Demo Discs for Tubey Magic

Living Stereo Tubey Magical Sound from 1958

This copy is WHITE HOT!

griegpeerg_rca_1508_1357735538

As much as I like Fjeldstad’s Peer Gynt on Decca/London with the LSO, I have to say that Odd Gruner-Hegge (love that first name!) and the Oslo Philharmonic Orchestra turn in the better of the two performances. To these ears theirs is more lyrical; it flows more naturally both within and between the individual movements.

Joy

The Oslo Phil also gives me more of a sense that they are feeling the joy in the playing of these works; I do not get quite the same feeling from the LSO. As we worked our way through more and more Living Stereo copies, the Oslo Phil.’s enthusiasm and love for the music became recognizably stronger, and, as one would expect, more agreeable and involving.

Our preference for this performance is of course a matter of taste; we cannot be sure you will feel the same. No doubt you have a version of the Fjeldstad on hand for comparison purposes, perhaps the Speakers Corner pressing (which we used to like quite a bit), but any will do. I expect that playing a handful of select movements from the two performances back to back will show this one to be superior. (more…)

David Bowie – Hunky Dory – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

xxx

  • An outstanding copy with a Triple Plus (A+++) side two and an excellent Double Plus (A++) side one
  • The best sounding tracks are Demo Quality — Oh You Pretty Things is a KNOCKOUT here
  • Relatively quiet vinyl (M- to M–), most copies we find don’t play nearly this well
  • “A touchstone for reinterpreting pop’s traditions into fresh, postmodern pop music.” 5 stars

See all of our David Bowie albums in stock

The sound is rich, spacious and sweet with a HUGE soundstage. Drop the needle on Changes and check out how dynamic it is. Side one is where the most popular material for this album is found (Changes, Life On Mars, Oh! You Pretty Things) so this copy definitely a great way to go on Hunky Dory.

What to Listen For (WTLF) (more…)

Dean Martin – Dream With Dean – Watch Out for Hard and Honky Vocals

Dean Martin – Dream With Dean

 

xxx

Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.

Dream with Dean is great for finding any traces of “honk” in your midrange. Getting Deano’s baritone to sound tubey and rich, to get the sound that Bing Crosby could get just by opening his mouth, is not all that easy on some systems, mine included. Correctly set VTA is critical in this regard, but pretty much everything must be working at its best for Dean to sound as intimate and natural as we know he can on the best pressings.
(more…)

Another 30th Street Studio Knockout – This One’s from Tony Bennett

benneileft_1604_1456400972

Columbia 30th Street Studios

Everything that’s good about All Tube Vocal Recordings from the ’50s and ’60s is precisely what’s good about the sound of this record.

The huge studio the music was recorded in is captured faithfully here. The height, width and depth of the staging here are extraordinary. We are not big soundstage guys here at Better Records, but we can’t deny the appeal of the space to be found on a record as good as this.

Transparency and Tubey Magic are key to the sound of the orchestra and you will find both in abundance on these two sides.

Albums such as this live and die by the quality of their vocal reproduction. On this record Mr. Tony Bennett himself will appear to be standing right in your listening room, along with the 38 other musicians from the session (actually they’re probably sitting).

The space of your stereo room will seem to expand in all directions in order to accommodate them, an illusion of course, but nevertheless a remarkably convincing one.

(more…)

Neil Young – After The Gold Rush – Our White Hot Shootout Winner for 2018


Our White Hot Shootout Winner for 2018

xxx

  • A KILLER copy with a Triple Plus (A+++) side one and a Double Plus (A++) side two
  • Stunning classic rock sound: rich, full-bodied, warm, punchy, dynamic and clear
  • One of our favorite classic rock albums for music and sound, arguably Neil’s best
  • Allmusic 5 Stars, A Top 100 title, and a Demo Disc that is guaranteed to knock your socks off
  • “It’s a magnificent, style-setting album which saw the Canadian’s elevation to rock hero. For those who like their emotion raw.”

More Neil Young / More After the Gold Rush

Folks, a Hot Stamper collection of the Greatest Records of All Time would not be complete without a knockout copy this album, that’s why it’s been a Better Records All Time Top Ten Rock Title right from the start. (more…)

XTC – English Settlement – Our White Hot Shootout Winner


Our White Hot Shootout Winner for 2017

xxx

  • Insanely good sound from start to finish, with all four sides rating a Triple Plus (A+++)
  • You won’t believe how good this record sounds – on a Big System this is a sonic tour de force, a MONSTER Demo Disc
  • This copy has huge amounts of open studio space and that Tubey Magical, rich, fat, dense British Rock Sound we love
  • Includes the hit Senses Working Overtime – “The textural sound of the album is quite remarkable” — Allmusic, 4 stars

See all of our XTC albums in stock

This is an AMAZINGLY well-recorded album, with huge amounts of open studio space and that Tubey Magical, rich, fat, dense British Rock Sound. That sound isn’t easy to reproduce, but this copy absolutely nails it. Nothing else in our shootout came close to it!

If you have big speakers and the room to play them, this is quite the sonic tour de force. Credit Hugh Padgham, producer and engineer, who’s worked with the likes of Peter Gabriel, Genesis, The Police, Yes and Emerson, Lake and Palmer. Those bands make the kind of music that make good use of Padgham trademark sound: wall-to-wall, deep, layered, smooth, rich and stuffed to the gills. XTC with Padgham’s help have here produced a real steamroller of an album in English Settlement.

The big hit on this album is one that most audiophiles will probably know: Senses Working Overtime. Even over the radio you can hear how dense the production is. Imagine what it sounds like on an original British pressing with Hot Stampers, played on a modern audiophile rig. Simply put, IT ROCKS. (more…)

The Grateful Dead – American Beauty – Our White Hot Shootout Winner


Our White Hot Shootout Winner for 2018

xxx

  • Only the second Triple Triple (A+++) copy to hit the site in the last five years – you won’t believe how good this record sounds!
  • Man, are quiet copies of this album getting hard to find, and pricey too
  • This is one of Stephen Barncard’s greatest recording achievements – the richness and clarity are really something here
  • 5 Stars All Music Guide, a Top 100 album – “American Beauty remains the Dead’s studio masterpiece.”

See all of our Grateful Dead albums in stock

We managed to find enough clean early pressings to get this always fun shootout going once again, and this copy took top honors on both sides. This is an amazingly well-recorded album — and a member of our Top 100, of course — but it takes a special copy to let the recording’s qualities shine, and this copy is as special as they get – Triple Triple!

Drop the needle on any track — I guarantee you’ve never heard this band sound so good, or your money back.

If you’re looking for a mindblowingly good copy of the Grateful Dead’s masterpiece, you’re going to have to act quickly, because our supply is extremely limited. I understand if you want to write the Dead off based on their later output, but you just can’t deny the power of this album.

Both sides of this copy earned top honors — A+++ all the way.

All the Elements Come Together for Once

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

The acoustic guitars sound magical on this one, and I can’t believe how wonderful these guys’ voices sound. The Tubey Magic and immediacy on this copy are going to STUN you.

You could choose any track you wanted to and find lovely sound here, but I’d recommend Ripple and Attics Of My Life for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here. (more…)

The Hi-Lo’s – And All That Jazz

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Vocal Classics

xxx

The Hi-Lo’s – And All That Jazz

A distinguished member of the Better Records Rock and Pop Hall of Fame .

This Columbia Six-Eye LP has TWO STUNNING SIDES, easily the best we heard in our entire shootout! This is a superb recording, and a copy like this is a true Demo Disc. The vocals are perfection, and every instrument sounds correct and REAL here, with the transparency and clarity to put you right there with the players.

More Pop & Jazz Vocal LPs

Side One

A+++, absolutely amazing! Stunningly clear and high-rez with no shortage of energy or tubey magic, this is As Good As It Gets (AGAIG) — which is very good indeed.

Side Two

A++ to A+++, an incredible sounding side in its own right. Side one might have a slight advantage in terms of transparency, but otherwise the sound here is very similar.

Background Story

An audiophile friend of mine played me this record on his big system in a huge dedicated sound room and the effect was glorious. The Hi-Lo’s are a white-bread vocal group from the ’50s that made a lot of forgettable easy listening albums. But one time they hooked up with Marty Paich and his Dek-Tette, which included players like Herb Gellar, Bill Perkins, Bud Shank, Jack Sheldon — top West Cost jazz players all — and recorded this album of standards.

What really makes this album exceptional is the recording itself. The voices are uncannily real. When the jazz musicians take their solos the sound of their instruments is right on the money. You will have a very hard time finding better sound anywhere, especially considering how beautifully spread out the players are on such a wide and deep soundstage.

Marty Paich Is an Arranging Genius

The high point here is Then I’ll Be Tired Of You. The sound is so perfectly suited to the song — everything is exactly where you want it to be, and Marty Paitch’s arrangement is constantly surprising.

The first track on side one is very reminiscent of Art Pepper Plus Eleven, another Marty Paich arranging job that ranks with the best large jazz ensemble works ever recorded.

Listening in Depth to Brewer & Shipley – Tarkio

More Brewer and Shipley

Listening in Depth

xxxxx

This Bay Area Hippie Folk Rock has a lot in common with The Grateful Dead circa Workingman’s Dead and American Beauty (the latter recorded by the same engineer, Stephen Barncard), and like those superbly well-recorded albums, it lives or dies by the reproduction of its acoustic guitars and vocal harmonies.

Analog richness, sweetness and Tubey Magic are elements absolutely indispensable to the sound of these recordings. Without them you might as well be playing a CD. (Some of the reissue pressings actually do sound like CDs and are not part of the shootouts for this album anymore. Who wants a record that sounds like a CD? They may be pressed on vinyl but they’re no less an embarrassment to analog for it. As you can imagine we feel the same way about most of the Heavy Vinyl records being made today. They’re just embarrassing.)
(more…)

The Real Stars of Windy – Bones Howe and The Wrecking Crew

association

See all of our Association albums in stock

The sound of the sixties will fill your room like never before — wall to wall, floor to ceiling, with layers upon layers of depth. You would be very hard pressed to find a pop rock recording from 1967 that sounds as good as a Hot Stamper Insight Out. (Sgt. Pepper comes to mind, but what else?) Can you imagine the Mamas and the Papas or The Jefferson Airplane with this kind of rich, sweet, open, textured, natural, tonally correct sound quality?

The midrange is pure Tubey Magic! If you have the kind of system that brings out that quality in a recording, you will go wild over this one. In fact it’s so good, it made me appreciate some of the other songs on the album which I had previously dismissed as filler. When you hear them sound this good, you can actually enjoy them.

Hal, Joe and Bones

The real stars of Windy (and the album itself) are Hal Blaine and Joe Osborne, the famous session drummer/ bass player team, who create the driving force behind these songs. Osborne’s web site puts Windy front and center as the first track demonstrating what a top rhythm section can do for a pop song. This whole album can be enjoyed simply for the great drum and bass work, not to mention the sound that both of those instruments are given by the pop recording master Bones Howe.

He produced and engineered the show here; Bones is a man who knew his way around a studio as well as practically anybody in the ’60s. He’s the one responsible for all the tubey magic of the recording. That’s his sound. Those of you who appreciate that sound will find much to like here.

Bouncing Tracks

Never My Love is clearly the best sounding track on the album. Those of you with better front ends will be astonished at the quality of the sound. Windy also sounds excellent, but I hear some sub-generation harmonic distortion, probably caused by bouncing down some of the tracks to make room for others.

This is the era of the four track machine, and when four of the tracks are used up they are bounced down to one track, making available three new tracks. Some of the albums from this era — the Mamas and the Papas come to mind — have multiple bounces, three and four deep, which accounts for the distortion that you hear all through their recordings. The two-track finished master might have upwards of five tape generations or more on some instruments or vocal parts.

We Do The Work So You Don’t Have To

Let’s face it: if you find this record in a record store it’s going to be $10 or less, which is what we paid for most of the copies here. But they’re usually noisy and dull sounding. You really have to work at it to find a copy that sounds like this one. Or, better yet, pay us to do that work for you by just buying this one.

The Master of Tubey Magical Pop Recording, Mr. BONES HOWE.