Genre – Jazz – Bossa Nova

Stan Getz & Charlie Byrd – Jazz Samba

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A distinguished member of the Better Records Jazz Hall of Fame.

TWO INCREDIBLE SIDES on unusually quiet vinyl! We just finished a big shootout for this great album and this copy was a KNOCKOUT. The sound is rich and full with good size to the soundfield. It’s very tough to find good sounding Stan Getz records, so if you’re a fan I think you’ll be quite impressed with the sonics on this pressing. As for the music, it’s top notch; All Music Guide gave it a Five Star rating and we agree wholeheartedly!

It’s not easy to find good sounding, quiet Stan Getz records, so if you’re a fan I think you’ll be blown away by the sonics and the surfaces on this vintage pressing.

It’s vintage all right, but probably not the vintage pressing you think it is, a little secret we learned about the album a year or two ago, information we have been able to capitalize on quite successfully, this being but the latest clean, wonderful sounding copy to make it to the site.

And of course, it handily beats the the DCC pressing. How could it not? (more…)

Bola Sete – The Incomparable Bola Sete – Reviewed in 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a Minty looking Fantasy LP with EXCELLENT SOUND. Bola Sete is one of my favorite guitarists, Latin or otherwise. Here he is joined by a very talented percussionist who brings authentic Brazilian feeling to this music. The real surprise here is Paul Horne on flute — the music comes alive on the tracks on which he guests, such as ‘Lamento De Negro’. If you like Latin guitar music, you can’t go wrong here.

“There are some performers in jazz, as in other fields, who everybody digs, regardless of style, regardless of preferences, regardless of anything. Bole Sete is that kind of performer. Whether he was playing for the society audiences in the swank Sheraton Palace, the jazz audiences at the Monterey Festival, the night club audiences (with Vince Guaraldi) at El Matador or Shelly’s Manne Hole, Bola Sete captured the people. He always does.” – Liner Notes

Sergio Mendes & Brasil ’66 – Ye-Me-Le – our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

THE BEST SIDE ONE WE’VE HEARD! It’s big and bold, with dramatically less grit and grain than the average copies. This White Hot Ye-Me-Le has MINDBLOWING, YOU ARE THERE IMMEDIACY and MASTER TAPE SOUND on side one. The sound is punchy and lively with wonderful transparency. You can really hear the sound of the room around the musicians! Many of the tracks on this copy are DEMO DISC quality. 

Side one has virtually no strain, EXTENDED highs, and is overall fairly quiet. Listen to track two (a great version of Norweigan Wood)– it doesn’t get any better than that! Track one is so silky and sweet, it may become your favorite song to demonstrate your stereo. It’s certainly one of mine. Even the last track here, which almost never sounds good, is fairly sweet on this pressing. (more…)

Stan Getz – Getz Au Go Go – Critical Listening Exercise

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Another in our series of Home Audio Exercises.

This album is useful as a test disc. The third track on side 2, The Telephone Song, has a breathy vocal by Astrud, soon followed by Getz’s saxophone solo. If those two elements in the recording are in balance, your system is working, tonally anyway.

Presenting another entry in our extensive Listening in Depth series.

Track Commentary

Side One 

Corcovado (Quiet Nights Of Quiet Stars) 

On the best copies the voice is perfection. The horn is always a bit hard sounding on this track though.

It Might As Well Be Spring

The best copies are warm, rich and sweet here, with much better sound for Getz’s sax. This track has some of the tubiest magic you will find on the album.

Eu E Voce (Me and You)
Summertime

This one has real dynamics — the playing and the sound are lively, but somehow still cool…

Nix-Quix-Flix

Side Two

Only Trust Your Heart
The Singing Song
The Telephone Song

The best song on side two, certainly the most fun, and a wonderful test track as mentioned earlier.

One Note Samba
Here’s That Rainy Day

This is one of Rudy Van Gelder’s greatest recordings. I think it’s as good as it is because he was out of his studio (mostly) and had to revert to Recording 101, where you set up some good mics and get the thing on tape as correctly as you can. There’s hardly a trace of his normal compression and bad EQ on this album. (The sax is problematical in places but most everyone else is right on the money.) (more…)

Sergio Mendes & Brasil ’66 – Fool on the Hill – Our Shootout Winner from 2007

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

EXCELLENT SOUND ON BOTH SIDES! It’s rich, full-bodied, and sweet, with super-low distortion and breathtaking transparency. Side Two rates A+++, As Good As It Gets! The vocals on this copy were as sweet as we have ever heard for this record.

The average copy of this record is thin, aggressive and irritating. What separates the best copies like this one from the typical bad sounding copies is more extension on the top end to balance out the upper midrange and lower highs, as well as more weight on the bottom end, to anchor and balance out the sound. (more…)

Stan Getz – Getz Au Go Go – Our Shootout Winner from 2011

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A distinguished member of the Better Records Jazz Hall of Fame.

This WHITE Hot Stamper Stan Getz record has the kind of LIVE JAZZ CLUB SOUND that audiophiles like us (you and me) dream of. More importantly, this ain’t no Jazz at Some Pawnshop — this is THE REAL THING. Stan Getz, Gary Burton, Kenny Burrell and the lovely Astrud Gilberto, the living embodiment of Cool Jazz, are coming to a listening room near you (assuming you have two hundred and fifty bucks you’re not doing anything else with).

Side One

A+++. It’s White Hot — so relaxed and musical, spacious and transparent, this one will have your speakers disappearing before your very eyes. Or leave them open so that you can “see” the room before you. Getz’s sax is breathy, immediate and dynamic. There is no audiophile pressing in the world that gets that sound better than this copy, and we are happy to back up that statement with this very record.

Side Two

A++, big, rich and sweet, much like side one, but not quite as clear and not quite as smooth. Compare the two sides for yourself and we think you will hear what we mean.

Cool Jazz Is Right

I’ve gotten more enjoyment out of this Getz album than any other, including those that are much more famous such as Getz/Gilberto (which doesn’t sound as good by the way). This one is (mostly) live in a nightclub and it immediately puts you in the right mood to hear this kind of jazz. (more…)

Sergio Mendes And Brazil ’66 – Crystal Illusions – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A White Hot Stamper side one on this A&M LP means it’s the BEST sounding copy of Crystal Illusions to ever hit the site. Yes, it’s a recording that has many problems, but the best copies seem to be able to overcome most of them, and that’s precisely what we are offering here: a White Hot copy that gets the sound of this music about as right as it’s going to get. And the vinyl is QUIET. 

If you are not familiar with Sergio and his magical band, this is not the place to start. Try the first two albums or Stillness if you want to hear the best material recorded with the highest quality. This is a second tier album in the Sergio canon, and priced accordingly. There are of course some truly great songs on this one, just as there are on every Brazil ’66 album.

I would draw your attention especially to the Otis Redding classic Dock of the Bay, which is on this killer side one. Fans will no doubt find much to like here; others maybe not so much. If you get a thrill out of FINALLY hearing a famous album sound the way you always wished it could, even if it’s only on one side, this copy is for you. (more…)

Antonio Carlos Jobim – Tide – Our Shootout Winner from 2008

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A distinguished member of the Better Records Jazz Hall of Fame

GREAT SOUND ON BOTH SIDES! We’ve been trying our hardest to find a Jobim record with Hot sound, because we love the music so much. It’s taken some time, but we’ve finally found a few magnificent copies of Tide — and this one’s the champ!    

Viva Brazil!

Jobim is the master of samba music, and this is one of his best albums! Normally I don’t like flute jazz. The L.A. Four bores me to tears. Herbie Mann has one good album, Live at the Villiage Vanguard (with two string bass players, the only record of its kind that I know of), but the flute works great for Brazilian music, because the music itself is so light and airy, it just fits. You don’t see us recommending too many CDs around here, but the 3-disc Man From Ipanema set is WONDERFUL. (For those looking for Brazilian music with more of a rock influence, we definitely recommend starting with Sergio Mendes’ early A&M albums. If you want to go a bit further, search for some Gilberto Gil or Caetano Veloso.)

One Tough Ticket

It’s beyond difficult to find great sounding copies of Jobim’s albums, but we keep on picking up his records because we love to play them so much. Many of the pressings we bring back are weak sonically, too noisy, or both. Recently, we threw a copy of Tide on the table just for fun, and were thrilled when we heard some promising sound. We hit the shelves and the stores determined to pull together enough copies with the right stampers to make this shootout happen.  (more…)

Stan Getz & Joao Gilberto – Getz-Gilberto – Our Shootout Winner from 2012

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A distinguished member of the Better Records Jazz Hall of Fame.

We have been trying to find great sound (on reasonable surfaces) for this album for YEARS — I kid you not — but this 2-pack is the first Hot Stamper version to ever hit the site. We have fired up this shootout multiple times since 2006 and been left empty-handed each and every time until the last go-around. We have sunk an insane amount of dough into trying to get a few killer copies because we love the music so much, but we just haven’t had much to show for it. If you love this Brazilian-flavored cool jazz as much as we do, you might want to snap this one up because who knows when or if we’ll find another one.

Stan Getz is a truly great tenor saxophonist, the cool school’s most popular player. This LP is all the evidence you need. Side one has those wonderfully relaxed Brazilian tempos and the smooth sax stylings of Stan Getz. (more…)

Getz Au Go Go on the 1987 Reissue – Isn’t This Record Supposed to Be Stereo?

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As part of our recent shootout for the album we played what turned out to be a later reissue. According to my research it’s most likely from the late ’70s or early ’80s.   

As a general rule we make a point to go out of our way to play practically any copy we can get our hands on, in the off chance that a reissue will beat the original. It’s happened plenty of times. Those of you with White Hot Stamper shootout winning copies of some of our favorite titles know what I’m talkin’ about.

Imagine our surprise when this pressing — in a stereo jacket with the label you see in the picture with the word “stereo” printed right on it — turned out to be dead MONO!

The sound was godawful — small, flat, and bereft of the ambience that makes this recording so enjoyable. The same would probably be true for the mono originals but since I haven’t played one of those in decades I will just say that that would be no more than a guess, to be taken for what it’s worth

Yet another reason not to believe a word you read on an album jacket or label.

A public service from your record loving audiophile friends here at Better Records. (more…)