A distinguished member of the Better Records Jazz Hall of Fame.
This better than Super Hot stamper side one of arguably Chuck Mangione’s best album gets what is inarguably his most famous song to come alive in a way that practically no other copies in our shootout were able to. It’s shocking just how lifeless and pointless Feels So Good can sound on some copies; after only a few minutes the band seems to be having a hard time staying awake. But the same performance is captured on every pressing, so how can the band sound so inspired here and so uninspired elsewhere? It’s one of the mysteries of recorded media, one which still takes us by surprise on a regular basis, every week in fact.
This idea that most pressings do a poor job of communicating the music still has not seeped into the consciousness of the audiophile public but we’re diligently working to change that, one Hot Stamper at a time.
The copies that are present, clear, open, transparent and energetic, with a solid rhythmic line driving the music, are a hundred times more enjoyable than the typical pressing that can be found practically unplayed (gee, I wonder why?) sitting in most record collections.
By the way, if you know Feels So Good only through the radio, you may be surprised to find that it’s close to ten minutes long, not the three minutes you’re familiar with. The band stretches out quite a bit and the solos are fairly inventive, as AMG noted.
This very side two has that problem to a fair degree; it’s a bit too murky and veiled to be as much fun as side one. But so few copies were any good at all that it still earned an A+ grade. If you turn it up it helps it quite a bit. Still, it lack extension high and low compared to this side one. (more…)