- A superb vintage UK copy of the band’s masterpiece, boasting Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
- We guarantee the sound is dramatically bigger, richer, fuller, and livelier than any pressing you have ever heard, and on this record that is saying a LOT
- A tough record to find in audiophile playing condition – copies without audible marks were not easy to come by
- The band’s Magnum Opus, a Colossal Production to rival the greatest Prog, Psych and Art Rock recordings of all time (Whew!)
- 4 stars: “Thanks to the duo’s uncompromising stubbornness, expansive creative vision, and Dave Bascombe’s final production, The Seeds of Love has dated better than either of its predecessors and is inarguably Tears for Fears’ masterpiece.”
Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; Tubey Magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.
We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.
- A STUNNING pressing with Shootout Winning Triple Plus (A+++) sound or close to it throughout – a true Orchestral Demo Disc from 1961
- As I write this, dollar for dollar this is probably the best sound for the money on the site
- The Symphonic Dances from “West Side Story” sound superb here – big, rich and Tubey Magical
- The performances are superb – energetic as befits most of the music, yet lyrical when the score calls for it
- Vibrant orchestrations, top quality sound and fairly quiet surfaces combine for an astounding listening experience
- Big speakers and loud levels are the sine qua non for the proper reproduction of this album
This London Phase 4 British import has some of the most SPECTACULAR sound I have ever heard reproduced from disc. The sound is so BIG and BOLD that it handily puts to shame 95% or more of all the Golden Age Shaded Dogs, London Bluebacks, Mercury Living Presence’s, EMI’s and Decca’s we’ve ever played. If we had a Classical Top 100 list, this record would belong in a Top Ten taken from it, right near the top judging by what I heard when I played it.
If you have a system with the speed, power, and size to play this record properly (yes, you will need all three and a whole lot more), it’s hard to imagine it would not qualify as the best-sounding orchestral recording you’ve ever heard.
Demo Disc barely begins to do it justice. What sound. What music. What a record!
Side two is where the some of the best orchestral action can be found, and it is presented here with SPECTACULAR AUDIO FIDELITY the likes of which you may have never experienced. (more…)
- With two amazing Shootout Winning Triple Plus (A+++) sides, this original pressing has the analog magic in its grooves
- We love the All Analog Tubey Magical sound of the recording, especially on a copy as rich and full-bodied as this one
- Arguably the best of the solo CSN albums – a founding member of our Top 100 Rock and Pop List and, with grades like these, a True Demo Disc
- 4 1/2 stars: “From the soaring “I Used to Be a King” through the gossamer “Simple Man” to the wah-wah-laden “Military Madness,” the record is filled with gorgeous melodies, flawless singing, and lyrical complexities that hold up decades later.”
When you hear Chicago here you will not believe how cinematic the sound is! It’s everything we love about analog and then some.
Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best. Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.
Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlety is highlighted by the big productions surrounding them. This is the rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale. (more…)
- With a Triple Plus (A+++) Shootout Winning side two and a superb Double Plus (A++) side one, this copy of Supertramp’s Masterpiece will be very hard to beat
- Ken Scott engineered this one to have Cinerama-sized height, width and depth to rival the best rock albums you’ve ever heard
- Clearly their Magnum Opus, a great leap forward and a permanent member of our Rock & Pop Top 100 Album List
- “The tuneful, tightly played songs, pristine clarity of sound, and myriad imaginative sound effects, helped create an album that Sounds magazine likened to ‘Genesis, The Beach Boys…a smattering of [Pink] Floyd.'”
CONDITION NOTES: A mark at the start of track two makes about twenty light to very light intermittent ticks, with a few a bit louder.
This is engineer Ken Scott’s (and the band’s) MASTERPIECE, but the average copy sure can’t get your blood pumping the way this one will. We’ve long recognized that Crime of the Century is a true Demo Disc in the world of rock recordings, a member of our Rock & Pop Top 100 list right from the get go.
When you hear the guitars come jumping out of your speakers on School or Bloody Well Right you can be sure that you’re playing a very special pressing of a very special recording indeed. (Yes, you need both. That’s why we’re here.) (more…)
The best copies must have one key ingredient that we’ve discovered is absolutely essential if this groundbreaking New Wave album is to come to life — a huge, spacious soundstage.
Some copies are huge; others, not so much. The effect of these size differentials is ENORMOUS. The power of the music ramps up like crazy — how could this recording possibly be this BIG and POWERFUL? How did it achieve this kind of scale? You may need twenty copies to find one like this, which begs the question: why don’t the other 19 sound the way this one does? The sound we heard has to be on the master tape in some sense, doesn’t it? Mastering clearly contributes to the sound, but can it really be a factor of this magnitude?
- This superb Chabrier album contains our favorite Espana Rhapsody, and this copy lets you hear it with outstanding Double Plus (A++) sound or BETTER and exceptionally quiet vinyl on both sides
- The “Espana” rhapsody for orchestra in Nearly White Hot stamper sound here is guaranteed to blow your mind
- This spectacular Demo Disc recording is big, clear, rich, dynamic, transparent and energetic – HERE is the sound we love
- All the energy and power of Chabrier’s remarkable orchestration, thanks to the brilliant engineering of Roy Wallace
- Ansermet’s Chabrier disc has long been a favorite of ours here at Better Records – this copy will show you why
If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.
Who can resist these sublime orchestral works? To quote an infamous (around here) label, they are an audiophile’s dream come true. The Track Listing tab has extensive background information on most of these works.
So clear and clean, and spread out on such a huge stage, either one or both of these sides will serve you well as your go-to reference disc for Orchestral Reproduction.
Listen for the waves of sound in Espana — only the best copies bring out the energy and power of Chabrier’s remarkable orchestration. (more…)
- With outstanding Double Plus (A++) sonic grades or BETTER on both sides, this early EMI pressing is guaranteed to be the best copy of Holst’s Magnum Opus, The Planets, you have ever played
- Orchestral power like practically no other music on vinyl you may have heard, and Previn’s and the LSO’s performances are without peer in our estimation
- These sides are rich, clear and dynamic, with weighty brass, and the kind of dynamic power that lefts the energy level right into space
- A TAS List Super Disc, with a performance that’s as spectacular as the recording by the two Christophers
These sides have some of the best sound we have ever heard for the work, and that’s saying something considering the scores of recordings we have played of this famous and famously well-loved piece.
Fortunately for audiophiles who love The Planets but are disappointed by most performances, a group that includes us to be sure, the amazing sound found on this copy is coupled with a superb performance.
As you might imagine, on a big system this would make for a powerful listening experience, which is exactly the experience we ourselves had during our recent shootout. This copy actually deserves its place on the TAS List.
Both sides earned strong grades for their powerful energy and orchestral excitement, especially from the brass section, a subject we discuss at length below. (more…)
Heart’s Little Queen has long been a favorite Test Disc. It works especially well as a test for something we here at Better Records like to call Whomp — the energy found at the low end of the frequency spectrum. Some call it slam, we prefer whomp.
The commentary is here to help guide you as you make changes to your system, insuring that you end up with more whomp without sacrificing equally important qualities found in the midrange and top end of your system.
Reality Check Parts One and Two
Take the song Love Alive.
The beginning section is chock full of lovely and quite subtle details (such as the autoharp and tabla) that seem to lose their magic on most systems. The autoharp is rich and chimey, and the tabla has some real low end extension. The recorders and flutes that join them are breathy and sweet, while the acoustic guitars heard throughout display all the tubey-magical harmonic richness found on our favorite Hot Stamper recordings, from the Eagles first album to Teaser and the Firecat. These qualities easily get lost in the sauce if you’re listening to the average copy, or the typical audiophile stereo. That’s Part One of the test — the opening. (more…)
During our most recent Hot Stamper shootout we were reminded of a fact that had slipped our minds: Trying to get this record to sound right is a truly humbling experience. Without a doubt it deserves the title for Most Difficult to Reproduce in the Rock and Pop category. (Yes, we know, there is no such thing, we just made it up.)
This record will bring any stereo to its knees, including one like ours, which is tuned and tweaked within an inch of its life. Everything has to be working at its absolute best before I would even consider any attempt to play the album. It’s not enough to have the stereo warmed up and cookin’, with everything in the house unplugged. The electricity from the pole needs to be at its best, not that grungy garbage you get in the middle of the day or around dinner time, when all your neighbors have their appliances going. You need that late-at-night, two o’clock in the morning everybody-has-gone-to-bed-and-turned-off-all-their-stuff electricity for this bad boy to work its magic.
I learned an important lesson from a shootout we conducted not long ago, which boils down to this: You can play hard-to-reproduce records all day long if your system is tuned up and working fine. Ours has to be, every day. The shootouts we do require that everything is working properly or we simply couldn’t do them. (more…)