Demo Discs for Size and Space

Bob and Ray – Throw a Stereo Spectacular – Our Shootout Winner from 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

It’s been nearly two years but the waiting is over — we’ve found another copy of the famous Bob and Ray on Living Stereo with DEMONSTRATION QUALITY SOUND! Without a doubt this is the best sound I have ever heard for side one of this album. The sound here is so amazing I’m willing to go out on a limb and make the following recklessly bold statement. Buck Dance on this pressing has the most extended, natural and harmonically correct high frequencies I have ever heard from my speakers (or anyone else’s for that matter). 

And the crazy thing about it is, when played against an actual original pressing of Music for Bang, Baa-room and Harp, this copy, which one would assume is made from a dub, SOUNDS FAR BETTER. Now of course we don’t have ten copies (or even two copies) of LSP 1866 which would allow us to find one with an even better Buck Dance than the one heard here on Bob and Ray, which means we cannot be definitive in any way about the disparity in sound between the two albums. We can only judge the records we have in hand, not the ones we might have heard years ago or — even worse — speculate about the sound of records we have not actually played, recently or otherwise. (more…)

Dick Schory – Music for Bang, Baa-room and Harp – Check Your Polarity!

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Another in our series of Home Audio Exercises .

An amazing discovery from Better Records. Many copies of this album are REVERSED POLARITY on side two (the side with Buck Dance, one of the better tracks on that side and great for testing). Yes, once again you heard it here first, folks. We had two 4S copies of the album and both of them had side two out of polarity.  

NEWSFLASH: 7s on side two is out of polarity too. Just played one today. There’s practically no real top end extension until you reverse the polarity.

Reversing the absolute phase on this record today was a REVELATION. There before me was all the ambience, openness, sweetness, silkiness and warmth I had come to expect from the best pressings of this longtime member of HP’s TAS List of Super Discs, a record that really is a Super Disc when you hear a good one, and this is a very very good one indeed, on side two anyway. (more…)

Dick Schory – Music for Bang, Baa-room and Harp – Our Shootout Winner from 2016

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This one is absolutely As Good As It Gets on side one. It’s a real treat to hear such a crazy assortment of percussion instruments with this kind of amazingly clear, high-resolution sound! It’s just bigger, richer and clearer than any side we can remember playing. 

Harry Pearson put this record on his TAS List of Super Discs, and rightfully so. It certainly can be a Super Disc, but only when you have the right pressing. This is one of the Demo Discs on the TAS List which truly deserves its status when, and only when, you have the right copy. (The typical copy is quite good, but it sure doesn’t sound like this.) Nothing else in our shootout could touch it. And it’s IN PHASE. Many copies are not.

What to Listen For (WTLF)

Top end, plain and simple. It’s the RARE copy that really has the incredible extension of this side two. The space, the clarity, the harmonic complexity — perhaps one out of ten copies will show you a side two such as this. (more…)

Duke Ellington – Ellington Indigos

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A distinguished member of the Better Records Jazz Hall of Fame.

This 6-Eye Stereo pressing blew us away with its superbly well recorded romantic big band jazz, of which Ellington was a master. Both sides of this pressing are huge, rich, tubey and clear. This is absolutely the right sound for this music. A near-perfect demonstration of just how good 1958 All Tube Analog sound can be – no modern record can hold a candle to a pressing as good as this one. If you like your jazz ballads performed with deep feeling, by a road-tested group of virtuoso players, this record is for you.

If you like the sound of relaxed, tube-mastered jazz, you can’t do much better than Ellington Indigos. Many of the other Six Eye copies we played suffered from blubbery bass and transient smearing, but the clarity and bass definition here are surprisingly good. The warmth and immediacy of the sound here may just blow your mind. (more…)

The Best Sounding Record on the Site?

 The Original Soundtrack

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On any given day a White Hot side one of The Original Soundtrack could very well be the best sounding record on the site.

“On any given day” being a day when we don’t have a hot German copy of Dark Side of the Moon to offer, or a killer Eagles first album, or a top copy of the self-titled BS&T, or an RL Zep II, or a White Hot Teaser and the Firecat. Most days we don’t have such records on the site, and on those days this 10cc album is a recording Tour De Force that would be bigger, bolder, more dynamic, and more powerful than anything we could throw against it.
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Phil Manzanera – Diamond Head

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Diamond Head

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  • This KILLER pressing of Phil Manzanera’s debut album boasts Shootout Winning Triple Plus (A+++) sound from start to finish
  • Two stunning sides – Demo Disc quality sound barely begins to describe the size and power of this recording
  • This album is an amazing SONIC BLOCKBUSTER, with sound that will positively leap out of your speakers
  • A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his Engineering Masterpiece

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more. (more…)

AC/DC – Back In Black – Our Four Plus Shootout Winner

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Musically Back In Black has everything you’d want from this kind of hard rock — a tight, punchy rhythm section; raging guitar riffs; and deliciously decadent lyrics screamed to perfection. What surprised us is how amazing this music sounds on the right copy. You’ve probably heard these songs a million times, but we bet you haven’t heard them sound like this. This is the kind of record that you’ll want to keep turning up. The louder you play it, the better it gets — but only if you’ve got a great pressing like this.

Side two earned our rare A++++ grade. Our sonic grade graphics only go up to three pluses, but this side two took it all the way to four!

We awarded this copy our very special Four Plus A++++ grade on side two, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that. (more…)

Dave Brubeck – Time Out

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  • An exceptional pressing – Nearly Triple Plus (A++ to A+++) on side one, an excellent Double Plus (A++) side two, big and open, with note-like bass and huge amounts of studio space
  • Original Six Eye stereo LPs in playable condition are getting tough to find nowadays – even this one has issues
  • 5 stars on Allmusic, an audiophile favorite and a great example of what’s phenomenally good about 1959 All Tube Analog recordings
  • “Dave Brubeck’s defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time.”

Spacious and transparent, this copy has the big three-dimensional soundstage that makes this record such a joy to listen to. The piano has weight and heft, the drums are big and dynamic, and everything is relaxed and sweet — in short, this copy is doing pretty much everything we want a top quality Time Out to do.  (more…)

Supertramp – Crime of the Century

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  • A huge and powerful UK pressing of Supertramp’s Masterpiece, offering outstanding Double Plus (A++) quality sound or BETTER on both sides
  • Ken Scott engineered this one to have Cinerama-sized height, width and depth to rival the best albums you’ve ever heard
  • Clearly their Magnum Opus, a great leap forward and a permanent member of our Rock & Pop Top 100 Album List – fairly QUIET vinyl too
  • “The tuneful, tightly played songs, pristine clarity of sound, and myriad imaginative sound effects, helped create an album that Sounds magazine likened to ‘Genesis, The Beach Boys… a smattering of [Pink] Floyd.'”

This is engineer Ken Scott’s (and the band’s) MASTERPIECE, but the average copy sure can’t get your blood pumping the way this one will. We’ve long recognized that Crime of the Century is a true Demo Disc in the world of rock recordings, a member of our Rock & Pop Top 100 list right from the get go. We admit to being overly impressed with the MoFi back in the ’80s and the Speakers Corner pressing in the ’00s. Our Hot Stamper pressings are guaranteed to handily beat either one and any domestic or import pressing you care to put to the test as well.

When you hear the guitars come jumping out of your speakers on School or Bloody Well Right you can be sure that you’re playing a very special pressing of a very special recording indeed. (Yes, you need both. That’s why we’re here.) (more…)

Robin Trower – Bridge of Sighs on Awesome UK Vinyl

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  • Two outstanding sides rating Double to Triple Plus (A++ to A+++) for sound, coming in just behind our shootout winner – quiet vinyl too
  • This glorious early UK pressing is huge, rich and punchy, with guitar solos that soar like few others you’ve heard
  • Brilliant engineering by Geoff Emerick at George Martin’s AIR studios – maybe the best sounding album Emerick ever made
  • Top 100 (soon), AMG: “Guitarist Robin Trower’s watershed sophomore solo disc remains his most stunning, representative, and consistent collection of tunes. Mixing obvious Hendrix influences with blues and psychedelia, then adding the immensely soulful vocals of James Dewar, Trower pushed the often limited boundaries of the power trio concept into refreshing new waters…”

We’ve been wandering around in the dark for more than a decade with Bridge of Sighs — that is, until we found a clean early UK Chrysalis pressing. Now we know just how good this album can sound, and that means astonishingly good. The three-dimensional space is really something else on the better UK copies. (more…)