- A Shootout Winning copy with Triple Plus (A+++) sound on the first side and Double Plus (A++) sound on the second
- From first note to last, this copy is big, clear, rich and lively, with huge amounts of space around the band
- Forget the honky, hard-sounding Roulette originals, and of course the second-rate Classic Records pressing – this reissue is the way to go
- 4 1/2 stars: “This 1958 date for Roulette was a rare chance for the orchestra to perform on its own, and listeners to hear how powerful the band could be when its concentration was undiverted… The record is admittedly heavy on the blues, but it’s a brassy, powerful vision of the blues… A dynamic date, it shows the ‘new testament’ edition of Basie’s orchestra in top form.”
This reissue is spacious, open, transparent, rich and sweet. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s. We are of course here referring to the good modern mastering of 30+ years ago, not the dubious and too often disastrous modern mastering of today.
The combination of old and new works wonders on this title as you will surely hear for yourself on these superb sides. We were impressed with the fact that these pressings excel in so many areas of reproduction. What was odd about it — odd to most audiophiles but not necessarily to us — was just how rich and Tubey Magical the reissue can be on the right pressing.
This leads me to think that most of the natural, full-bodied, lively, clear, rich sound of the album is on the tape, and that all one has to do to get that vintage sound on to a record is simply to thread up the tape on the right machine and hit play. (more…)