Five Star Albums

Johnny Cash At San Quentin

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  • A great sounding vintage 360 pressing of a legendary live album – this copy earned Double Plus (A++) grades or better on both sides
  • Full, rich, lively and clean – Johnny Cash gets the sonic treatment he deserves here – exceptionally quiet vinyl too
  • So many great songs: Wanted Man, I Walk the Line, San Quentin, A Boy Named Sue, Folsom Prison Blues and more
  • 5 stars: “…listen to “A Boy Named Sue,” … rescued by the wild-eyed, committed performance by Cash, where it sounds like he really was set on murdering that son of a bitch who named him Sue. He sounds that way throughout the record… “

We had a blast listening to this album. Cash’s banter between the songs is practically as good as the music itself! (more…)

David Bowie – Scary Monsters – Our Shootout Winner from 2018

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

David Bowie – Hunky Dory

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The sound is rich, spacious and sweet with a HUGE soundstage. Drop the needle on Changes and check out how dynamic it is. Side one is where the most popular material for this album is found (Changes, Life On Mars, Oh! You Pretty Things) so this copy definitely a great way to go on Hunky Dory.

Pressings of this record typically suffer from one major shortcoming: a severe lack of presence in the midrange. Bowie sounds like he has a blanket over his head on 90% of the copies you might run into, import and dometic. I always just kind of expected to hear it that way for the rest of my life. Now I know better. Both sides of this copy show you the Hunky Dory that you always dreamed could exist, must exist, but somehow has proved elusive in the real world. (more…)

The Rolling Stones – Beggars Banquet on London

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  • A killer vintage copy of this exceptionally well-recorded Stones album from ’69, with superb Double Plus (A++) sound from first note to last
  • Clear, rich and lively throughout – the Tubey Magic of the best pressings is what has them sounding the way they should
  • One of a select group of Rolling Stones Must Own records which we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”

Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly don’t hear on most pressings. This is a fantastic album, and excellent sides like these give it the kind of sound it deserves.

Raw Rock & Roll Sound

Of course, Hot Stamper Sound still only gets you what’s on the tape. In this case, it’s some rude, crude, dirty rock & roll. That’s clearly what the Stones were going for here. In terms of audiophile appeal, Tea For The Tillerman this ain’t. Nor does it want to be!

What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and lower midrange energy. The copies that are bass shy — most of them, that is to say — tend to bring out more of that midrangy shortcoming. (more…)

The Allman Brothers – Idlewild South

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A distinguished member of the Better Records Rock and Pop Hall of Fame

The first Top Copy to ever hit the site! Double Plus (A++) on side one, Triple Plus (A+++) on side two

  • Easily the group’s best sounding studio recording and especially impressive on a copy like this

Drop the needle on Midnight Rider or In Memory Of Elizabeth Read to hear what this copy can do. You get lots of extension here both up top and down low that makes the overall sound far more engaging and musical than what you’d hear on a typical copy.

One of the biggest problems we ran into with this shootout was thin, recessed or edgy vocals. This is a band known for their rockin’ guitar jams, so it shouldn’t be a huge surprise that the vocals are not where they focused their energy when recording. I wish the vocals here were a bit fuller but at least they have enough presence to put them front and center. (more…)

Aerosmith -Toys in the Attic

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Looking for killer sound for both sides of this fun album? You’ve come to the right place! This unusually lively pressing combines a stunning A+++ side one with an equally wonderful, giving you White Hot Stamper sound from start to finish! The transparency here is exceptional, allowing you to hear all the musician’s contributions without the veiling and congestion that you get on most pressings. Sweet Emotion is a KNOCKOUT on this copy. 

Both A+++ sides have the kind of tight, meaty bottom end that is absolutely essential to this kind of music. While many copies we played suffered from a grainy, unpleasant top end, this one is smooth in all the right ways. It’s also got the kind of energy that makes this music still work well all these years later. Hot Stampers give you more presence, more weight down low and more fullness all around — the qualities that you really want for music like this.

I never really cared much for this band until recently, when I heard Sweet Emotion on my local classic rock station (The Octopus!) and realized that it would probably sound pretty amazing on a Hot Stamper vinyl version. Boy, was I right! It took quite a few copies and a whole lot of work, but the best sounding tracks on this one sound AMAZING. Sweet Emotion and Walk This Way are going to rock you!

Of course, not every copy sounds like this one. We’ve been picking these up for the last few months and I’m sorry to report that most of them leave much to be desired. This is bluesy hard rock a la The Faces, and if your copy is dull or smeared (as many of them are) you won’t get the full effect of this raw, ballsy rock ‘n’ roll. This ain’t polite music — you’re playing it for one reason and one reason alone: to ROCK OUT.

It’s hard to understand why this album didn’t get more love from audiophiles, while bands like Boston and Foreigner have gotten the full MoFi treatment. All you have to do is drop the needle on the intro to Sweet Emotion, and you’ll see why we decided to roll with this shootout. That’s not to say this is an amazing, top-shelf recording, but it certainly beats most of the dreck out there that passes for Audiophile-style classic rock. (If you disagree, I’ve got a nice copy of the Sheffield Track Record to sell you.)

TRACK LISTING

Side One

Toys in the Attic 
Uncle Salty 
Adam’s Apple 
Walk This Way 
Big Ten Inch Record

Side Two

Sweet Emotion 
No More No More 
Round and Round 
You See Me Crying

AMG 5 Star Rave Review

After nearly getting off the ground with Get Your Wings, Aerosmith finally perfected their mix of Stonesy raunch and Zeppelin-esque riffing with their third album, Toys in the Attic. The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like “Walk This Way,” “Toys in the Attic,” and “Sweet Emotion,” but Steven Tyler has fully embraced sleaziness as his artistic muse. Taking his cue from the old dirty blues “Big Ten Inch Record,” Tyler writes with a gleeful impishness about sex throughout Toys in the Attic, whether it’s the teenage heavy petting of “Walk This Way,” the promiscuous “Sweet Emotion,” or the double-entendres of “Uncle Salty” and “Adam’s Apple.” The rest of Aerosmith, led by Perry’s dirty, exaggerated riffing, provide an appropriately greasy backing. Before Toys in the Attic, no other hard rock band sounded like this. Sure, Aerosmith cribbed heavily from the records of the Rolling Stones, New York Dolls, and Led Zeppelin, but they didn’t have any of the menace of their influences, nor any of their mystique. Aerosmith was a gritty, street-wise hard rock band who played their blues as blooze and were in it for a good time; Toys in the Attic crystallizes that attitude.

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Like Truth here.

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC side one is. That’s why it’s White Hot. I am pleased to report that the whomp factor on this side was nothing short of MASSIVE. With tons of bass this side has what it takes to make the music ROCK.

One of the most surprising things we learned in our first big shootout from 2014 was how well recorded the album is. It’s yet another triumph from one of our favorite engineers, Ken Scott.

In many ways it sounds like the first Zep album, and that’s a good thing. The sound is a perfect fit for the music. In recent interviews Jeff Beck has been saying that Jimmy Page stole his idea for a Heavy Rock Band playing electrified blues. Based on the evidence found on the two sides of this very album I would say he has a point.

 

John Coltrane’s A Love Supreme – Better Sounding than the Original Pressings?

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A distinguished member of the Better Records Jazz Hall of Fame.

The original Impulse pressings on the brown and orange label are the best, right?

Not in our experience. We think that plays into one of the biggest canards in all of record collecting, that the first pressings are always the best sounding.

For this album, having sampled a large group of pressings from every era, we found the originals to be inferior to the best reissues we played. Naturally the ones we offer here as Hot Stampers will be the best of those reissue pressings. We are not the least bit worried that this vintage Impulse LP won’t beat the pants off of any original as well as any reissue you may have heard. And of course it is guaranteed to be dramatically better sounding than any Heavy Vinyl pressing produced by anyone, anywhere, at any time. (more…)

Neil Young – After the Gold Rush – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of After the Gold Rush.

Folks, a Hot Stamper collection of the Greatest Records of All Time would not be complete without a knockout copy of After the Gold Rush. That’s why it’s been a Better Records All Time Top Ten Rock Title right from the start. We built our reputation on finding Demo Disc Quality recordings like this. Who else can offer you a copy of the album that delivers this kind of ANALOG MAGIC?

Side One

Tell Me Why

Just listen to those Tubey Magical acoustic guitars. You know right away that you’re about to have a sublime musical experience. Nothing sounds that way but analog. (more…)

The Band – Music From Big Pink

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  • Two strong Double Plus (A++) sides AND quiet vinyl make this a consistently impressive copy of this all-time classic album
  • Forget all those lifeless, ambience-free, vague sounding Heavy Vinyl pressings – THIS is the sound of the album
  • It’s big, punchy and dynamic, and resolves all the intricacies of the recording that make it so interesting to us audiophiles
  • 5 stars on Allmusic: “Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.”

We guarantee you have never heard Music from Big Pink sound remotely as good as it does on this very copy. (more…)