Birds of Fire as a recording is not about depth or soundstage or ambience. It’s about IMMEDIACY, plain and simple. All the lead instruments positively jump out of the speakers — if you are lucky enough to be playing the right pressing. This is precisely what we want our best Hot Stampers to do. The better they do it, the higher their grade.
The main problem with this record is a lack of midrange presence. If the keyboards, drums and guitars are not right in front of you,, your copy does not have all the presence it should. On the best copies the musicians are right in the room with you. We know this for a fact because we heard the copies that could present them that way, and we heard it more than once.
Which of course gets to the reason shootouts are the only real way to learn about records. The best copies will show you qualities in the sound you had no way of knowing were possible. Without the freakishly good pressings you run into by chance in a shootout you have no way to know how high is up. On this record up is very high indeed.
A True Demo Disc
Birds of Fire is one of the top two or three Jazz/Rock Fusion Albums of All Time. In my experience, few recordings within this genre can begin to compete with the Dynamics and Energy of the best pressings of the album — if you have the Big Dynamic system for it. (more…)