Genre – Jazz – Piano & Vibes

Horace Silver Quintet – The Tokyo Blues

More Horace Silver

More The Tokyo Blues

xxxxx

  • Stunning Triple Plus (A+++) sound from start to finish making this the best copy to hit the site in years
  • Both sides here are rich, Tubey Magical and present with a huge three-dimensional soundstage and tons of bottom end weight
  • “Silver’s Tokyo-influenced compositions fit right in with the subtle cross-cultural but very American hard bop he’d been doing all along… [his] compositions have a light, airy feel, with plenty of space, and no one used that space better at these sessions than Cook, whose tenor sax lines are simply wonderful, adding a sturdy, reliable brightness.” – All Music, 4 Stars

This Blue Note LP has PHENOMENAL Triple Plus (A+++) sound throughout We’ve played quite a few of these over the years, and both sides here are as good as we’ve ever heard. It is an excellent recording, but it’s NOT easy to find a properly-mastered copy. Both sides here are out of this world, with the kind of of space and musicality this music demands! (more…)

Oscar Peterson Trio – West Side Story – His Best Recording? We Think So

More Oscar Peterson

West Side Story

xxx

A distinguished member of the Better Records Jazz Hall of Fame.

I’ve known this was a well-recorded album since I first heard the DCC gold CD back in the ’90s.

It sounded great to me at the time — I had nothing to compare it to — but it sure didn’t sound like this! This album is clearly one of the best jazz piano recordings I’ve ever played. In its own way it’s every bit as good as that other landmark recording, The Three, from 1975.

Both belong in any right thinking audiophile’s jazz collection. Both are phenomenal Demo Discs on the best pressings. (more…)

Gary Burton – Who Is Gary Burton?

More Gary Burton

Who Is Gary Burton?

xxxxx

  • Burton’s sophomore release finally arrives on the site with outstanding Double Plus (A++) sound from first note to last   
  • This is vintage 1963 Living Stereo sound at its best – big, rich, relaxed, tonally correct and full of Tubey Magic – thanks Ray Hall!
  • In this stellar septet, Burton includes veteran musicians Clark Terry, Phil Woods, and Joe Morello, as well as Tommy Flanagan
  • 4 stars: “The playlist is anything but predictable… Although Burton is obviously a very confident soloist, he feels no need to hog the spotlight (a common mistake by young jazz musicians in later decades), as he is happy to step back and let the veterans take center stage.”

Most of the vinyl plays a bit better than the grades above. Few Living Stereo originals are going to be as quiet as this one (more…)

Milt Jackson & Wes Montgomery – Bags Meets Wes! – Our Shootout Winner from 2005

More Milt Jackson

More Wes Montgomery

More Bags Meets Wes!

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

These two guys were made for each other; they have the same musical sensibilities. Credit must also go to Wynton Kelly; his every solo is a thing of beauty. The three principles here are at the tops of their games and the sound will have you drooling. Good luck finding a more involving and enjoyable jazz record with this kind of sound — they just aren’t out there. That’s why, even with some surface problems, we think you are getting your money’s worth and more with this one.

Duke Ellington – Up In Duke’s Workshop

More Duke Ellington

More Up In Duke’s Workshop

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

The notes for this shootout winning side one read: “lively, big, present, with great bass” and that’s the way we like our Big Band to sound!

The first track on side two is not quite up to the standard set by some of the other pieces here but by track two or three all is well sound-wise. (more…)

Duke Ellington – Duke’s Big 4

More Duke Ellington

More Duke’s Big 4

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

I don’t know of any other Pablo recording of the Duke from this era that has such big, open, clear, solid sound. VAL VALENTIN did the engineering, and as he has so often over the course of his storied career, he knocked it out of the park.

What both sides of this exceptionally good sounding Pablo pressing have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1974
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments of this stellar jazz combo having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we describe above, and for that you will need to take this copy of the record home and throw it on your table. (more…)

Thelonious Monk – Straight, No Chaser

More Thelonious Monk

More Straight, No Chaser

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

Side two of this 360 pressing from 1967 is nearly White Hot — what a recording! If you want to hear just how good Monk’s great big rich piano sounds, look no further. 

Rudy Van Gelder, eat your heart out. This is the piano sound Rudy never quite managed. Some say it’s the crappy workhorse piano he had set up in his studio. Others say it was just poorly miked. Rather than speculating on something we know little about (good pianos and the their miking) let’s just say that Columbia had the piano, the room and the mics to do it right as you can easily hear on this very record. (more…)

Andre Previn & His Pals – Gigi

More Andre Previn

More Gigi

xxxxx

  • A KILLER sounding original Black Label Stereo pressing with Triple Plus (A+++) sound from the first note to the last    
  • If you have never heard an All Tube Analog piano trio recording by Roy DuNann from the Golden Age of Tape, you are really in for a treat with this phenomenal sounding LP
  • Exceptionally (I’m tempted to write impossibly) quiet vinyl throughout – Mint Minus to Mint Minus Minus
  • “André Previn’s ten records for Contemporary during 1957-1960 were among the finest jazz recordings of his career… Best known among the songs are “I Remember It Well” and “Thank Heaven for Little Girls,” but the trio also uplifts and swings the other lesser-known tunes.”

This vintage Contemporary Black Label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Shelly Manne & His Friends – Bells Are Ringing – What to Listen For

More Shelly Manne/More Andre Previn

More Bells Are Ringing

xxxxx

Another in our series of Home Audio Exercises.

I have a very long history with this album, dating back close to twenty years. My friend Robert Pincus first turned me on to the CD, which, happily for all concerned was mastered beautifully. We used it to test and tweak my stereo and many of those that were owned by friends. 

Playing the original stereo record, which I assumed must never have been reissued due to its rarity (I have since learned otherwise), all I could hear on my ’90s all tube system was blurred mids, lack of transient attack, sloppy bass, lack of space and transparency, and other shortcomings too numerous to mention that I simply attributed at the time to vintage jazz vinyl.

Wellthings have certainly changed.

I have virtually none of the equipment I had back then, and I hear none of the problems with this copy that I heard back then on pressing I owned. This is clearly a different LP, I sold the old one off years ago, but I have to think that much of the change in the sound was a change in cleaning, equipment, tweaks and room treatments, all the stuff we prattle on about endlessly on the site.

In other words, if you have a highly-resolving modern system and a good room, you are should be knocked out by the sound of this record. I sure was. (more…)

The Mastersounds – Swinging With The Mastersounds

More The Mastersounds

More Swinging With The Mastersounds

xxxxx

  • The Mastersounds’ 1960 release finally arrives on the site with Shootout Winning Triple Plus (A+++) sound on side two and an outstanding Double Plus (A++) side one – exceptionally quiet Red Vinyl too   
  • These sides are doing everything right — full, clear, and solid, with the Tubey Magical Midrange that can only be found on recordings from this era
  • If you’re a fan of the Modern Jazz Quartet, you may feel as I do that the Mastersounds’ Montgomery brothers on vibes and bass play this kind of smooth jazz much better than the often-sleepy MJQ
  • “Swinging With the Mastersounds is accurately titled; its six tracks are all standards, and all are taken at a gentle, loping tempo and spin out sweetly…”

This reissue is spacious, open, transparent, rich and sweet. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s and ’80s. We are of course here referring to the good modern mastering of 35+ years ago, not the generally opaque, veiled and lifeless mastering so common today. (more…)