Genre – Jazz – Soul Jazz

Grover Washington Jr. – Inner City Blues – Our Shootout Winner from 2012

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A distinguished member of the Better Records Jazz Hall of Fame.

TWO A+++ SIDES ON QUIET VINYL, making this the best copy of Inner City Blues we’ve found! This copy trounced the other ones we played, giving us the kind of open, transparent sound that brings out the best in this music. The overall sound is very clean and clear with lots of weight down low and extension up top. I don’t think you could find a better sounding copy no matter what you did. 

The lineup here is absolutely stellar, with players including Ron Carter, Idris Muhammed, Richard Tee, Airto and Eric Gale, among many others.

Yer Average Copy

The typical sound we find on most pressings is full of heavy compression as well as the kind of high frequency restriction that prevents the top end from extending naturally. The result: Grover’s horn takes on a slightly sour quality — not a fun way to hear this kind of music. (more…)

Grover Washington – Mister Magic – Our Shootout Winner from 2014

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A distinguished member of the Better Records Jazz Hall of Fame.

The typical pressing is murky, overly smooth and lacks energy. Many copies also suffer from serious congestion and veiling. No such problems here! You get tons of space and energy, along with balanced tonality and great presence.

A 4 1/2 star album in the All Music Guide. Washington is backed here by excellent players including Bob James, Phil Upchurch, Harvey Mason, Ralph MacDonald, Eric Gale and many more. (more…)

Gene Ammons – Goodbye – Reviewed in 2010

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A distinguished member of the Better Records Jazz Hall of Fame

If you want to know why Gene Ammons is considered one of the greats, skip the jam that starts out side one and go right to the ballad Alone Again (Naturally). Nobody played with more emotion than Gene Ammons. 

More recordings engineered by Rudy Van Gelder

Freddie Hubbard – Straight Life

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A distinguished member of the Better Records Jazz Hall of Fame.

Straight Life is a great album for anyone who wants to hear some well recorded, seriously adventurous jazz. We freely admit that side one is fairly “out there,” but side two balances it out with much more accessible, melodic material. A wonderfully sensitive and emotional version of Here’s That Rainy Day closes out the side with George Benson proving to be an especially sympathetic accompanist on guitar.  

By the way, if you don’t have a hot copy of Red Clay, get one. It’s some of the best funky jazz ever recorded. No collection should be without it. (more…)

Gene Ammons – Blue Gene

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  • This wonderful Prestige jazz classic boasts outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too 
  • One of the best sounding Ammons records we know of – it’s huge, rich and Tubey Magical, with a solid bottom end and energy to beat them all
  • Clean and clear and open are nice qualities to have, but rich and full are harder to come by on this record – this pressing has it all
  • “Some ballad performances in his oeuvre are a testament to an exceptional sense of intonation and melodic symmetry, powerful lyrical expressiveness, and mastery both of the blues and the bebop vernacular that can now be described as, in its own way, ‘classical.'”

For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good a 1958 All Tube Analog Prestige recording by Rudy Van Gelder can sound, this killer copy will do the trick.

This pressing is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

The Gene Ammons Story: Gentle Jug

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  • Superb Double Plus (A++) sound from start to finish for this Moodsville Classic – on fairly quiet vinyl too! 
  • These two killer Rudy Van Gelder recordings capture the truly wonderful sound of Ammons’ smooth, rich, breathy, bluesy sax
  • We love the reverb RVG placed on the drums here – it’s sounds just right for a classic jazz album from the ’60s 
  • “…the tradition of the tenor ballad was fully defined by Gene Ammons and Ben Webster… this [album] is the source of a tradition. One of the absolute necessities to any jazz collection.”

This Prestige Two-Fer Double LP features WONDERFUL sound and music. Those of you who have been customers for more than ten years may remember an OJC label called Moodsville. Moodsville was a subsidiary of Prestige designed to emphasize ballads and other relaxed melodic material, mostly derived from the great American songwriters. (more…)

Grover Washington – Winelight – A Demo Disc for Bass (on the Right Copy)

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Another in our series of Demo Discs for Bass.

What’s unusual about this album — shocking really — is how MEATY the bottom end is. I don’t know of a pop jazz recording with beefier, more articulate or weightier bass. The only record I can think of in this genre of jazz with comparable bass is Mangione’s Children of Sanchez. We played some copies of that album recently and were just knocked out with how well recorded the bass is, just the way we were knocked out by the best copies of Grover Washington’s Winelight from a recent shootout. Both of these albums really set the standard for recording this kind of music.  (more…)

Grover Washington – Feels So Good

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  • Killer Triple Plus (A+++) sound on side one and Double Plus (A++) on side two – who knew this was such a well recorded album?
  • So much like live music — uncompressed, present, full of energy, with the instruments clearly located and surrounded by the natural space of the studio
  • An RVG recording (and mastering) from 1975 that is a KNOCKOUT on a copy like this
  • “Its shimmering, soulful grooves refute the argument that smooth jazz is little more than mere ambience, combining expert playing and intricate songwriting to create music that is both compelling and comforting.” Allmusic 4 Stars

Can you believe that Feels So Good topped both the soul and jazz albums charts and peaked at number ten on the pop album charts in the 1975?! Quite an achievement for our man Grover here. He had earlier made an album with Bob James handling the arrangements for the very large group of musicians on hand, as well as playing playing keyboards, and that album has been a personal favorite of mine for more than forty years, All the King’s Men. (more…)