This Bay Area Hippie Folk Rock has a lot in common with The Grateful Dead circa Workingman’s Dead and American Beauty (the latter recorded by the same engineer, Stephen Barncard), and like those superbly well-recorded albums, it lives or dies by the reproduction of its acoustic guitars and vocal harmonies.
Analog richness, sweetness and Tubey Magic are elements absolutely indispensable to the sound of these recordings. Without them you might as well be playing a CD. (Some of the reissue pressings actually do sound like CDs and are not part of the shootouts for this album anymore. Who wants a record that sounds like a CD? They may be pressed on vinyl but they’re no less an embarrassment to analog for it. As you can imagine we feel the same way about most of the Heavy Vinyl records being made today. They’re just embarrassing.)
The best pressings, on the other hand, are everything that’s good about the analog medium — smooth, sweet, relaxed and involving. You had best have a fast cartridge and not overly rich electronics to get the most out of this one. The richness on this record is already baked-in; no need to add more.
In-Depth Track Commentary (more…)