This outstanding copy of Out Of This World boasts solid Double Plus (A++) sound – exceptionally quiet vinyl too
This superb RVG recording comes to life on this pressing – it’s full-bodied and above all, lively (Rudy’s trademark sound)
This collaboration between Burrell and Coleman Hawkins highlights the blues roots of these two jazz greats, veterans who can swing with the best of them (which is why their discographies run for pages)
“Bluesy Burrell combines the finest elements of blues and bebop jazz into a blend that demonstrates just how well the styles fit together and proves that blues need not be minimalist in nature, and jazz can be a bit less rigid, allowing breathing space amidst perfect chord work and superb rhythm.”
This vintage Prestige Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is pretty much gone and sure doesn’t seem to be coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
KILLER Triple Plus (A+++) grades or very close to it on both sides, this is a wonderful vintage stereo pressing of a classic jazz collaboration from 1966
Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”
The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here.(more…)
This is one of Wes Montgomery’s best albums from his prime ’60s period, if not THE best. Rich and full-bodied but clear and spacious, the 1963 All Tube Analog sound is perfect for Wes’s organ trio format. (more…)
Triple Plus on side two, it’s the side with the most space, all the weight, and the best balance of them all. Side one is Double Plus, doing pretty much everything side two was doing – in short, getting this ethereal music to sound right. Offramp held the Number One spot on the Jazz Album charts for 16 weeks back in 1982.
This WHITE HOT Stamper side two of Metheny’s ECM Chart Topping release from 1982 shows you just how well recorded the album is.
We don’t know how you feel about ECM recordings in general but we tend to think they are pretty lifeless and boring. Not so here!(more…)
This original Verve T-Label Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the audience, live at the Monterey Jazz Festival, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
SHOCKINGLY GOOD SOUND on this original pressing of one of the all-time great guitar albums! We were positively BLOWN AWAY by how lively, dynamic and full-bodied this copy sounds. There’s real texture to all the instruments and the bottom end is tight and punchy beyond belief. They just don’t make records with this kind of tubey analog magic anymore.
If you’ve enjoyed the sonics on one of our Hot Stamper Return To Forever, Weather Report or Santana LPs, I think you’d find a lot to like about this record.
This album still holds up today. The All Music Guide gives it five big stars, and on a copy like this one I bet you’ll rate the music just as highly. When you have a pressing with this kind of clarity and transparency, you can really make sense of just how amazing the musicianship is.(more…)
Atlantic Black Label LP with lovely sound! This is a famously rare and collectible jazz record by the amazing Brazilian guitarist Luiz Bonfa.
1958, the year this record was made, was a very good year for high quality recordings of all types of music.
Click here to see the records currently on the site that were recorded or released in 1958 and here to see the records from 1958 that we’ve reviewed, a substantially larger group as you can imagine, more than 100 in fact. (more…)
Excellent sound for George Benson’s 1976 classic Breezin’! This copy should blow the doors off your old copy or any MoFi pressing — guaranteed. It’s got all the elements this smooth masterpiece needs to come to life today, almost 40 years later if you can believe it. There’s tons of energy, strong presence, excellent bass and a huge soundfield with real depth. You can hear right into the music, something just not possible on most copies out there.
This album features the huge hit “This Masquerade” and lots of other strong material as well. Benson is at the top of his game, with blazing guitar lines accompanied by his scat vocals at many times. No one else ever did music like this so well again, in our humble opinion.(more…)
A KILLER sounding copy with Shootout Winning Triple Plus (A+++) Live Jazz sound from start to finish
This original stereo pressing is the first copy to make it to the site in years – boy are these hard to find in this kind of clean condition with top quality sonics
Rich, tubey and musical, the sound is wonderful for these live performances of two very different groups, one featuring Getz, the other Jobim
4 1/2 Stars: “Getz/Gilberto #2 holds its own with an appealing selection of fine jazz and bossa nova cuts.”
This original Verve Stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in a real jazz club, this is the record for you. It’s what Vintage Records are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.(more…)
We were simply blown away by this Yellow Label pressing, which earned an A+++ for side one and an A++ for side two in a recent shootout. The transparency and clarity are SUPERB, and the amount of tubey magic is unbelievable! Folks, if you like guitar jazz, do not miss out on this album. I guarantee you will be absolutely knocked out by the sound of this pressing, not to mention the fantastic music! (more…)