Genre – Jazz – Big Band

Ted Heath – Shall We Dance

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics


Ted Heath – Shall We Dance

A distinguished member of the Better Records Jazz Hall of Fame.

One of the best sounding records we have ever played, the Gold Standard for Tubey Magical Big Band. Both sides are huge, rich, weighty and dynamic like few records you have ever heard. Three elements create the magic here: Kingsway Hall, Kenneth Wilkinson and the Decca “Tree” microphone setup.

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Years ago we wrote in another listing “We had a copy of Heath’s Shall We Dance not long ago that had some of the biggest, richest, most powerful sound I have ever heard. Watch for Hot Stampers coming to the site soon.” Well, now they’re here, and this copy fulfills the promise of the album like no copy we have ever played.

DEMO DISC SOUND barely begins to do this one justice. This is Audiophile Quality Big Band sound to beat them all. The American big bands rarely got the kind of sound that the Decca engineers were able to achieve on records like this. For one thing they didn’t have Kingsway Hall, Kenneth Wilkinson or the Decca “Tree” microphone setup.

Unlike some of the American big band leaders who were well past their prime by the advent of the two-channel era, Heath is able to play with all the energy and verve required for this style of music. He really does “swing in high stereo” on these big band dance tunes. (more…)

Count Basie – Basie Plays Hefti

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics


Count Basie – Basie Plays Hefti

A distinguished member of the Better Records Jazz Hall of Fame.

This is the followup to the smash Basie album The Atomic Mr. Basie, an album we would love to make available if we could ever find a clean, good sounding copy to play.

Side one is rich, tubey and lively, right up there with some of the best pressings we played.

Side two tends to start out a bit hot but by the second track it’s fuller, smoother, and every bit as dynamic as anything on the album. The sound just keeps getting better from there, with the next track coming across especially big and clear.

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. Superb Super Hot Stamper sound on both sides – what a great Basie album this is!
. Basie Plays Hefti catches Basie’s band at the peak of their powers in 1958
. Rich, tubey, dynamic and clear, we know of no better vintage Basie album than this
. “The Count Basie Orchestra was in top form for this set of Neal Hefti                       arrangements.”|

The liner notes tell the story of this album well; go to the bottom of this listing to read them.

Not Your Typical Vintage Basie Album

Basie was recording like a madman back in the late ’50s and even all through the ’60s. In 1958, the year of this release, he put out seven (7!) albums on the Roulette label. We’ve played quite a number of them over the years and found relatively few with audiophile quality sound.

Including the original Roulette pressing of this very title. We’ve only heard a few, and had only one for our shootout, but it was awful enough to make us swear off buying more, especially considering the prices vintage jazz albums are going for these days. Hard and sour brass, no real top or bottom, it’s the sound of a poorly mastered Old Jazz Record, fine for the consoles of the day, not so good on today’s advanced stereo systems. Emus seems to be the only way to go.

And of course we absolutely loved the music. I had a chance to see the Basie Big Band perform not long ago at Disney Hall and a fairly large chunk of the music and arrangements they play these days are Neal’s, practically half I would venture to guess. Meaning simply that Hefti’s music has clearly stood the test of time. Play this album and you’re sure to see what I mean.

Duke Ellington – The Ellington Suites

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics


Duke Ellington – The Ellington Suites

A distinguished member of the Better Records Jazz Hall of Fame.

An A++ side one, an A+++ side two and quiet vinyl throughout make this copy an Ellington LP that is sure to impress! Side one of this album features a piece called “The Queen’s Suite” that was recorded in 1959. On this A++ side, you get stunningly Tubey Magical late ’50s jazz sound — something that’s almost impossible to come by on any recording made after that.

1976 Grammy Award Winner for Best Jazz Performance by a Big Band.

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I know of no other Pablo record with sound so rich, full and warm. This one destroyed a big stack of copies we’d been collecting for years in order to do this shootout. Unless you have a good sized batch, ten or more, you will have a tough time finding one with sound anywhere near this amazing.

The Queen’s Suite, which takes up side one, was recorded in 1959 and sounds amazing. As you can imagine, this has one of the best Ellington bands ever assembled, with players like Clark Terry, Paul Gonzalves, Harry Carney, Johnny Hodges… the list of jazz giants goes on and on. If you enjoy the classic albums by Mingus on Atlantic, you’re gonna love this work. The sound is excellent as well, earning an A++ grade — open, spacious and transparent with tight bass and an extended top end.

Side two has material performed by Ellington in the early ’70s, which though not as good musically, is still very enjoyable. On this copy, it sounds amazing, earning an A+++ grade with incredible transparency and immediacy. The overall sound is airy and open with lots of breathy texture to the horns and woodwinds. (more…)