Five Star Albums at Better Records

Prokofiev / Lt. Kije / Abbado – Our Shootout Winner from 2011

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Lt. Kije / Abbado

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This German 33 RPM White Hot Stamper pressing of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to those found here. As this is my favorite performance of all time, with this kind of Demo Disc sound I cannot recommend the record any more highly. (more…)

Eagles – Eagles – Our Shootout Winner from 2011

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More Eagles – Eagles

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A distinguished member of the Better Records Rock Hall of Fame.

A WHITE HOT side one that was so darn good, we had to break our own rules and give it FOUR BIG PLUSES — A++++! This side one is a DEMO DISC like you will not believe. When the big chorus comes in on Take It Easy — one of the toughest tests for side one — you will be amazed by how energetic and downright GLORIOUS these boys can sound. Believe us when we tell you, it’s the rare copy that can pass that test. 

This side one had some of the best ENERGY we heard in our entire shootout (composed of all original pressings by the way; nothing else comes close, a subject we discuss below). With big bass and huge scope, this may become your favorite disc for showing your friends just what analog is really capable of. (We’ve heard many times from customers that they use Hot Stamper pressings of this very album for that exact purpose.)

It won’t take the future owner of this record long to recognize what we’ve known for years: the Eagles first album is clearly and inarguably one of the Best Sounding Rock Recordings Ever Made. Want your speakers to disappear? Want to hear Live Rock Music in your listening room? This side one will make it happen!

The Eagles first album is without a doubt Glyn Johns’ masterpiece — rock records just don’t sound any better. It’s exactly the kind of record that makes virtually ANY Audiophile pressing pale in comparison. (more…)

Yes – The Yes Album

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The Yes Album

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  • A Big As Life copy with Shootout Winning Triple Plus (A+++) grades or close to them on both sides – I’ve Seen All Good People is mindblowing on this side one
  • You haven’t begun to hear the power and size of Yes’s brilliant third album until you’ve played one of our Shootout Winning early domestic pressings
  • A Top 100 Album and the band’s best sounding record if you ask us (although Fragile can sound absolutely amazing too, just not as smooth and rich)
  • “Organist Tony Kaye, guitarist Steve Howe and bass player Chris Squire play as though of one mind, complementing each other’s work as a knowledgeable band should.”

Sometimes the copy with the best sound is not the copy with the quietest vinyl, as is the case on this side two. The best sounding copy is always going to win the shootout, the condition of its vinyl notwithstanding. If you can tolerate the imperfections of this pressing you are in for some amazing Yes music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.


Drop the needle on this bad boy and you will find yourself on a Yes journey the likes of which you have never known. And that’s what I’m in this audiophile game for. The Heavy Vinyl crowd can have their dead-as-a-doornail, wake-me-when-it’s-over pressings that play quietly. I couldn’t sit through one with a gun to my head.

With the amazing Eddie Offord at the board, as well as the best batch of songs ever to appear on a single Yes album, they produced both their sonic and musical masterpiece — good news for audiophiles with Big Speakers who like to play their records loud.

These guys — and by that I mean this particular iteration of the band, the actual players that were involved in the making of this album — came together for the first time and created the sound of Yes on this very album, rather aptly titled when you think about it. (more…)

Crowded House – Woodface

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Woodface

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  • This original import copy of Woodface boasts very good Hot Stamper sound from start to finish
  • A special pressing with hard-to-find exceptionally quiet vinyl – this copy plays Mint Minus to Mint Minus Minus, as quiet as they come
  • Thankfully the care and effort that went into every aspect of the production of Woodface more than justifies the effort we put into finding good copies
  • Some of the most original, melodic, hook-laden, sophisticated popular music recorded in the last twenty-seven years
  • 4 1/2 stars: “The songs are easily their finest to date, combining flawless melodies and the outstanding harmonies of the brothers’ perfectly matched voices.”

The best copies of Woodface fulfill the promise of this extraordinarily well-recorded album beyond all expectations. The effect so totally immerses you in the musical experience that you forget you’re listening to a record at all. In your mind, you have the sense that you’re hearing the music exactly the way the musicians, producers, and engineers intended it to sound. The sound is everything you want it to be as you experience every element of the music without limitation.

It only happens when the right record meets the right stereo, and that means rarely, but when it does the memory of the sound becomes fixed in the mind like no other, and it never leaves.  (more…)

Eagles – On The Border – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO STUNNING SIDES on this British SYL pressing. You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound. The LIFE and ENERGY of this copy are going to knock you out of your seat! Most copies left us with a headache, but this one had us begging for more! 

You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound. I’m a HUGE fan of the material on this album. I find it to be some of the most sophisticated and enjoyable music these guys ever wrote, and that’s saying a lot. As audiophiles, many of you have probably never taken the time to appreciate how good the album is, because the typical domestic copy barely hints at the kind of magic you’ll hear on a British SYL Hot Stamper pressing. (more…)

The Music of Leonard Bernstein – Our Four Plus Shootout Winner from 2012

More of the music of Leonard Bernstein 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This London Phase 4 British import has some of the most SPECTACULAR sound I have ever heard reproduced from disc. The sound is so BIG and BOLD that it handily puts to shame 95% or more of all the Golden Age Shaded Dogs, London Bluebacks, Mercury Living Presence’s, EMI’s and Decca’s we’ve ever played. If we had a Classical Top 100 list, this record would belong in a Top Ten taken from it, right near the top judging by what I heard when I played it.

Side two here is BEYOND White Hot, earning a sonic grade of A++++! I don’t know that any other copy has earned such a high grade for side two but this one sure did. It blew our minds. (more…)

Peter Frampton – Where I Should Be – A Personal Favorite

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One of my personal Records to Die For. This album presents a more mature Peter Frampton doing some of the most consistently inspired material of his career, including R&B covers like May I Baby and You Don’t Know Like I Know, with horn charts that really cook — in other words, a great album.

One of my personal Records to Die For. This album presents a more mature Peter Frampton doing some of the most consistently inspired material of his career, including R&B covers like May I Baby and You Don’t Know Like I Know, with horn charts that really cook — in other words, a great album. (more…)

Graham Nash – Songs for Beginners – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you go about critically evaluating your copies of Songs for Beginners.

This is one helluva well recorded album. Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best.

Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.

Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlely is highlighted by the big productions surrounding them. This is that rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale.

The recording is of course superb throughout, in the best tradition of Crosby Stills and Nash’s classic early albums: transparent, smooth and sweet vocals, with loads of midrange magic ; deep punchy bass; lovely extension on the top to capture the shimmer of the cymbals and harmonic trails of the acoustic guitars; with the whole balanced superbly by one of our all-time heroes, Glyn Johns. (more…)

Peter Frampton – Wind of Change

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  • Incredible Demo Disc sound throughout: Triple Plus (A+++) on side two and close to that (A++ to A+++) on side one 
  • This British original is the very definition of TUBEY MAGIC, with sound so rich and sweet it will make you want to take all your CDs and dump them in the trash (now that record stores don’t even want them anymore)
  • The best copies like this one keep what’s good about the recording while letting us hear into the soundfield with glorious transparency
  • “The sound is crisp, the melodies catchy, and Frampton’s distinctive, elliptical Gibson Les Paul guitar leads soar throughout… “

This is some of the best High-Production-Value rock music of the ’60s and ’70s. The amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd, Elton John and too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The best song Peter Frampton ever wrote (and performed) is on this very record, in White Hot Stamper sound no less: All I Wanna Be (Is by Your Side). It has the Tubey Magical sound WE LOVE here at Better Records. (more…)

The Three – The Three (45 RPM) – Our Four Plus Copy from 2013

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A distinguished member of the Better Records Jazz Hall of Fame.

We had six (yes, six!) of these 45 RPM pressings (and five Inner City’s and a couple of Eastwind 33’s — it was a big shootout), and this side one had the most ENERGY of any of them. This is a quality no one seems to be writing about, other than us of course, but what could possibly be more important? On this record, it took the performances of the players to a level beyond all expectations.

More A++++ Hot Stamper Pressings.

Folks, you are looking at the BEST SOUNDING RECORD we have ever played here at Better Records, and the good news for you dear reader, whether you’re a true believer, a skeptic, or fall somewhere in between, is that it can be yours. There was a time when a record like this would go directly into my collection. If I wanted to impress someone, audiophile or otherwise, with the You-Are-There illusion that only Big Speakers in a dedicated room playing a LIVE recording can create, this would be the clear choice, possibly the only choice. There is simply nothing like it on vinyl in my experience. (more…)