What’s unusual about this album — shocking really — is how MEATY the bottom end is. I don’t know of a pop jazz recording with beefier, more articulate or weightier bass. The only record I can think of in this genre of jazz with comparable bass is Mangione’s Children of Sanchez. We played some copies of that album recently and were just knocked out with how well recorded the bass is, just the way we were knocked out by the best copies of Grover Washington’s Winelight from a recent shootout. Both of these albums really set the standard for recording this kind of music. (more…)
Killer Triple Plus (A+++) sound on side one and Double Plus (A++) on side two – who knew this was such a well recorded album?
So much like live music — uncompressed, present, full of energy, with the instruments clearly located and surrounded by the natural space of the studio
An RVG recording (and mastering) from 1975 that is a KNOCKOUT on a copy like this
“Its shimmering, soulful grooves refute the argument that smooth jazz is little more than mere ambience, combining expert playing and intricate songwriting to create music that is both compelling and comforting.” Allmusic 4 Stars
Can you believe that Feels So Good topped both the soul and jazz albums charts and peaked at number ten on the pop album charts in the 1975?! Quite an achievement for our man Grover here. He had earlier made an album with Bob James handling the arrangements for the very large group of musicians on hand, as well as playing playing keyboards, and that album has been a personal favorite of mine for more than forty years, All the King’s Men.(more…)