Engineers

Rudy Van Gelder Is One of Our Favorite Engineers

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RUDY VAN GELDER is one of our favorite recording and mastering engineers. Click on the link to find our in-stock Rudy Van Gelder engineered albums, along with plenty of our famous commentary.

The really good RVG pressings (often on the later labels) sound shockingly close to live music — uncompressed, present, full of energy, with the instruments clearly located on a wide and often deep soundstage, surrounded by the natural space and cool air of his New Jersey studio. As our stereo has improved, and we’ve found better pressings and learned how to clean them better, his “you-are-there” live jazz sound has come to impress us more and more.
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Martin Birch Knows How to Get The Big Rock Sound on Vinyl

Martin Birch Engineered Albums with Hot Stampers

Martin Birch Engineered Albums We’ve Reviewed

 

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When you get a Hot Stamper presssing like this one, Machine Head is a True Rock and Roll Demo Disc. Since our stereo is all about playing these kinds of records, and playing them at good loud levels as nature — and the artists — intended, we had a helluva time with Machine Head.

It had the kind of presence and energy that puts most copies of this album to shame. It’s also amazingly spacious, the result no doubt of it being recorded practically live in the studio. On the best copies you can really hear the sound bouncing off the studio walls, just as you can on the best Zep, AC/DC and Bad Co. albums. You can just tell they are all playing this one live: it’s so relaxed and natural and REAL sounding.

The vocalist is no doubt in a booth, but everyone else seems to be in a lively studio. With lovely extension up top this was a very sweet copy that cried out to be turned up good and loud. The louder we played it the better it sounded!

Domestic Vinyl?

Forget ’em, they’re clearly made from dubs. Some are better than others, but none can compete with the better British pressings such as this one..

With your permission we’d like to “borrow” some of the commentary from the listing we did a while back for Bad Company’s second album, since so much of what’s good about that record is exactly what’s good about this one.

What You Want from the Best Copies

The best pressings give you exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.)

I’m guessing that very few people have ever heard this record sound this good. The average copy is really a piece of trash, as is the awful 180 gram version that was recently remastered. This is the way to go.

One of Our Favorite Engineers – Glyn Johns

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GLYN JOHNS is one of our favorite producers and recording / mixing engineers. Click on the link to find our in-stock Glyn Johns engineered or produced albums, along with plenty of our famous commentaries.

It was only about 2000 or so that we discovered what an amazing engineer and producer Glyn Johns is. A Hot Stamper of the first Eagles album on the original Asylum White Label blew my mind, produced and engineered by none other, so I quickly started looking around for other records he might have had a hand in. How about Who’s Next? Let It Bleed? On The Border (my personal favorite Eagles album)? Led Zeppelin’s debut? And of course, Sticky Fingers, a record that I’ve always known had the potential for great sound — you can hear it buried under all that bad vinyl and groove wear. You can hear it; you just can’t enjoy it through the noise.
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Peter Frampton and His Big Production Rock

Wind of Change For Sale

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More Peter Frampton

Frampton’s first solo album, Wind of Change, was recorded by the well-known engineer Chris Kimsey, who worked with the Stones and others too numerous to mention. To say that the sound of his albums varies considerably would be the understatement of the year. The first album (British only, FYI) is as rich, sweet, and Tubey Magical as practically anything you’ve ever heard (as well as overly tube compressed, its biggest fault).

More Chris Kimsey

More Engineers, Producers and Arrangers

I unashamedly confess to being a huge Frampton fan to this very day. Wind of Change has been a Desert Island Disc for me ever since I picked up my first copy while still in high school. I bought the first Frampton album as soon as it came out, probably based on a magazine review. Think I paid $3.08 for it; that was the discount price for an album at the little record store I frequented back in those days. It was in Leucadia, CA, not far from where I went to high school.
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Robin Black’s Two Engineering Masterpieces

More on THICK AS A BRICK

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Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; tubey-magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.

We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.

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Val Garay Rocks the Sound of JT

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

JT

 

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The good copies REALLY ROCK on a song like Honey Don’t Leave L.A. or I Was Only Telling A Lie, yet have lovely, sweet transparency and delicacy on the ballads such as Another Grey Morning or There We Are.

Just turn up the volume and play the opening to Honey Don’t Leave L.A. — this is James Taylor and his super tight studio band at the peak of their powers. Russ Kunkel hits the drum twice, then clicks his sticks together so quickly you can hardly notice it, then goes back to the drums for the rest of the intro. On a superb copy like this one, the subtleties of his performance are clearly on display. (Until copies like this one came along, we had never even noticed that stick trick. Now it’s the high point of the whole intro!)

Sound Equals Music

As audiophiles we all know that sound and music are inseparable. After dropping the needle on a dozen or so copies, all originals by the way, you KNOW when the music is working its magic and when it’s not. As with any pop album there are always some songs that sound better than others, but when you find yourself marvelling at how well-written and well-produced a song is, you know that the sound is doing what it needs to do. It’s communicating the Musical Values of the material.

The most important of all these Musical Values is ENERGY, and boy do the best copies have it!
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The Stones Jazz with Joe Pass and Bruce Botnick

Our Shootout Winner

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With two Triple Plus (A+++) shootout winning sides, this original stereo World Pacific copy simply could not be beat

  • Huge and rich, here is the kind of Tubey Magical presentation that lets this big group of musicians (four trombones!) come alive
  • The engineering by none other than Bruce Botnick is brilliant in all respects, as good as his work with The Doors
  • This is FUN West Coast Pop Jazz built around the superb arrangements of Bob Florence and the great songs of the Stones
  • We’re so sure you’ll like this music that if for any reason you are unhappy the domestic return shipping is on us!

Another undiscovered gem, brought to you by the folks at Better Records who know a good sounding record when they hear one. And the music is interesting and fun from first song to last. With Joe Pass on guitar how could it not be – the guy’s a genius.

This copy is spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.

This is the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. Someday there may well be a CD of this album, but those of us in possession of a working turntable could care less.

Engineering by Bruce Botnick

Botnick is of course the man behind the superb recordings of The Doors, Love and others too numerous to mention.

More recordings by Bruce Botnick

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Some of the Best Live Rock Sound Ever Recorded

Cream Goodbye 

in stock

 

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When you get a good side one of Goodbye you’ll have no trouble hearing why we think it’s one of the Best Sounding Live Rock Albums of all time.

Goodbye has the Big Rock Sound that we go crazy for here at Better Records. The best pressings, the ones that are full-bodied and smooth, let you crank the levels and reproduce the album good and loud the way live rock music is meant to be heard.

It’s clearly one of BILL HALVERSON‘s Engineering Triumphs, along with Deja Vu and Steve Stills’ first album (now that’s a trio!). Live Rock Music on record just does not sound better than a White Hot Stamper side one of Goodbye.

See all of our Cream albums in stock

When it’s all working, you’re front and center for a fiery Cream concert with these guys delivering one heckuva performance. And where else are you gonna get that these days?

What To Listen For (WTLF) (more…)

Roy Halee – One of Our Favorite Engineers

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How many engineers get their picture on the artists’ 45 sleeve?  This is the only one I know of!

ROY HALEE is one of our favorite producers and recording / mixing engineers. Check out our supply of Roy Halee engineered or produced albums, along with some of our famous commentaries.

Many can be found in our Rock and Pop Top 100 List of Best Sounding Albums with the Best Music (limited to titles that we can actually find sufficient copies of with which to do our Hot Stamper shootouts).         

                                               
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Ray Brown with The All-Star Big Band, Engineered by Ray Hall

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Ray Brown with The All-Star Big Band

These two sides offer bigger brass, more transparency and more presence than every other side we played save one!

This may become one of your favorite big band albums to demo or test with. Or you can just enjoy the hell out of it if you prefer. So transparent and tonally correct, this is a killer sounding copy. We put this one right up there with the best of the Verve jazz titles we’ve done to date.

This album sounds like a big room full of musicians playing live, which it surely was. The Tubey Magical richness of the 1962 recording is breathtaking – no modern record can touch it.

The best copies recreate a live studio space the size of which you will not believe. (more…)