Genre – Jazz – Guitar

Kenny Burrell Midnight Blue on Classic Records

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Sonic Grade: D

Pretty flat and lifeless. You would never understand why audiophiles rave about this recording by listening to the Classic Records pressing.

We played it up against our best, and as expected it was nothing to write home about. Since Rudy has remastered and ruined practically all the Blue Note CDs by now, you will have your work cut out for you if you want to find a good sounding version of Midnight Blue. This sure ain’t one.

Of course we would be more than happy to get you an amazing sounding copy — it’s what we do — but the price will be five to ten times (or more) what the Classic costs. In our opinion it’s money well spent, as you will see in our review below.

Since the Classic conveys very little of what the musicians were up to whilst recording the album, our advice is to cross it off your list of records of interest. It’s thirty bucks down the drain. (more…)

What We Listen For – Timbre, Richness, Tubey Magic and Freedom from Artificiality

More of Our Favorite Contemporary Jazz Recordings

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This Home Audio Exercise entry was inspired by the wonderful qualities of the Contemporary recording you see pictured, qualities brought to our attention while doing a shootout of various pressings of the album in early 2009. 

We addressed a number of issues in our commentary: first and foremost what we were listening for on the album (and what we were hearing). A bit of mono versus stereo (in this case both can be good). This is followed by some Audiophile Equipment bashing.

We highly recommend you make every effort to find yourself a copy of this album and use it to test your own equipment. The right pressing can be both a great Demo Disc and a great Test Disc. (more…)

Al Dimeola – Elegant Gypsy – His Masterpiece

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  • One of the best copies of this phenomenal Fusion Guitar Jazz Classic to ever hit the site, Triple Plus (A+++) throughout 
  • Both sides are incredibly lively, full-bodied, open and present – the sound is HUGE and WEIGHTY and it rocks
  • There is a mark that plays during track one on side one so we’ve discounted this one accordingly
  • 5 stars: “Generally an explosive affair, although it does have a fair amount of variety. A near classic in the fusion vein.”

SHOCKINGLY GOOD SOUND for one of the all-time great guitar albums! We were positively BLOWN AWAY by how lively, dynamic and full-bodied this copy sounds. There’s real texture to all the instruments and the bottom end is tight and punchy beyond belief. They just don’t make records with this kind of Tubey Analog Magic anymore.

If you’ve enjoyed the sonics on one of our Hot Stamper pressings of Return To Forever, Weather Report or Santana, I think you’ll find a lot to like about this record.

This album still holds up today. The All Music Guide gives it five big stars, and on a copy like this one I bet you’ll rate the music just as highly. When you have a pressing with this kind of weight, power, clarity and transparency, you can easily appreciate just how amazing the musicianship is. (more…)

Gabor Szabo with Gary McFarland – Gypsy ’66 – Heavy Vinyl Reviewed

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Sonic Grade: B?

We haven’t played a copy in years, but we think this is probably one of the better Speakers Corner jazz albums.  They cut this album on Heavy Vinyl back in 2002, which we recommended at the time.

Our Hot Stamper pressings will of course be dramatically more transparent, open, clear and just plain REAL sounding, because these are all the areas in which heavy vinyl pressings fall short, with very few exceptions.

TRACK LISTING

Side One

Yesterday
The Last One To Be Loved
The Echo Of Love
Gypsy ’66

Side Two

Flea Market
Walk on By
If I Fell
Gypsie Jam
I’m All Smiles

AMG Review

Guitarist Gabor Szabo’s debut as a leader (after an important stint with the Chico Hamilton Quintet) is surprisingly successful. The reason this LP is a bit of a surprise is that the repertoire (in addition to two originals apiece by the leader and Gary McFarland) has a few unlikely songs by the Beatles (“Yesterday” and “If I Fell”) and Burt Bacharach (including “Walk On By”).

Usually jazz adaptations of rock songs in the 1960s are lightweight, but Szabo’s original sound, the unusual instrumentation (two or three guitars, Sadao Watanabe on flute, Gary McFarland on marimba, bass, drums and percussion) and McFarland’s clever arrangements uplift the music. The playing time at 35 minutes is a bit brief, but the performances are better than expected.

 

 

Lee Ritenour – Rit – on Disastrous Discovery Heavy Vinyl

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Sonic Grade: F

Hall of Shame Pressing and another Heavy Vinyl Rock or Jazz LP debunked.

We played our very good sounding Nautilus pressing against the 180g Discovery reissue that Doug Sax remastered and it SMOKED it. What a muddy piece of trash that Discovery pressing is. 

AMG Review

Lee Ritenour has long been the perfect studio musician, one who can melt into the background without making any impact. While he possesses impressive technique, Ritenour has mostly played instrumental pop throughout his career, sometimes with a Brazilian flavor. His few jazz efforts have found him essentially imitating Wes Montgomery, but despite that he has been consistently popular since the mid-’70s. After touring with Sergio Mendes’ Brasil ’77 in 1973, Ritenour became a very busy studio guitarist in Los Angeles, taking time off for occasional tours with his groups and in the mid-’90s with Bob James in Fourplay. He also recorded many albums as a leader.

 

Warm, Wild and Wonderful Sounds – A Forgotten Classic

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This is clearly one of the best sounding guitar records we’ve ever had the pleasure to play here at Better Records. Project 3 was an audiophile label in the truest and best sense of the word: a label that not only cared about the sound of their recordings, but actually proved they could produce title after title of the highest quality, equal or superior to anything on the market.
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Bola Sete – Tour De Force

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Bola Sete – Tour De Force

A distinguished member of the Better Records Jazz Hall of Fame.

My favorite Latin jazz guitar record of all time! DEMO DISC QUALITY SOUND, too.

This pressing is tonally correct from top to bottom. As the old saying goes, it wasn’t broke so don’t try to fix it. Afficionados of the guitar or Latin music will find this record very satisfying in all respects. A top recommendation from Better Records.

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Carlos Montoya – From St. Lous to Seville

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Carlos Montoya – From St. Lous to Seville

A distinguished member of the Better Records Jazz Hall of Fame.

Ed Begley is the engineer here and he knocked this one out of the park. What an amazing sounding Living Stereo recording. Need a refresher course in tubey magic after playing too many modern recordings or remasterings? This record is overflowing with it. Rich, clear, natural, sweet, overflowing with space and ambience, absolutely correct tonality — it’s all here. (more…)

Kenny Burrell – God Bless The Child

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Kenny Burrell – God Bless The Child

A distinguished member of the Better Records Jazz Hall of Fame.

This is one of our favorite orchestra-backed jazz records here at Better Records. A few others off the top of my head would be Wes Montgomery’s California Dreaming (1966, and also Sebesky-arranged), Grover Washington’s All the King’s Horses (1973) and Deodato’s Prelude (also 1973, with brilliant arrangements by the man himself).

On a killer copy like this the sound is out of this world. Rich and full, open and transparent, this one defeated all comers in our shootout, taking the Top Prize for sound and earning all Three Pluses. (more…)

Music to Listen to Barney Kessel By

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Barney Kessel – Music to Listen to Barney Kessel By

A distinguished member of the Better Records Jazz Hall of Fame.

This Minty Original Black Label Contemporary Stereo LP from 1957 has DEMO DISC QUALITY SOUND! No other copy we played was in a class with this bad boy — it does it ALL. For those of you who appreciate the sound that Roy DuNann (and Howard Holzer on other sessions) were able to achieve in the ’50s at Contemporary Records, this LP is a Must-Own (unless you already have it, which is doubtful considering how hard it is to find a copy in clean condition). (more…)