Direct to Disc Recordings

John Klemmer – Straight from the Heart

More John Klemmer

More Straight from the Heart

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This White Hot Stamper Nautilus Direct-to-Disc recording is an AMAZING Demo Disc, and what’s more, it’s actually REAL JAZZ — a remarkably unusual combination in the Audiophile World, in my experience anyway. This copy takes the sound of this recording — and the music along with it — to another level. YOU WON’T BELIEVE how good this record sounds  (more…)

The Three – Our Direct Disc Copy

More The Three

More The Three – The Three

xxxxx
xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

DEMO QUALITY, MASTER TAPE SOUND (!) on BOTH SIDES! Hey, wait a minute, this is the direct to disc version, there is no Master Tape. How can it have Master Tape Sound?

Simple. It’s the RARE copy that actually sounds like this one. Most Eastwind pressings — like pressings on any label — do not convey all the information of the master tape that you know must exist because you HEAR it on some copies. Some Direct Discs have much more of the sound that was cut live directly onto the acetate than others. This is one of those, one of the ones with MUCH MORE SOUND! 

This is my favorite piano trio record of all time. Joe Sample, Shelly Manne and Ray Brown only made one album together, this one, recorded direct to disc right here in Los Angeles for Eastwind in the Seventies. Joe Sample for once in his life found himself in a real Class A trio, and happily for jazz fans around the world he rose to the occasion. Actually it was more like an epiphany, as this is the one piano trio album I put in a class by itself. All three of The Three are giving us the best they’ve got on this one. When it comes to piano trio jazz, there is none better. (more…)

Lincoln Mayorga and Distinguished Colleagues – Implore You to Turn Up Your Volume

More Direct to Disc

More Lincoln Mayorga and Distinguished Colleagues

xxxxx

S9 is hands down the best example of a recording that truly comes to life when you Turn Up Your Volume.

There’s not much ambience to be found in their somewhat dead sounding studio, and very little high frequency boost to any instrument in the soundfield, which means at moderate levels this record sounds flat and lifeless. (You could say it has that in common with most Heavy Vinyl pressings these days, if you wanted to take a cheap shot at those records, which, to be honest, I don’t mind doing. They suck; why pretend otherwise?)

But turn it up and man, the sound really starts jumpin’ out of the speakers, without becoming phony or hyped-up. In fact, it actually sounds more NATURAL and REAL at louder levels.  

A Quick and Easy Test

Play the record at normal levels and pick out any instrument — snare, toms, sax, bass — anything you like. Now turn it up a notch and see if the timbre of that instrument isn’t more correct. Add another click of volume and listen again. I think you will see that with each increase in volume, assuming your system can handle it, the tonality of each and every instrument you hear continues to get better.

This record would sound right at something very close to, if not actual, LIVE levels. Of that I have no doubt. (more…)

JS Bach / The Fox Touch, Volume 1

More Johann Sebastian Bach (1685-1750)

More The Fox Touch, Volume 1

xxxxx

[This review was written in 2010. Since then I have played copies of these Crystal Clear organ recordings and been much less impressed. The ambience is a fraction of what it should be, and the reason I know that is that the vintage organ recordings I play have dramatically more size and space than these audiophile pressings do. Live and Learn.]

Are we changing our tune about Audiophile records? Not in the least; we love the ones that sound right. The fact that so few of them do is not our fault.  (more…)

Lee Ritenour – Friendship on JVC Direct Disc

More Lee Ritenour

More Friendship

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This is one of my all time favorite audiophile discs because this is real music worth listening to! The song Woody Creek is wonderful and reason enough to own this excellent album. The guitar of Lee Ritenour and the saxophone of Ernie Watts double up during a substantial portion of this song and the effect is just amazing. 

Special kudos should go to Ernie Watts on sax, who blows some mean lines. But everybody is good on this album, especially the leader, Lee Ritenour. I saw these guys live and they put on a great show. By the way, looking in the dead wax I see this record was cut by none other than Stan Ricker of Mobile Fidelity fame himself!

The L.A. Four Going Home – Review

More Lee Herschberg

More Going Home

xxxxx
xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This East Wind Japanese Direct-to-Disc LP has AMAZING SOUND. The boys do a fantastic version of Greensleeves here, flawlessing switching idioms from swing to bossa nova to bop. 

AMG Biography

Altoist/flutist Bud Shank and Brazilian acoustic guitarist Laurindo Almeida first teamed up in the 1950s to create music that predated but strongly hinted at bossa nova. In 1974, they reunited to form the L.A. Four with bassist Ray Brown and drummer Chuck Flores. With Shelly Manne and later Jeff Hamilton replacing Flores on drums, the L.A. Four recorded eight albums for Concord through 1982, breaking up shortly afterward. Their mixture of cool-toned bop, Brazilian-oriented music, and ballads was quite attractive.

Lincoln Mayorga and Distinguished Colleagues (S9) and Obvious Pressing Variations

More Direct to Disc recordings

More Lincoln Mayorga and Distinguished Colleagues (S9)

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

WOW! Here’s a stunningly good sounding and shockingly quiet copy of The Big One — Lincoln Mayorga and Distinguished Colleagues’ first Sheffield Direct-to-Disc LP aka S9. We’ve been comparing and contrasting pressings of this album for a long time and this is one of the very best — and QUIETEST — copies we’ve ever had the good luck to stumble on. The sound is BIG, RICH and FULL OF ENERGY. We gave side one an A++ and side two our top grade of A+++. It is ridiculously tough to find this record anymore, let alone a pressing this amazing. Who knows when we’ll find another copy, let alone one that sounds like this!

Can you imagine doing a shootout for a Super Rare and Collectible Audiophile Title, the kind of record you might run across once every ten years or so? Well, your friends at Better Records managed to find a handful of copies of the legendary Sheffield first album, S9, (for the most part in practically unplayed condition) and decided that it would be fun to actually find out which copy sounded the best. That’s what do around here all day, so why would we treat S9 any differently than any other record?

Pressing Variations

I have to confess we were actually quite shocked at the pressing variations on this record. These direct to discs are all over the map sonically. Some Sheffield pressings are aggressive, many of them are dull and lack the spark of live music, some of them have wonky bass or are lacking in the lowest octave — they are prey to every fault that befalls other pressings, direct to disc and otherwise. (more…)

Laurindo Almeida Virtuoso Guitar Is — Or Can Be — An Awesome Direct to Disc

More Laurindo Almeida

More Virtuoso Guitar

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

Virtuoso Guitar is yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This White Hot Crystal Clear 45 RPM Direct-to-Disc fulfills the promise of both the direct to disc recording medium AND the 45 RPM cutting speed so much in vogue these days. We had a big pile of these pressings to play through. When we came upon this one halfway through our shootout, it was so big, so clear, so dynamic, so energetic, so extended on the top and bottom, we almost could not believe what we were hearing especially compared to the others copies we played.   (more…)

Flamenco Fever “Live Direct to Disc”

More Audiophile recordings

More Flamenco Fever “Live Direct to Disc”

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

Triple Plus (A+++) sound on both sides, this is a Direct to Disc Demo Disc like nothing you’ve heard. The sound is breathtakingly real – you are there in the club with the guitarist and these dancers. If you have the power to drive big speakers, the dynamics and bass transients of this copy are going to rock your world, literally.

This is an INCREDIBLY RARE very nice looking M&K Realtime Direct-to-Disc LP that plays about as quietly as they ever do and has truly DEMO DISC sound. 

The sound is breathtakingly real. Years ago I dropped the needle on this record without paying attention to the volume level and when the dancers started pounding the floor, one of my woofers blew out! This record is about as dynamic as they come and has the kind of solid bass that few recordings that I’m aware of can lay claim to.

As an interesting side note, this album was recorded on location. The other M&K Direct to Disc record that I like was also recorded on location. Most of the M&K Direct to Discs were recorded in the showroom of the stereo store that Miller and Kreisel owned, which, like any showroom, was carpeted and draped. This is why almost all their records sound “dead”. This was their intention, of course. They wanted the sound to be “live” in your living room. I prefer to hear the kind of ambience that would be found in a real location, and so I have never been much of a fan of their label.

This record, however, gives you both that Direct Disc immediacy and freedom from distortion, as well as the live ambience of the location — the best of both worlds.

The Direct Disc Sound of the Glenn Miller Orchestra

More Glenn Miller Orchestra

More Big Band Jazz

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

One of the all time GREAT Direct to Disc recordings. For sound and music this one is hard to beat. And the vinyl is as quiet as any you will find. 

We went a bit overboard years ago when we wrote, “I don’t think you can find a better sounding big band record on the planet.” Well, we’ve heard plenty of amazing big band albums in the course of our Hot Stamper shootouts for the last five or ten years, albums by the likes of Basie, Zoot Sims, Ellington, Shorty Rogers, Ted Heath and others. (more…)