not sure how much of this video you can stand — nothing could interest me less than a couple of audiophile / vinyl enthusiasts spouting off on what they think about some random records sitting in a local store’s bins — but one or two bits caught my eye. I thought it might possibly be of service to share them with you.

Is there any value to the comments of these two collectors? If you care about what music they like, perhaps.  Anything about what to look for on the label or jacket that might correspond to better sound?  If it’s there I sure didn’t see it, but I admit to speeding through most of it so I can’t say for sure.

The first bit I refer to above is at 18:42.  The album in question is the legendary Kind of Blue. At this point the unseen helmet-cammed audiophile picks up the record, recognizes the original cover, and proceeds to pull the record out to see what era the pressing is from.

Drat! The disappointment in this audiophile’s voice is palpable as he drops the record back in the bin with his dismissive comment that  “it’s a later pressing.”

But we here at Better Records would be falling all over ourselves to get our hands on that later pressing. Those late pressings can and often do win shootouts. We would never look down our noses at a Red Label Columbia jazz LP, and neither should you.

Our intrepid audiophile explorer does much the same thing about 23 minutes in. It seems pretty clear to us that he has no respect for such reissues, another example of one of the most common myths in record collecting land, the myth that the  original pressing is always, or to be fair, usually better. (more…)

Today’s Cool Record Find from 1961 – Jack Sheldon And His All-Star Band

Our White Hot Shootout Winner

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  • With a Triple Plus (A+++) side two and a better than Double Plus (A++ to A+++) side one, here’s a copy that’s practically as good as it gets
  • This fun, lively, superbly well-recorded 1961 release is a real SLEEPER of Demo Disc Quality West Coast Jazz
  • Huge, spacious, clear, Tubey Magical, natural and above all REAL, this copy blew our minds when we stumbled on it in our shootout
  • 4 Stars: “High-quality and consistently swinging West Coast jazz … this was the initial album to gain wide recognition and helped to introduce the L.A.-based trumpeter’s talents to the East Coast.”

See all of our Jack Sheldon albums in stock

This is a wonderful example of the kind of record that makes record collecting FUN.

If you large group swinging West Coast Jazz is your thing — think Art Pepper Plus Eleven — you should get a big kick out of this one. (more…)

Original Is Better? Not on Jazz Waltz It Ain’t

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See all of our Shorty Rogers albums in stock

Don’t be put off by the title; these are not some sleepy old-fashioned waltzes. This is swingin’ West Coast jazz at its best. Of course, the arrangements are done in waltz time, but that doesn’t keep them from swingin’.

And the amazingly good sound? Credit Bones Howe, a man who knows Tubey Magic like practically no one else in the world. The Association, The Mamas and the Papas, The Fifth Dimension, and even Tom Waits — all their brilliant recordings are the result of Bones Howe’s estimable talents as producer and engineer.

Original Vs. Reissue

The original Reprise pressing, whether in mono or stereo, has never sounded very good to us. The mono is quite a bit worse than the stereo – no surprise there – but both must be considered poor reflections of the master tape.

We sold one many years ago, describing it this way: “Beautiful Original with decent sound — rich, smooth and sweet.”

Which it was, but from us that’s little more than damning it with faint praise. The Discovery pressing is so much bigger, clearer and livelier it’s almost hard to imagine it and the 1962 Reprise original were both made from the same tape. Something sure went wrong the first time around — I think it’s safe to say at least that much.

Original equals Better? Not for those of us who play records rather than just collect them. Leave the originals for the Jazz Guys. The Hot Stamper reissues are for us Music Loving Audiophiles.

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Miles Davis – Workin’ And Steamin’

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To the Jazz Fans of the World, we here present one of the BEST sounding jazz recordings we have ever had the PRIVILEGE to place on a turntable. I cannot ever recall hearing a better sounding Rudy Van Gelder recording, and I have a theory as to why this tape is as good as it is: it’s MONO. It also sounds like it’s recorded completely LIVE in the studio, direct to one track you might say. As good a recording as Kind of Blue is, I think the best parts of this album are more immediate and more real than anything on KOB.

See all of our Miles Davis albums in stock

Better than the Originals?

The record combines two Miles Davis albums recorded in 1956: Workin’ and Steamin’. The 1974 remastering here by Brian Gardner is excellent. Since RVG probably would have mastered these tapes himself for the original pressings, I’m going to guess that this album sounds better than any original, for two reasons.
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