Genre – Jazz – Saxophone

Analogue Productions Jazz Disasters

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Longstanding customers know that we have been relentlessly critical of most audiophile LPs for years, especially in the case of these Analogue Productions releases from back in the early ’90s. A well-known reviewer loved them, I hated them, and he and I haven’t seen eye to eye on much since.

Newflash!

Just dug up part of my old commentary discussing the faults with the orginal series that Doug Sax cut for Acoustic Sounds. Check it out!

In the listing for the OJC pressing of Way Out West we wrote:

Guaranteed better than any 33 rpm 180 gram version ever made, or your money back! (Of course I’m referring to a certain pressing from the early ’90s mastered by Doug Sax, which is a textbook example of murky, tubby, flabby sound. (Too many bad tubes in the chain? Who knows?)

This OJC version also has its problems, but at least the shortcomings of the OJC are tolerable. Who can sit through a pressing that’s so thick and lifeless it communicates none of the player’s love for the music? If you have midrangy bad transistor equipment, go with the 180 gram version (at twice the price). If you have good equipment, go with this one.

The following commentary comes from our catalog from the mid- to late-’90s, back when I could still find great jazz records like Alternate Takes. Note also that the AP records were in print at the time. (more…)

Milt Jackson & John Coltrane on Killer ’70s Reissue Vinyl

More Milt Jackson / More John Coltrane

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  • Stunning sound on this stereo pressing with both sides rating close to our Shootout Winner, just shy of Triple Plus (A++ to A+++)
  • One of Tom Dowd’s many outstanding recordings of John Coltrane at the height of his powers – the sound is to die for
  • Exceptionally quiet on both sides for a vintage jazz album such as this – it actually plays a true Mint Minus
  • 5 stars: “Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording.”

If all you have ever played is an original pressing or a modern reissue, you are in for a treat — this copy is going to murder them.

We found all of this out the hard way, by having some originals and some of the “wrong” reissues in our shootout. Of course, we didn’t know they were not going to be especially good sounding until we played them, but it didn’t take long to recognize there was one stamper and one stamper only that had the sonic goods. It was simply no contest. And it was not an original pressing.

Needless to say, this record has that stamper. (more…)

The Awful Sound of the Heavy Vinyl Reissues Doug Sax Mastered in the ’90s

More Sonny Rollins

More Analogue Productions

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Longstanding customers know that we have been relentlessly critical of most audiophile LPs for years, especially in the case of these Analogue Productions releases from back in the early ’90s. A well-known reviewer loved them, I hated them, and he and I haven’t seen eye to eye on much since.

Newflash!

Just dug up part of my old commentary discussing the faults with the orginal series that Doug Sax cut for Acoustic Sounds. Check it out!

In the listing for the OJC pressing of Way Out West we wrote:

Guaranteed better than any 33 rpm 180 gram version ever made, or your money back! (Of course I’m referring to a certain pressing from the early ’90s mastered by Doug Sax, which is a textbook example of murky, tubby, flabby sound. (Too many bad tubes in the chain? Who knows?)

This OJC version also has its problems, but at least the shortcomings of the OJC are tolerable. Who can sit through a pressing that’s so thick and lifeless it communicates none of the player’s love for the music? If you have midrangy bad transistor equipment, go with the 180 gram version (at twice the price). If you have good equipment, go with this one.

The following commentary comes from our catalog from the mid- to late-’90s, back when I could still find great jazz records like Alternate Takes. Note also that the AP records were in print at the time. (more…)

Benny Carter – Jazz Giant – Analogue Productions Fails Spectacularly Right from the Start

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Sonic Grade: F

Hall of Shame Pressing and another Analogue Productions LP debunked. 

You may remember that Acoustic Sounds did a version back in the ’90s, which was a complete disaster. I haven’t heard the new 45 RPM version, but I seriously doubt that it sounds like this. We have yet to hear a single Heavy Vinyl 45 that sounds any good to us, judged by the standards we set in our shootouts. (Actually the records themselves set the standards; we simply grade them on the curve they establish.)

We guarantee that none of their LPs can hold a candle to this very record or your money back. If you have one of the new pressings and don’t know what’s wrong with it, or don’t think that anything is wrong with it, try this copy. It will show you just how much better a real record can sound, with more space, more transparency, more energy, more presence, more drive, more ambience — more and more of everything that’s good about the sound of music on ANALOG LP.

It is our contention that no one alive today makes records that sound as good as the ones we sell. Once you hear this Hot Stamper, those 180 gram records you bought might not ever sound right to you again. They sure don’t sound right to us, but we have the good fortune of being able to play the best older pressings (reissues included) side by side with the new ones, where the faults of the current reissues become much more audible — in fact, exceedingly obvious. When you can hear them that way, head to head, there really is no comparison.

 

 

Cannonball Adderley – In the Land of Hi-Fi – A Good Speakers Corner Reissue

See all of our Cannonball Adderley albums in stock

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Sonic Grade: B?

A fairly good Speakers Corner jazz album (we’re guessing). Years ago we wrote the following:

“Outstanding! Top recommendation!”

Hard to know what we would think of this pressing today, but for the thirty bucks you might pay for it it’s probably worth a listen. 

 

Cannonball Adderley Quintet In Chicago on Speakers Corner Heavy Vinyl

See all of our Cannonball Adderley albums in stock

 

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Sonic Grade: C? B?

A fairly good Speakers Corner jazz album.

Years ago we wrote the following: “This one has excellent sound (in that left-right jazz of the fifties kind of way).” We can’t be sure that we would still feel the same way. My guess is that this is still probably a good record if you can get one the 30 bucks we used to charge for it. 

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

 

 

At Ease With Coleman Hawkins from 1960 – Another Triumph for Rudy Van Gelder

MORE RECORDINGS BY RUDY VAN GELDER

MORE RECORDINGS FROM 1960

 

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This 1960 Saxophone Ballad session has to be seen as yet another recording triumph for Rudy Van Gelder. The best pressings of these OJC reissues from 1989 sound like the vintage jazz albums they emulate, and sometimes they even beat the originals at their own Tubey Magical game. They can be every bit as rich, sweet and spacious as their earlier-pressed brethren in our experience.

In the case of At Ease with Coleman Hawkins, we simply have never seen an original copy clean enough to buy, so we have no reference for what an original would sound like.

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But, having critically auditioned literally hundreds and hundreds of vintage jazz records over the course of the last few years, we’re pretty confidant we know what they are supposed to sound like.

And they sound just like the best copies of this very pressing.

What to Listen For (WTLF) (more…)

I Just Dropped By To Say Hello – A Forgotten Vocal Classic

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Folks, the later Stereo Impulse pressing of this classic Hartman album we dropped the needle on  recently was so Tubey Magical, RICH yet CLEAR, and above all shockingly natural, it would be hard to imagine a Male Vocal record produced in the last thirty years that could hold a candle to it (outside of the Coltrane-Hartman record from the year before of course).

The Bennett-Evans record we love so much here at Better Records would qualify as a contender, but that album was recorded in 1975. And it doesn’t have half the Tubey Magic this Hartman album from 1963 does.

RVG Knocks Another One Out of the Park

Our hats are off to Rudy Van Gelder once again! Here’s an album that justifies his reputation. If only more of them did …

(more…)

Astrud Gilberto – Gilberto With Turrentine

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Vocal Classics

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Astrud Gilberto – Gilberto With Turrentine

A distinguished member of the Better Records Rock and Pop Hall of Fame .

This is a CTI LP with No Bar Code on the fold-open cover. The music and sound on side two are OFF THE CHARTS! If you’re a fan of Sergio Mendes or Jobim you’re likely to really enjoy this music.

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Eric Dolphy – Copenhagen Concert

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Eric Dolphy – Copenhagen Concert

A distinguished member of the Better Records Jazz Hall of Fame.

Rarely have I heard a string bass sound better than it does here. The flute is equally gorgeous. Amazing that they could record a live jazz concert this well in 1961.

Although this is only our second Hot Stamper listing for the album, I’ve known about Dolphy’s legendary Copenhagen Concert for close to thirty years. When an audiophile hears a bass clarinet reproduced the way it is on this record he is very unlikely to forget it.

Do the originals sound as good as these ’70s pressings Not a clue. Never ran into a clean one in my life.

See all of our Eric Dolphy albums in stock

With the hundred-plus changes to the system and room I’ve made over that span of time the reproduction of the bass clarinet has only gotten more real.

It’s proof positive that everything in audio can get dramatically better with constant effort and attention to every aspect of sound. From the room to the electricity to the right cleaning techniques, everything can come together to make that instrument sound like it is in the room with you, a room that sounds like you imagine a jazz club might sound in 1961.

What a thrill. It’s what we audiophiles live for. It’s what keeps us going in this hobby. If you know people who used to be into audio and aren’t anymore it’s because they just never got to the point where they were doing it right. (more…)