Five Star Albums at Better Records

Crowded House – Woodface

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Woodface

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  • This original import copy of Woodface boasts very good Hot Stamper sound from start to finish
  • A special pressing with hard-to-find exceptionally quiet vinyl – this copy plays Mint Minus to Mint Minus Minus, as quiet as they come
  • Thankfully the care and effort that went into every aspect of the production of Woodface more than justifies the effort we put into finding good copies
  • Some of the most original, melodic, hook-laden, sophisticated popular music recorded in the last twenty-seven years
  • 4 1/2 stars: “The songs are easily their finest to date, combining flawless melodies and the outstanding harmonies of the brothers’ perfectly matched voices.”

The best copies of Woodface fulfill the promise of this extraordinarily well-recorded album beyond all expectations. The effect so totally immerses you in the musical experience that you forget you’re listening to a record at all. In your mind, you have the sense that you’re hearing the music exactly the way the musicians, producers, and engineers intended it to sound. The sound is everything you want it to be as you experience every element of the music without limitation.

It only happens when the right record meets the right stereo, and that means rarely, but when it does the memory of the sound becomes fixed in the mind like no other, and it never leaves.  (more…)

Eagles – On The Border – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO STUNNING SIDES on this British SYL pressing. You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound. The LIFE and ENERGY of this copy are going to knock you out of your seat! Most copies left us with a headache, but this one had us begging for more! 

You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound. I’m a HUGE fan of the material on this album. I find it to be some of the most sophisticated and enjoyable music these guys ever wrote, and that’s saying a lot. As audiophiles, many of you have probably never taken the time to appreciate how good the album is, because the typical domestic copy barely hints at the kind of magic you’ll hear on a British SYL Hot Stamper pressing. (more…)

The Music of Leonard Bernstein – Our Four Plus Shootout Winner from 2012

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This London Phase 4 British import has some of the most SPECTACULAR sound I have ever heard reproduced from disc. The sound is so BIG and BOLD that it handily puts to shame 95% or more of all the Golden Age Shaded Dogs, London Bluebacks, Mercury Living Presence’s, EMI’s and Decca’s we’ve ever played. If we had a Classical Top 100 list, this record would belong in a Top Ten taken from it, right near the top judging by what I heard when I played it.

Side two here is BEYOND White Hot, earning a sonic grade of A++++! I don’t know that any other copy has earned such a high grade for side two but this one sure did. It blew our minds. (more…)

Peter Frampton – Where I Should Be – A Personal Favorite

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One of my personal Records to Die For. This album presents a more mature Peter Frampton doing some of the most consistently inspired material of his career, including R&B covers like May I Baby and You Don’t Know Like I Know, with horn charts that really cook — in other words, a great album.

One of my personal Records to Die For. This album presents a more mature Peter Frampton doing some of the most consistently inspired material of his career, including R&B covers like May I Baby and You Don’t Know Like I Know, with horn charts that really cook — in other words, a great album. (more…)

Graham Nash – Songs for Beginners – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you go about critically evaluating your copies of Songs for Beginners.

This is one helluva well recorded album. Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best.

Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.

Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlely is highlighted by the big productions surrounding them. This is that rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale.

The recording is of course superb throughout, in the best tradition of Crosby Stills and Nash’s classic early albums: transparent, smooth and sweet vocals, with loads of midrange magic ; deep punchy bass; lovely extension on the top to capture the shimmer of the cymbals and harmonic trails of the acoustic guitars; with the whole balanced superbly by one of our all-time heroes, Glyn Johns. (more…)

Peter Frampton – Wind of Change

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  • Incredible Demo Disc sound throughout: Triple Plus (A+++) on side two and close to that (A++ to A+++) on side one 
  • This British original is the very definition of TUBEY MAGIC, with sound so rich and sweet it will make you want to take all your CDs and dump them in the trash (now that record stores don’t even want them anymore)
  • The best copies like this one keep what’s good about the recording while letting us hear into the soundfield with glorious transparency
  • “The sound is crisp, the melodies catchy, and Frampton’s distinctive, elliptical Gibson Les Paul guitar leads soar throughout… “

This is some of the best High-Production-Value rock music of the ’60s and ’70s. The amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd, Elton John and too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The best song Peter Frampton ever wrote (and performed) is on this very record, in White Hot Stamper sound no less: All I Wanna Be (Is by Your Side). It has the Tubey Magical sound WE LOVE here at Better Records. (more…)

The Three – The Three (45 RPM) – Our Four Plus Copy from 2013

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A distinguished member of the Better Records Jazz Hall of Fame.

We had six (yes, six!) of these 45 RPM pressings (and five Inner City’s and a couple of Eastwind 33’s — it was a big shootout), and this side one had the most ENERGY of any of them. This is a quality no one seems to be writing about, other than us of course, but what could possibly be more important? On this record, it took the performances of the players to a level beyond all expectations.

More A++++ Hot Stamper Pressings.

Folks, you are looking at the BEST SOUNDING RECORD we have ever played here at Better Records, and the good news for you dear reader, whether you’re a true believer, a skeptic, or fall somewhere in between, is that it can be yours. There was a time when a record like this would go directly into my collection. If I wanted to impress someone, audiophile or otherwise, with the You-Are-There illusion that only Big Speakers in a dedicated room playing a LIVE recording can create, this would be the clear choice, possibly the only choice. There is simply nothing like it on vinyl in my experience. (more…)

Duke Ellington – Ellington Indigos

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A distinguished member of the Better Records Jazz Hall of Fame.

This 6-Eye Stereo pressing blew us away with its superbly well recorded romantic big band jazz, of which Ellington was a master. Both sides of this pressing are huge, rich, tubey and clear. This is absolutely the right sound for this music. A near-perfect demonstration of just how good 1958 All Tube Analog sound can be – no modern record can hold a candle to a pressing as good as this one. If you like your jazz ballads performed with deep feeling, by a road-tested group of virtuoso players, this record is for you.

If you like the sound of relaxed, tube-mastered jazz, you can’t do much better than Ellington Indigos. Many of the other Six Eye copies we played suffered from blubbery bass and transient smearing, but the clarity and bass definition here are surprisingly good. The warmth and immediacy of the sound here may just blow your mind. (more…)

Captain Beefheart – Clear Spot

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  • This outstanding pressing of Clear Spot boasts solid Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too 
  • One of the better copies of Clear Spot to hit the site in recent years – no question about it, this is his Masterpiece!
  • Produced by Ted Templeman, Clear Spot is one of Beefheart’s most accessible albums and, IMHO, his best
  • 4 stars: “The sound is great throughout, and the feeling is of the coolest bar-band in town, not to mention one that could eat all the patrons for breakfast if it felt like it.”

Two outstanding sides for this masterpiece of bent rock. It’s not easy to find great sound for this album — that’s why you so seldom see it up on our site. There are a whole lot of problematic pressings out there, but when you find one that really gets it right the sound is nothing short of SUPERB. (more…)

Willie Nelson – Stardust

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Stardust

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  • With Triple Plus (A+++) grades on both sides of this exceptionally well-recorded album, this copy surely qualifies as an Audiophile Demo Disc, the best copy to hit the site in years!
  • From the first few moments of the title track you’ll be blown away by the in-the-room immediacy of The Man himself
  • This copy is hi-res without sacrificing the Analog warmth that makes the recording so exceptional, especially for one from 1978
  • 5 stars: “Stardust showcases Nelson’s skills as a musician and his entire aesthetic — where there is nothing separating classic American musical forms, it can all be played together — perhaps better than any other album…”

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