This is a very good sounding and pretty darn quiet Mercury Plum label pressing of Janis’ superb performances, and a member of the TAS Super Disc list. Side one, the Prokofiev side, is super-transparent, with a percussive and wonderfully clear, correct sounding piano at the center of the stage. Additionally, the orchestra is not shrill as it is on so many Mercury pressings.
If you’re in the market for quality classical recordings these days you know that finding a fairly quiet, not shrill, tonally correct Mercury is no easy task. So many are scratched or groove damaged, especially on this title — we went through three copies to find one that was even passable. The piano on the other two broke up like crazy whenever Janis started to pound away, which is something both works call for throughout.(more…)
This collection of WONDERFUL solo piano works, here performed by one of our favorite pianists. Sviatoslav Richter, has SUPERB Living Stereo sound, earning a Super Hot Stamper sonic grade on side one. On this White Dog original pressing the piano is present and clear, with no smear whatsoever. Although the sound is big and rich, without more weight to the piano — the kind you rarely hear outside of a live event — we could not award the full Three Pluses. In practically every other way the sound was Hard To Fault (HTF). (more…)
This rare, hard to find original Blue Angel stereo pressing has exquisite sound. As we noted in our listing for Milstein’s Saint-Saens Third, it is the rare Heifetz album on Shaded Dog (or any other label) that could hope to compete with it.
We would rank this Angel recording/pressing with the best of Rabin and Milstein on Capitol, as well as the wonderful Ricci and Campoli discs on London/Decca.(more…)
White Hot Stamper sound on side two of this solo piano recording. It’s big, rich and above all REAL sounding, with natural studio space. The legendary soloist Leonard Pennario is presented here at the height of his powers. Superb choice of material, from Clair De Lune to Liebestraum to the Hungarian Rhapsody No . 2.
On the rare Stereo pressing of course — we want to hear all that studio space reproduced, just as your two ears would have heard it (more or less).(more…)
This Super Hot Stamper (or better) original Colorback Mercury pressing is not only the BEST sounding copy we have ever heard, it also boasts the quietest side one we’ve experienced, playing mostly Mint Minus. For a fifty year old Mercury that is QUIET.
Not only is the sound amazing — yes, it’s on the TAS Super Disc list, and for good reason, a copy as good as this one really is a Super Disc — but this copy has another vitally important characteristic that most copies of the record do not: virtually no Inner Groove Distortion.
We can’t begin to count the times we have had to return (or toss) a copy of this very record because the piano breakup for the last inch or two of the record was just unbearable. That’s a sound no serious listener could possibly tolerate, yet I would venture to guess that MOST Mercury Piano Concerto recordings suffer from this kind of groove damage.(more…)
Wow, the first nice Reiner Sound on Shaded Dog to make it to our site. Why? Because the few copies we’ve run across that looked decent enough to clean and play were just too noisy to enjoy. Not many copies have survived the bad turntables of their day with all their top end and inner grooves intact, but we’re proud to say that this one has!
This former TAS List record really surprised us on two counts. First, you will not believe how DYNAMIC the recording is. Of all the classical recordings we’ve played lately I would have to say this is THE MOST DYNAMIC of them all.(more…)